Eugene Henri Cauchois Art

Oil on panel, signed and dated 2012. French handmade wooden Delf frame, raised panel with dark gold/bronze patina and gold leaf. Unframed size: 19.09 inches high x 15.75 inches wide. Framed size: 29.5 inches high x 25.125 inches wide x 1.63 inches deep. Sold framed. Stefaan’s tribute to the great French neoclassical painter stems from first seeing Gericault’s horses...

Signed and dated Barbizon School landscape oil on panel by French painter Henri Joseph Harpignies. The work depicts the trees lining the banks of the River Loing at Saint Prive in no...

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on cardboard sold with frame Wooden frame with glass Total size with frame 47x60 cm Baldo GUBERTI is an artist born in Italy in 1907 and died in 1974. His works have been sold ...

Oil on panel, signed and dated 2007. Classic French black wooden frame with raised panel and gold leaf. Unframed size: 18.11 inches high x 14.96 inches wide. Framed size: 25.6 inches high x 22.4 inches wide x 1.25 inches deep. Sold framed. Inspired by 17th century Masters, Davidz De Heem and Willem Heda...

Oil on panel, signed and dated 2001. French wooden frame in ivory with gold leaf. Unframed size: 19.7 inches high x 23.6 inches wide. Framed size: 26.4 inches high x 30.5 inches wide x 1 inch deep. Sold framed. The first Eyckmans’ painting to employ a brighter, golden palette, this everyday kitchen scene explores the differing textures of the objects within. The artist’s love of all things French is exemplified here with antique pottery, a starched linen tablecloth, breadboard and, of course, fruit and favorite cheeses. Note the superb shadowing of the board extending over the table, the detailing in the chèvre and paper wrapping to the left, and the asymmetrical cluster of stemmed Muscat grapes, all illuminated by easterly light. Classical in perspective and execution, but with a more contemporary feel that derives from the use of color and light, this painting marks a transformational point in the artist’s work. This painting is available for viewing at The Elemental Garden...

Oil on canvas painting of a still life with white vase by the American artist Margaret Fulton Spencer.Signed middle bottom. Titled verso. In original condition; unlined. The painting is housed in a art nouveau reproduction frame. Overall 27.25 by 23.25 inches. Biography forMargaret Spencer The niece of painters Thomas Alexander...

"Memento Mori " Oil on canvas Unframed 25 x 16,5 cm Framed 50,5 x 42,5 cm The frame Handmade from wood and plaster, water gilded with genuine gold leaf over rouge burnishing bole and patinated. Exhibited in the “Memento Mori” art show in Manhattan, New York with Sugar Lift in the beginning of 2021 The symbolism: Memento Mori (Latin for 'remember that you have to die) is an artistic or symbolic reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity, and it was reflected in the artistic genre of Vanitas, where symbolic objects such as hourglasses and wilting flowers signified the impermanence of human life. Memento Mori The Painting’s Qualities Lyubena Fox...

Djakeli G. Officier de cavalerie Work on wood Gilded wood frame 13 x 15 x 2 cm

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...

Oil on panel, signed and dated 2009. French handmade wooden Delf frame, red bolus ground with gold leaf. Unframed size: 11.8 inches high x 19.7 inches wide. Framed size: 21.3 inches high x 29.1 inches wide x 1.25 inches deep. Sold framed. This striking and animated combination of plums with a 15th Century earthenware bowl placed atop a worn plank table hearkens back to the Old Masters while remaining present-day through its geometric composition and use of negative space. Chosen for the pictorial qualities…their shape, color, scale, and satiny skin, a true representation of plums is difficult to capture, as their essence changes and degrades in a matter of hours. As such, the artist focused on including their essential details in the first layer, a practice that is unusual for him. Note the exceptional detailing in the fine variations of color and shape of the fruit, particularly the stems, and the progressive feel attained through the balance of light and color. This painting is available for viewing at The Elemental Garden in Woodbury, CT, the exclusive U.S. representative for the artist. Stefaan...