Oceanic Furniture

Woodland Grey Round Table by Coco Flip Dimensions: D 100 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 34 kg Coco Flip is a Melbourne b...

Single Earth Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

Woodland Grey Table 01 by Coco Flip Dimensions: D 48 x W 48 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 12kg Coco Flip is a Melbourne...

Raw Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9 l...

White Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9...

Single Raw Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x ceram...

Single Blue Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cera...

Single Black Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

Large Black Honey Wall Sconce by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x cer...

Green and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Raw and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White. ...

A rare daybed is a timeless design that will stand out in any contemporary setting. Fler 'KARINGA' Daybed designed by FRED LOWEN. In good original condition. [Matching armchairs ...

Blue and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. C...

Earth and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White...

Earth and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Black and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink C...

Blue and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White ...

Create an instant designer look with this ravishing, large black leather pillow. Intricately handcrafted using honored time leather craftsmanship ...

Mid Century Don PRINCESS Daybed in good condtion. New upholstery zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Small scratches/dents/imperfection. W 20...

A Pair [Parker] armchairs in good original condtion. New upholstery with high density foam and new zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Rattan i...

FLER 'FLERMONT' Daybed in good condtion. New upholstery with high density foam and new zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Folding mechanism wo...

A Pair [FLER] 'KARINGA' armchairs in good original condtion. [Mathcing Daybed for auction too, pls see my other listings.] Beautifully sculpted mahogany frame is strong, no wobbl...

JON JANSEN dining table in good condition. This is a rare and coveted table from one of New Zealand's top mid century furniture makers. ...

A Pair Don 'CONCORD' armchairs in good condtion. Newly wrapped high density foam and new zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Small scratches/de...

A fabulous vintage painting in an abstract style done with a variety of colors. The painting is framed and signed by the artist, Jo Hart. Acquired at a Palm Beach estate.

A Pair Don princess armchairs in good condtion. Newly wrapped high density foam and new zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Small scratches/den...

A Pair Don 'CONCORD' armchairs in good condtion. Newly wrapped high density foam and new zippable fabric cover. Strong frames, no wobbly, beautiful wood grains. Small scratches/de...

An exceptionally rare pair of John Campbell planter pots. The design is attributed to John Cambell's son, Rupert John Campbell. John Campbell produced decorative pots at his brick works and pottery in Launceston, Tasmania from 1880 until 1975. Rupert John inherited his father's works and was a skilled artisan and potter. He developed presses for decorative pottery. This beautiful pair of jardinières likely date to the early 1900s. They were passed down through three generations. The original owner gave them to her son. In the 1980s the (then elderly) son gifted them to a friend (the last owner before this sale). At the time they received them they were made aware of their age and rarity. Now, another forty years later, they are potentially the only pair in existence. Only one similar John Campbell un-glazed terracotta 'umbrella stand' can be found on record. It was sold in 2008 in Tasmania, at a 'Fine Colonial Decorative Arts' auction run by Mossgreen Auctions, a reputable auction house, though since closed. I can find no other reference to this model, except an acknowledgement of the existence of an un-glazed terracotta umbrella stand, in the definitive record of Campbell's work by Kevin Power, 'John Campbell Pottery: Recollections and Collections' published 2014. These are of the same design and size but were manufactured with drainage holes in the base. They were clearly decorated using a press but the clay slabs were pushed into the press by hand. The interior of each pot shows the marks of hammers used to force the clay into the face of the press pattern. They have a hand-crafted appearance, with hand finished mould lines to each side and there are pressing faults apparent in various areas of the pattern. Tasmania was notably independent in production of most household goods, due to the isolation of the colony right up until the turn of the 19th century. Being at the farthest reaches of the British Empire, settled as a penal colony, with a relatively low consumer population, it was not a market for the high-volume import of domestic goods. As a consequence, household wares and decorative pieces produced in Tasmania through the 19th century represent a wholly independent category of Australian colonial design, production and craft. These pots are highly collectable and scarce artifacts of one of Tasmania’s earliest industries. In aesthetic terms, many Tasmanian artifacts are notable for following British, Georgian and Victorian fashions but with a colonial character of their own devising. Local characteristics became a stronger feature of Tasmanian decoration over time. Note the classical Georgian/Victorian chinoiserie motif of a bird foraging among rushes. In this case, the local interpretation depicts a Brolga (the largest Australian wetland bird) foraging amongst native Australian reeds and water lilies. Another of the things that sets early Tasmanian artifacts apart is the way in which necessity forced artistic production in pottery to be less refined than that of their British counterparts. A broad range of products had to be produced to meet local requirements, often by a single producer. John Campbell’s pottery is a great example of this practical necessity. It produced everything from industrial drainage pipes and bricks to household pottery and decorative items, all from a relatively small family run factory. Their domestic wares were so well trusted and appreciated that they by the 1940s they made their way all over the mainland of Australia. Under these circumstances, the refinement of decorative technique was not as great a priority as utility, consistent quality of production and durability. As a consequence, Australian colonial works and their early 20th century descendants such as these pots, are hugely appealing. They have an idiosyncratic and vernacular appearance, with British and European stylistic trends of their day overlaying a base of inventiveness, local interpretation and sturdy functionality. We hope you can appreciate the rarity and significance of this well-preserved pair of planter...

Anton Micro in brown ceramic by Volker Haug Anton series Dimensions: Ø 8 x D 6 cm. Materials: Cast Ceramic Glaze: Brown Lamp: G9 LED (240V / 120V US). 12V...

Original vintage movie poster for the Australian release of the Japanese science fiction film Godzilla vs. Gigan "The Entire World Gripped by Terror!" (the 12th film in the Godzilla ...

Brass Palais Door Handle by Henry Wilson Dimensions: W 13 x D 8 x H 2 cm Materials: Brass Palais lever handle in high tensile brass or aluminium. Each ha...

Introducing the Pietra Dining or feature table; a new addition to the Pietra collection. Designed by Just Adele. Handcrafted in Italian natural stone combined with steel in bronze pa...

Onda Side Table in White Onyx designed by Just Adele. The Onda Side Table is characterised by its soft forms and bold stone finishes. Translating to “...

Onda Coffee Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Coffee Table is characterised by its ...

A lovely kiln-formed and wheel cut mosaic glass bowl from Klaus Moje's time in Canberra. Cf.: Dan Klein, "Artists in Glass - Late twentieth Century Masters...

Onda Side Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Side Table is characterised by its ...

Art Deco silver plate cocktail shaker of exaggerated geometric form with incised line decoration to the foot and body, an exaggerated handle and spout with a threaded cap secured by ...

Late 19th century New Zealand native timber inlaid table in the manner of Anton Seuffert, the octagonal top with various show woods in the form of s...

Handmade in solid brass in Sydney, Australia by Dunlin. A new classic. A heavyweight brass spotlight. -16 cm total length x 10 cm diameter ( shadow line is 1.5cm High) -6.29" tot...

Handmade in solid brass in Australia by Dunlin. A heavyweight, solid brass pivoting spotlight. A cast brass ball pivot allows the light to rotate around its stem. 14.5 cm long x...

Handmade in solid brass in Australia by Dunlin. A playful up-down light in solid brass. 6.3 cm Diameter x 22 cm Long Finish: Noir Two lamp holders direct ...

Rene Coffee Table in Walnut stained natural oak and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes with soft curved edges, elevate...

Continuum 900 Wall Sconce by Lost Profile Studio Dimensions: W 38 x D 12 x H 90 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (w...

Wood Carved Stirrup Vessel, or Pipe, Massim people, Trobriand Islands, Papua New Guinea. Hand-carved wood in the form of a large animal with a top ci...

Continuum 500 Wall Sconce by Lost Profile Studio Dimensions: W 22 x D 9 x H 50 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (wa...

Suitable as a wall light or ceiling light in both residential and commercial projects, the Aurelia Surface Sconce is defined by its distinctive bell-shaped translucent body, and much...

Sofia Side Table designed by Just Adele. An occasional table, designed with soft curved edges allowing the natural veins in travertine to shine. Each piece...

The Onda Table is characterised by its soft forms and bold stone finishes. Translating to “wave” in Italian, the name Onda takes its cue from the double bullnose detail on the base a...

Altus Hall Table by Lost Profile Studio Dimensions: W 180 x D 40 x H 90 cm Materials: Brass, Aluminium (substrate under stone), Four Seasons Quart...

Aegis Vase 450 by Lost Profile Studio Dimensions: ⌀ 20 x H 45 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Aegis Vase 350 by Lost Profile Studio Dimensions: ⌀ 15 x H 35 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Sofia Coffee Table designed by Just Adele. Designed with soft curved edges allowing the natural veins in travertine and texture to shine. Each piece is hol...

Rene Side Table in Walnut and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes and soft curved edges, elevated by the perfect mix of ...

Missing link wall sconce by Volker Haug Dimensions: Diameter 15 x height 34 cm Material: Brass. Finish: Polished,aged, brushed, bronzed, blackened, o...

White Onyx Stool by Henry Wilson Limited Edition Of 8 Pieces Dimensions: D 67,5 x W 61,5 x H 62,5 cm. Materials: White onyx. Henry Wilson's work combines a rational, democratic util...

Ancient Fiji Islands Flat Serving Bowl or Platter 19th century, made of very dense hardwood with deep patina, and expected wear on bottom. Two small opposing holes for suspension. B...

A Brutalist earthenware wall hanging or plate. This is a recent production (2012), but with an intentional 60s/70s vibe. We love the ocean-blue central glaze. It is deeply crackled...

'Into The Inferno' is a sculptural coffee table, inspired by the process in which the elements and continuity of time shape our world. This piece conv...