Newell Convers Wyeth Art

Medium: Oil on Canvas Sight Size 22.50" x 52.00", Framed 30.00" x 60.00" Signature: Signed 'N.C. Wyeth' (Lower Right) Exhibited Memphis, Tennessee, Memphis Brooks Museum of Art, and...

Medium: Oil on Canvas Signature: Signed and Dated 'N.C. Wyeth' (Lower Left) The Country Gentleman, vol. 91, no. 11, November 1, 1926, cover illu...

Medium: Oil on Canvas Signature: Signed Indistinctly Sight Size 40.00" x 30.00", Framed 46.00" x 36.00" All Around Magazine, Dec 1915. #872 in N.C. Wyeth Catalouge Raisonne 2008 This rare pulp painting by Wyeth was originally published as the cover illustration for "The Return of the Four" by Edwin Bliss, All Around Magazine, December, 1915. The painting was reproduced as catalog no. 872 in N.C. Wyeth, Catalogue Raisonné of Paintings, Brandywine River Museum, 2008. Notes: NEWELL CONVERS WYETH (American, 1882-1945) The Return of the Four, All Around Magazine, pulp cover, December 1915 Oil on canvas 40 x 30 in. Signed indistinctly This rare pulp painting by Wyeth was originally published as the cover illustration for "The Return of the Four" by Edwin Bliss, All Around Magazine, December, 1915. The painting was reproduced as catalog no. 872 in N.C. Wyeth, Catalogue Raisonné of Paintings, Brandywine River Museum, 2008. PROVENANCE: Graham Gallery, New York; Private Collection. EXHIBITED: Graham Gallery, New York. Artist biographical notes: N. C. Wyeth produced over 300 illustrations for hundreds of articles, books, posters, and magazine covers. In 1911, he was accepted by Scribner's to illustrate such classics as "Treasure Island, " The Last of the Mohicans...

The Opium Smoker; The Opium Eater by N.C. Wyeth was created in 1913. The painting is signed upper right. Dedication lower left that reads "To Swayne / Fro...

"The Coming of the Mayflower in 1620" is a painting by American artist N.C. Wyeth. Before there was television and of a time when film was still in its infancy, N. C. Wyeth’s illustrations electrified the stories he visually shaped and annotated. As a young reader of “Treasure Island,” who can deny the urgency to read on to the next glossy illustration? Or, in excited anticipation, thumb through the pages repeatedly to the pictures ahead, so alive and vivid and full of bravado? In 1939, The Metropolitan Life Company offered Wyeth a commission of a different sort; a series of canvas murals that would rely less on bravado perhaps, but instead, a deep sense of time and place. They would offer an energetic and grand vision and express the spirit of national pride by celebrating the strong values that express what it means to be American. Wyeth was thrilled. The fourteen mural panels he agreed to produce would bring the world of Pilgrims to glowing life and “serve as a graphic and dramatic expression of the spirit of New England” (Douglas Allen, et al., N. C. Wyeth: The Collected Paintings, Illustrations, and Murals, pg. 169). Wyeth, an artist of unparalleled skill and fully invested in the authenticity of the characters that populate his narratives, relished the opportunity to convey the pride he felt toward his ancestral past. “The romance of early colonization, especially that of the Pilgrims in Massachusetts, had always excited me. My ancestor, Nicholas Wyeth...

"Summer. "Hush"" is a painting by American artist N.C. Wyeth. It is an oil on canvas work and is signed lower right, “NC WYETH” and inscribed lower left, “Inscribed to Clara and Edwin on their wedding day Dec 25, 1913”. Provenance: Mr. and Mrs. Edwin R. Wyeth, 1913 Mrs. Edwin Wyeth, to 1988 (Judy Goffman Fine Art, New York, NY, May 1991) Collection of John Edward Dell, to August 1995 Private collection, New York, to 2008 [Somerville Manning Gallery, Greenville, Deleware, April 2008] Exhibition: Philadelphia, PA, 1910, no. 798 on p. 51, as "Summer" Chadds Ford, PA, 1972, no. 12; Greenville, DE, 1995 Greenville, DE, Somerville Manning Gallery, "N. C. Wyeth: Painter and Illustrator," June 14-Sept. 14, 2019 Literature: Betsy James Wyeth, ed., The Wyeths, The Letters of N. C. Wyeth, 1901-1945 (Boston: Gambit, 1971), ps. 312, 313 Douglas Allen and Douglas Allen, Jr., N. C. Wyeth, The Collected Paintings, Illustrations and Murals (New York: Crown Publishers, 1972), p. 275, illustration in b/w p. 62 John Edward Dell, ed., Visions of Adventure, N. C. Wyeth and the Brandywine Artists (New York: Watson-Guptill Publications, 2000), illustration in color p. 64 Christine B. Podmaniczky, N. C. Wyeth, A Catalogue Raisonné of Paintings (London: Scala, 2008), I.284, p. 200 Emerging at the end of the Gilded Age, N.C. Wyeth was one of the most important American artists and illustrators. His paintings and illustrations brought life to classic literature from Treasure Island to The Boy’s King Arthur and more. He is most remembered for his ability to capture crucial moments in narratives, fleshing out just a few words into a visual representation of deep drama and tension. Patriarch of the Wyeth artistic dynasty which includes his son Andrew and grandson Jamie, his influence touched future illustrators and artists. Perhaps his most important legacy is how he shaped American imagination – of America itself and of wild possibilities. Wyeth’s powerful paintings gave life to many of the stories America told of itself. His early paintings captured life of the American West and some of his most beloved illustrations were for novels such as The Last of the Mohicans...

Signature: Signed Lower Right Medium: Oil on Handboard Literature: Mabelle Glenn et al., eds., The World of Music: Song Programs for Youth; Adventure, Boston, Massachusetts, 1938, illustrated in color opp. p. 64 Douglas Allen...

Medium: Oil on Canvas Sight Size 53.00" x 136.00", Framed 66.00" x 149.00" Signature: Signed Lower Left Interwoven Stocking Company Advertisement Reproduced on gift boxes, Advertisement appeared in Saturday Evening Post, December 8, 1928, pg.2 The long lost NC Wyeth...