Denis Paul Noyer Landscape Prints

Original poster: Cartier Joailliers watch poster. Museum linen-backed poster. Fine condition; ready to frame. This art deco-style image shows the fashionable couple in their car with the man’s watch featured. The image is certainly reminiscent of Tamara Lempicka’s style but it was created by an anonymous artist. The couple in the car driving and showing off his new Cartier watch...

Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Latin Quarter Year: 1978 Medium: Lithograph on premium paper Size: 27.75 x 22.75 inches Condition: Exc...

Original vintage French movie poster: THE PRODIGAL SON; Le Fils Prodigue. Rare linen-backed poster Stars: Lana Turner and Edmund Purdom, Louis Calhern, Audrey Dalton, Neville Brand, James Mitchell...

Artist: Michael Knigin, American (1942 - 2011) Title: Art Deco 1925 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 33.5 x 21 in. (85.09 x 53.34 cm)

Maurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...

LAND OF THE PHAROAHS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. LAND OF THE PHAROAHS is a humorous desert expedition scene near the Egyptian pyramids featuring a row of barefoot explorers in safari hats and suits and their camels, walking side by side posed like figures depicted in the ancient Egyptian reliefs...

An excellent impression of this extremely rare, early lithograph. This is the second edition (of two) and is signed, dated and numbered in pencil by Lozowick. Printed by Burr Miller,...

Original Italian poster: Impermeabili Moretti by Leopoldo Meticovitz. Archival linen-backed original Italian vintage poster IMPERMEABILI MORETTI. This pre-art deco poster is in v...

Image dimensions: 41 x 62 cm. Interesting colored litograph, representing a landscape of the Sicilian town of Scicli. Hand-signed and numbered with pencil on lower margin by the Italian artist, Virgilio Guidi. Edition of 148 prints. On the "Reisga" stationary paper...

Royal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) above copyright information 'Nura W. Ulreich' and dated 1938. The poem below the figure of Summer reads: "Shimmer of heat from the hot dust road. Cold is the mud where the fern grows deep. Flower-scented atmosphere- peaceful sleep. Humming Bird daintily poised on its way. Velvet the night- iridescent the day. Showers and thunder, soft rainbows. Beauty incarnate in delicate clothes. This is the saga of Summer. " This painter, illustrator, muralist, lithographer, author and poet first studied at the Kansas City Art Institute before attending the Chicago Academy of Fine Arts and the Art Students League in New York. Nura Woodson then studied under John French Sloan and, later, with Frederic Gruger. She subsequently moved to Paris where she lived and painted for several years and where she met and married her husband, the Hungarian-American artist Buk Ulreich. While in France, she exhibited with success, including at the Salon d'Automne, and began to paint under the brush name, 'Nura'. After returning to the United States, Ulreich continued to exhibit widely, including at the Art Institute of Chicago, the Corcoran Galleries Biennials (1928-39), the Salons of America, the Society of Independent Artists (1928, 1941) and the Pennsylvania Academy of Fine Arts (1929-1931). Nura Ulreich...