Asian Antiquities

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Hand carved bamboo vase/brush pot/bitong. This hand-carved Chinese bamboo bitong or dried flower vase dates from the late Victorian period, circa 1880. The bitong, or brush pot, is...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

Flying two heavenly beings depicted in the stone. They are celestial beings called an Apsara. While having the same fragment and shape, another work I uploaded exhibits small dots on...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

A set of antique Lanna Thai wooden manuscript bookmark with stand. Age: Thailand, 19th Century Size of bookmark only: Length 46.5 - 53.4 C.M. / Width 3.6 - 4.1 C.M. / Thickness 1.4 ...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

Antique Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included. Age: Laos, 19th Century Size of gong only: Diameter 35....

This jar features a carved design, which is typical of Cizhou ware. It has a creamy white and brown color scheme, and the prominent decoration of lotus flower, which is a common motif in Chinese art and culture, symbolizing purity and enlightenment. The carving technique involves coating the vessel with a layer of white slip (liquid clay), then carving away parts of it to create the design, revealing the darker clay body beneath. This technique allows for a strong contrast between the background and the carved motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...

A pair of antique Chinese measures: 8” x 8'' dehua porcelain figures of boys on water buffalos, republic period, 3'' see more pictures. buy from Bonham...

A pair of pottery dignitary tomb figures from the Ming Dynasty era.

Ancient Luristan bronze sword with green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western Iran in the Zagros Mountains. With its rich and lo...

Bucket burns perfume in bronze resting on three feet. The body is sculpted with a band frieze with an archaic motif. Two inverted U-shaped handles punctuate the edge. This type of bronze bucket was cast with lost wax from molds in several parts and assembled when the piece was poured, these are the traces that can be seen on the back of the bucket. . The bronze has a beautiful green and dark gray excavation patina. This perfume burner was originally to have longer feet, no doubt arched, cut very long ago since the place of the cut has the same patina as the rest of the piece. China Zhou Dynasty...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

A bronze Buddha Flame or "Ushnisha", recovered from the ancient city of Sukhotai, Thailand. Circa 15-16th Century. The Ushnisha is the three-dimensional...

This stunningly enameled porcelain vase has a double mouth opening with hand-painted images of boys playing among the vines, gourds and gourd blossoms. There is a border of bat-like ...

an antique important fine gold Chinese famille rose porcelain 12'' bowl with very beautiful colour enamels, hand painted, mark DaQingQianLongNianZhi, excellent condition, Measures: 1...

An attractive GU vase hand painted in cobalt blue with typical kangxi flower panels painting separated by lined borders. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Height) x 8.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White from Vung Tau Cargo(淸代外销靑花瓷) / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Ancient Luristan bronze spear with excellent green patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western I...

The wear on its surface is a testament to its age and underwater journey, giving it a unique patina that only time and nature can create. The overglaze enamel decoration that adorns ...

Antique Chinese pottery Hu jar decorated with bands of raised lines and a pair of monster masks on the shoulder. Age: China, Han Dynasty, 206 B....

Antique Chinese pottery Hu jar decorated with bands of raised lines and a pair of monster masks on the shoulder. Age: China, Han Dynasty, 206 B....

Antique Chinese fan Qing dynasty, the fan features black and gold lacquered handled a colorful screen , hand painted on silk . With antique fan fra...

19th century Chinese red lacquered papier mâché melon form vessel with lift cover and painted decoration. Measures: H 9 1/2 inch.

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

The green-glazed beasts seated on their haunches, a short spout beside their turned heads, their mane and tail splashed with yellow or brown glaze Period : Qing Dynasty, Yongzheng P...

Large Burmese wooden flower decoration with gilded gold. Age: Burma, Mandalay Period, 19th Century Size of flower only: Diameter 69.5 C.M. / Thickness 10 C.M. Height including stand...

This is a doll which we use for Hinamatsuri day. This person is one of Sannin Kanjo which is called Sanpo. This person has a flower . This doll was made with plastic, cotton, silk , ...

Antique Thai wood carving for high ranking monk seat with stand. Age: Thailand, Rattanakosin Period, 19th Century Size of wood only: Height 56.2 C.M. / W...

Antique Chinese pottery standing cow. Age: China, Tang Dynasty, A.D. 618 - 907 Size: Length 16 C.M. / Width 6.7 C.M. / Height 11.3 C.M. Conditio...

Antique Khmer pottery jar. Age: Cambodia, Pre-Angkor Period, 6th - 7th Century Size: Height 28.4 C.M. / Width 35 C.M. Condition: Nice and condition overall (some expected degradatio...

Introducing our unique Japanese Meiji-era elevated wooden plant pot. Crafted with exquisite attention to detail, the lower base features elegantly blackened metal with a striking wav...

Ancient Luristan bronze sword with nice patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western Iran in the ...

Ancient Luristan bronze sword with nice patina. Luristan bronze comes from the province of Lorestan, a region of nowadays Western Iran in the Zagros Mountains. With its rich and lon...

The drawing captures a scene of trade on blue and white porcelain, where a woman and a man are engaged in a transaction. The woman, dressed in traditional attire, stands with a poise...

Antique Khmer bronze bowl with nice patina. Age: Cambodia, Angkor Vat period, 12th Century Size: Diameter 11.4 C.M. / Height 6.3 C.M. Condition: Nice condition overall (some expecte...

Han Dynasty green-glazed tripods are comparatively rare, especially ones that have retained their structural integrity and glaze over millennia. Pieces in good condition are scarce b...

* Set Item(Teabowl and saucer) The saucer with four carp swimming among floating dumps of water weed, the teabowl with a central carp medallion within a band of smaller fish and wate...

Antique Chinese pottery brick tile with musician flute player. Age: China, Song Dynasty, 10th - 12th Century Size of brick tile only: Height 27 C.M. / Width 16.2 C.M. Height includi...

A set of antique Burmese wood carving Pagoda. Age: Burma, Mandalay Period, 19th Century Size of pagoda only: Height 16.7 - 18.4 C.M. / Width 6 - 6.4 C.M. Height including stand: 22....

The Antique Thai carved architectural element, likely a window lintel. Dealer: S138XX

Cloisonné enamel vase of baluster form and lobed sides decorated with foliage and flowers on a black background, gilt copper neck and base. Around 1900 Period: Qing Dynasty Type: Va...

Antique Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 17th Century Size: Height 26.2 C.M. / Width 14.5 C.M....

Burmese wooden stem tray. Age: Burma, 19th Century Size: Diameter 25.8 C.M. / Height 14 C.M. Condition: Nice condition overall (some expected degradation due to its age). 100% sati...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

Very pretty and old tea pot, gourd shaped, in sculpted coconut, chiseled and mounted on pewter. The cap is also made of pewter. The coconut is decorated with imperial motifs. Chinese...

Very beautiful Taoist statue in polychrome and gold lacquered wood. It is carved from solid wood, with hand-painted details and embossed ornaments on the clothing. This Statuette ma...

Antique Lanna Thai wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Thailand, 19th Century Size: Height 21 C.M. / Width 9.7 C.M. / Depth 5...

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll...

This statue is a representative piece excavated from the Ca Mau shipwreck. It is featured on the cover of the collection book by Dr. Zelnik. Ewer and cover in the form of a seated mo...

This is a small stand made of old Japanese concrete. This shape is called "Makidai" and it got its name from the fact that its legs curl inward. "Maki" = roll "Dai" = stand This des...

The lamp shaped as a kneeling female figure wearing long robes, her face with a large nose, deep-set eyes and pronounced cheeks, holding an infant in her lap, her cylindrical and elo...

This antique Chinese silver tea caddy is an exquisite piece of art that is sure to add a touch of elegance to any collection. The intricate...

Superb old Taoist statue in polychrome and gold lacquered wood, representing a Dignitary seated on a throne, armchair. It is carved from solid wood, with hand-painted details and emb...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left...