Leo Guida

Butterfly and Knife - Original Etching by Leo Guida - 1970

1970

A Lemon, Two Lemons is an original Contemporary artwork realized in the 1980s by the italian artist Leo Guida. Original Etching on cardboard. Numbered titled and hand-signed in pen...

Flowers is a beautiful original etching by the Italian artist Paulucci. Signed on the lower right margin. Edition, 43/75 The artwork represents flowers, depicted by strong express...

Hangar is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Hand signed and numbered. Edition 17/25.

Yellow Rose is a contemporary artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Mixed colored etching. Hand-signed and dated on the lower right. Edition 24...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Still Life is a artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard, in an attractive portfolio. Signed on pl...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

Sunlit Buttercups by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie h...

Originally published as part of artist book Quartet, with essays by Lewis Thomas. The paper was commissioned for the edition from Twinrocker Papermill. This etching incorporates a variety of graphic techniques, including aquatint, spitbite, drypoint, and hard and soft ground methods. They were printed by Robert Townsend...

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Signed, titled and numbered #15/30. This is one in a series of prints related to letters and notes from a teen age friend. The other prints in the series are Chocolat Kisses and The ...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...