George Stanfield Walters Art

“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...

Rudolf Bonnet (1895-1978) 'Mepèèd' (Mapeed) Signed lower right Titled upper right Pastel on gouache pigmented paper, 57 x 34 cm In original carved ebo...

Artist: Inoel (French, Active: Late 19th Century) Title: “Vue de Venise (View of Venice)” *Signed by Inoel lower right Circa: 1875 Medium: Original Oil ...

Artist: John Cheltenham Wake (English, 1837-1882) Title: "Fishermen Unloading the Day's Catch, Dover" *Signed and dated by Wake lower left Year: 1874 Medium: Original Oil Painting on Canvas Framing: Recently framed in a green and gold ornate gesso moulding Framed size: 16.5" x 24.5" Canvas size: 12" x 20" Condition: One area in upper left sky professionally restored. In otherwise very good condition Notes: Provenance: private collection - Vero Beach...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19 INCHES X 23 INCHES** John Bates Noel British, (1870-1927) On the Avon & In the Berwin Valley Oil on canvas, pair, both signed, also signed & inscribed verso Image size: 12 inches x 16 inches (each) Size including frame: 19 inches x 23 inches (each) John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of the landscape artist David Bates (1840-1921) but later on changed his professional name to avoid confusion. The family lived in Worcestershire as well as in Birmingham and it was highly likely that he was encouraged and taught by his father as their subject matter and style bear similarities, although John’s compositions tend to be more fluid and looser. By the turn of the century Noel was living in Malvern where he also taught art. He specialised in painting the rugged landscapes in and around the West Midlands, Worcestershire and North Wales. He exhibited at the Royal Academy from 1893-1909 and at the Royal Birmingham Society of Artists between 1892-1919. He also exhibited works at some of the major galleries of the time including the Manchester City Art Gallery and the Walker Art Gallery, Liverpool. The building in the painting 'On the Avon' is believed to be that of St Margaret's Church at Wolston in Warwickshire. The structures at the front of the church appear to be thatched hay ricks, which are similar to ones seen in an old postcard of the church seen from the river Avon...

Gustav Melcher (German, 1898-?) Segelschiffe vor Venedig - Sailing ships off Venice • India ink, water colour wash • Visible image ca. 11.5 x 18 cm • Glased Frame ca. 20 x 25 cm • Verso various inscriptions • Signed lower right Gustav Melcher was a German painter and a pioneer in film, film criticism and film theory and created this clever little picture of the skyline of Venice with various vessels. Going by the various inscriptions an the backing paper, this drawing was made in 1918 when Gustav was twenty years old and passed on three years later to Gertrud Melcher on the 1. 2. 1921. I have no reasons to doubt this information. The small drawing is still in its unopened frame, so maybe there is more information to be discovered , however this will be the privilege of the next owner. The picture also has retained its original antique frame – note that it has lost over the years various sections of the gesso decoration. The very precisely executed drawing is most enjoyable to look at and doing so, remember you are looking through the eyes of a young man, who saw this foreign sea cape over a century ago. Thank you for your interest and please note, that I offer free worldwide shipping on all my items. Gustav Melcher began his studies at the Düsseldorfer Kunstakademie under Peter Janssen and Eduard von Gebhardt. Originaly he was interested in figurative and portrait painting, but after time he decided to pursue the depiction of land- and marinescapes. Durin his studies the young artist undertook trips to visit England, Scotland, Belgium and France and he joined the artist society Malkasten. It was in those days he would hold speeches to his colleges about this new invention called ‘Kintopp’ – Melcher was a great advocate of the moving pictures...

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with UV-resistant varnish and it is not framed. Medium : Watercolour, Soft Pastel and Oil based col...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

Henry H Parker British, (1858-1930) The River Lledr, Bettws-y-coed Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inc...

William R Stone British, (1839-1889) River Thames at Isleworth with All Saints Church & The London Apprentice Pub Oil on canvas, signed with monogram I...

Sir David Murray Scottish, (1849-1933) The Bridge Oil on canvas, signed & further inscribed verso Image size: 17.75 inches x 23.75 inches Size including frame: 26.25 inches x 32.25 ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17.5 INCHES X 23.5 INCHES** Henry H Parker British, (1858-1930) The River Wey near Ripley, Surrey & At Culham on Thames O...