Lithograph Nude Prints

Leonor Fini - Road to Death - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Un...

This artwork "Deux Femmes Nues" 1979 is an original color lithograph by noted Belgian artist Guillaume Cornelis Van Beverloo, A.K.A. Corneille, 1922-2...

Hand Signed. Edition of 50 pieces. Excellent condition.

Spanish Couple Lithograph Print by Edouard Chomet c1946 Erotica Signed in the plate From Seville in Spain With a copy of the listing for the whole set that I will be listing.... th...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Artemis Color lithograph, 1898 Signed in the stone lower right (see photo) Published in L’Estampe Moderne with their blindstamp lower right corner, Lugt 2790 Edition 2000 Printed by ...

Woman is an original artwork realized by André Planson in the late 20th Century. Original Lithograph. Hand-signed and numbered, Edition 135/220 Very good conditions. The woman is...

FEMME DÉNUDÉE is an original, hand drawn, stone lithograph by the French artist Michel Potier printed in Paris during the 1970's using hand lithography t...

Hand Signed. Edition of 50 pieces. Excellent condition.

Leonard Tsuguharu FOUJITA La jeunesse, les trois graces Stone lithograph printed by MOURLOT Printed signature in the plate On paper 20 x 30...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Baigneuse Debout, en Pied (Standing Barther) is an original print realized after a 1896 famous lithograph by Pierre-Auguste Renoir (Limoges 1841 - Cagnes-sur-Mer, 1919). Later edit...

Nude is an original lithograph signed "J. Heuse". Signed on plate on the lower left. Good condition except for some folding and being aged. The artwork represents a nude figure in...

Hand Signed. Edition of 50 pieces. Very good condition.

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...

Lithograph printed in colours, 2020, on wove paper, signed and numbered from the edition of 50, published by Tate, London, 87 x 38 cm. (34¼ x 15 in.) South-African born, London based artist Lisa Brice...

Mid-Century original lithograph entitled " Chamonix " hand signed by Joan Gardy Artigas and numbered 12/75 on arches vellum rag paper from the 1966-70 edition. Presented in period 19...

Hand Signed. Edition of 50 pieces plus 15 Artist's Proofs in Roman Numbers. Very good condition.

FEMALE NUDE WITH FRUIT by the American woman artist Sarah Heidt, is an original hand drawn, stone lithograph printed by hand using traditional lithography techniques on archival prin...

Female Nude is an original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in gouache, watercolor, and ...

Limited edition of 90 prints, numbered and hand signed. Excellent condition.

Artist: Tom Wesselmann Title: Where is My Baby Tonight (from One Cent Life Portfolio) Double lithograph, 2 sheets (printed on separate pages) Year: 1964 Medium: Lithograph Reference #: One Cent Life portfolio, page 72 (verso page 71) & 73 (verso is page 74) Page 71 is a lithograph by Kimber Smith...

This unframed piece titled, "Aquarius Lavis" by Guillaume Azouky was created in 1995. The piece is a water color print etching with gold leaf, it is limited edition, being 6 out 50 t...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Galerie Adrien Maeght I (Bleue)" *Issued unsigned Year: 1974 Medium: Original Lithograph, Exhibition Poster on wove paper L...

Reclining Woman is a beautiful and original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym charcoal drawing realized by the Austrian ma...

Hand Signed. Edition of 50 prints plus some Artist's Proofs. Excellent condition.

Very rare edition of only 25 prints on vélin fort, numbered and signed by the artist. Redness on left side of the sheet, otherwise excellent conditions and in full margins. Dry stamp...

Limited edition of 50 prints, numbered and hand signed.

STANDING NUDE DARK HAIR is an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival prin...

Crouching Male Nude (Self-Portrait) is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction ...

Boris Lovet-Lorski, Untitled (Presence), lithograph, edition 250, 1929. Signed in pencil. From a suite of 10 lithographs published by the artist and printed by Ad. Braun & Co., Paris...

Jeanne d' Arc Litho Saint War Heroine Horse Nude Girl Woman In Stock - Edition 12/60 Michael Parkes (1944) studied graphic art and painting at the Univ...

This artwork "Three Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 2/750 in pencil by the arti...

Tracey Emin, Tattoo, Offset Lithograph on Paper, 2001 Offset lithograph on paper (diptych). Colour photocopy lithographic print, from a limited edition of 200 (No. 129). Hand signed...

Artist: Marc Chagall Medium: Original lithograph Title: Hagar in the Desert Portfolio: Drawings for the Bible From VERVE, Vol. X, Nos. 37 and 38. ...

Spanish Lady Lithograph Print by Edouard Chomet c1946 Erotica Signed in the plate From Seville in Spain With a copy of the listing for the whole set tha...

Nude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Théophile Pierre Wagner, 'Vague Lumineuse' (Luminescent Wave), lithograph, edition not stated but small, c. 1895. Signed and titled in pencil. Initialed in the stone, lower left. A f...

Boris Lovet-Lorski, Untitled (Rendez-Vous), lithograph, edition 250, 1929. Signed in pencil. Signed in the stone, lower right. From a suite of 10 lithographs published by the artist ...

Golden Salamander Lithograph Angel Nude Woman Lady In Stock - Edition 21/75 Michael Parkes (1944) studied graphic art and painting at the University of...

Leonor Fini - Orgy - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Artist: Mel Ramos, American (1935 - ) Title: Nude Descending a Staircase Year: 2012 Medium: Lithograph, signed and numbered in pencil Editi...

This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition.. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Standing Male Nude is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. In perfect conditions: as good as new. Today, the original drawing ...

A very good impression of this scarce lithograph. From an edition of 100, this print has full margins and is signed in pencil by Archipenko.

Nude of Woman is an original artwork realized by Osvaldo Peruzzi in 1988. Mixed colored lithograph. Hand-signed by the artist on the lower right. Num...

Artist: Mel Ramos (American, b. 1935) Title: Peek-a-Boo Marilyn 1 Year: 2002 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 31.5 in. x 23 in. (80.01 cm x 58.42 cm)

Leonor Fini - Dressed-up - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsig...

Nude is an original lithograph realized by Pierre Puvis de Chavannes in the 19th Century. Good Conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Nude is an original lithograph realized by an anonymous artist in the Early 20th Century. Hand-signed but illegible. The artwork is depicted through confident strokes in a well-bal...

STANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...

An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...

This artwork "two Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 501/750 in pencil by the arti...

Figure is an original lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, short and...

Red-Haired Girl with Spread Legs is a beautiful and original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym ...

Three women. 9/50., Paper, etching, 23x58 cm

Henri Matisse Odalisque à la culotte de satin rouge 1925 Lithograph on Chine paper, Edition of 50 Paper size: 28.5 x 36.5 cms (11 1/4 x 14 3/8 ins) Image size: 19 x 27 cms (7 1/2 x 1...