J. B. Pardoe Art

An original 1920s silver gelatin print by photographer Tina Modotti, showing a drawing of soldiers and families by Clemente Orozco. Photo is stamped “Photographs-Tina Modotti Mexico...

An original 1920s silver gelatin print by photographer Tina Modotti of the Diego Rivera mural "Lightning Striking Down the Destructive forces in Society Mother Nature, Harmony Betwe...

An original 1920s silver gelatin print by photographer Tina Modotti, that shows a fresco in the Secretariat of Education Buiilding, Mexico City that illustrates a popular ballad. Ph...

Original gelatin silver print by Photographer Tina Modotti. Stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Archivally matted to 16” x 20”. The Patio in the Public Edu...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Photo is stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Archivally matted to 16” x 20” Tina Modotti was born in Udine, Italy in 1896 and by the age of 14 she was supporting her entire family by working in a local silk factory. Modotti’s father emigrated to San Francisco, sending for his family in 1913. Modotti was hired in the sewing room at the I. Magnin department store, but her great beauty attracted the attention of her superiors who then employed her to model the store’s fashions. In 1915, Modotti attended San Francisco’s Pan-Pacific Exposition, where she got her first look at Modern art and photography. She also met her first husband at the Exposition, painter and poet Roubaix de l’Abrie Richey. At this time Modotti began acting in local Italian theatre and was discovered by a talent scout for the new silent film industry in Hollywood. She arrived in Los Angeles in 1918 and was cast in “The Tiger’s Coat” and “I Can Explain”. Through her Hollywood connections, Modotti met the married photographer Edward Weston, with whom she began an affair. Modotti was a favorite subject of Weston’s photographs, but moreover he taught her the art of photography. She actually ran Weston’s studio in exchange for photography lessons. Due to the on-going affair between Modotti and Weston, Modotti’s husband moved to Mexico where he died of smallpox. This tragedy and the death of her father made Modotti dissatisfied with Hollywood. Modotti and Weston arrived in Mexico in 1923 at a time when the country was in the midst of a social, political and cultural revolution. She photographed the Mexican...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a Diego Rivera fresco in the Secretariat of Education in Mexico City, Mexico. Photo is stamped “Photogra...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco in the Secretariat of Education in Mexico City by artist Diego Rivera. Photo is stamped “Photog...

Edward Serotta Student and Teacher, The Lander School of Budapest. Judaica. silver gelatin print, matted, captioned by hand and hand signed and numbered. B/W photographs document...

"Leaf on Asphalt is signed and dated on the front of the mount. Limited Edition work from the Hawaii Portfolio.

Sabine Weiss Alberto Giacometti dans son Atelier, 1954 (Giacometti in his studio), ca. 1970 Gelatin silver print mounted on paper Signed in graphite by Sabine Weiss on the mount directly underneath the photograph Frame Included This now iconic photograph of Alberto Giacometti in his studio was taken in 1954 by the celebrated photographer Sabine Weiss, who at the time, had unparalleled access to the artist. It was printed ca. 1970 and signed on the mount directly underneath the photograph in a limited edition of an undisclosed size. Highly collectible. Elegantly matted and framed in a museum quality wood frame with UV plexiglass. Measurements: Framed 18 x 14.5 x 1.25 inches Photograph 12.5 x 8.75 inches Sabine Weiss biography: For over sixty years, Sabine Weiss’s name has been synonymous with the seminal era of French Humanist photography. A living legend, Weiss’s images from 1950s Paris speak of a postwar time when a feeling of hope and joie de vivre could be felt in the people populating the city’s cafes, squares, streets, and in all corners throughout Paris. Weiss would photograph individuals going about their daily lives capturing their emotions and creating a style that combined spontaneity and informality, backed by photographer’s intuition and knack for seeing and celebrating the simple joys of life. As she said, “I take photographs to hold on to the ephemeral, capture chance, keep an image of something that will disappear: gestures, attitudes, objects that are reminders of our brief lives. The camera picks them up and freezes them at the very moment that they disappear. I love this constant dialogue between myself, my camera and my subject, which is what differentiates me from certain other photographers, who don’t seek this dialogue and prefer to distance themselves from their subject.” Originally from Switzerland, Weiss moved to Paris in 1946 where she first assisted fashion photographer Willy...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a detail of an image of St. Francis in a fresco in a prep school in Mexico City by Clemente Orozco. Ar...

Fine Fireman 1940s Mid Century WPA Era Modernism Baltimore Black & White Photograph. A. Aubrey Bodine (American, 1906-1970). Gelatin silver print, signed...