Antelope Hand Blown Glass

Artist, designer and glass virtuoso Simone Crestani is a luminary in the world of glass art, combining time-honored tradition with innovative glassblowing techniques to create exquisite sculptures, vessels and modern objets d’art.

Born in 1984 in Marostica, near Venice, Crestani began working with glass at age 15 as an apprentice at the Massimo Lunardon glass factory. Following a 10-year apprenticeship, Crestani opened his atelier and studio in Camisano Vicentino in northern Italy in 2010.

Dedicated to research and exploring new glassblowing methods, Crestani has moved away from working with traditional Murano glass to borosilicate glass, using a specialized flameworking technique he calls “hollow sculpture.”

By using borosilicate glass, which is nearly unbreakable, Crestani can shape and mold his pieces with extraordinary detail. Nature inspires many of his works, such as his Serpentine barware, bird decanters, octopus-inspired Polpo pitchers, antler-topped Africa Trophy bottles, molecular Alchemica glassware line and beautiful candelabras adorned with roses. Other notable Crestani creations include his luminous E-Sumi wall sconces and table lamps, influenced by traditional Japanese sumi-e paintings.

Crestani has collaborated with leading designers such as Giordano Viganò, with whom he made several sculptural wood and glass tables, and Italian glass expert Roberto Giulio Rida for Bernd Goeckler Antiques’ Duetto collection. Among its pieces are the bonsai-like Avatar chandelier and the Scarabei mirror, with glass scarabs embedded in its circular frame.

Since 2006, Crestani’s works have been shown in solo and group exhibitions around the world, including PAD Paris, the Venice Biennale and Salon Art + Design in New York.

On 1stDibs, find a range of Simone Crestani serveware, decorative objects, lighting and more.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Over time, many different styles of vintage, new and antique bottles have found second lives as coveted decorative objects in pristine display cases all over the world. Originally, these bottles may have been decanters and flasks for spirits and liqueurs, medicine and perfume bottles or functional vases for fresh floral arrangements.

We know that glass can be a radical art form. So your vintage art glass or Art Deco pieces will stand on their own to be admired by all alongside your other treasured collectibles in your living room or dining room. But maybe you’re thinking about decorating elsewhere in your home with the other types of glass bottles that you’ve picked up over the years.

There are many corners of your space that can be brightened by an arrangement of bottles of various sizes, shapes and colors. Spruce up your kitchen, bedroom, craft room or art studio by lining the window sill with an array of glass bottles. In this case, you’ll want to use glass bottles instead of ceramic or metal, as transparent material in the sunlight — particularly colored bottles — will introduce energy and pops of color to adjacent walls and surfaces.

Grouping short, tall, thin and wide bottles — some with flowers, some without — on a tabletop, buffet or desk in your home office can bring a much-needed dynamic as a centerpiece or merely dress up a workspace.

On 1stDibs, find a collection of vintage, new and antique glass bottles that includes mid-century modern bottles, Murano glass and more.