Oceanic Folk Art
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Place of Origin: Oceanic
A Very Rare Long Maori Paddle ‘Hoe’
Located in London, GB
A Very Rare Long Maori Paddle ‘Hoe’
Superb colour and patina
Wood
Maori / New Zealand
Late 18th / early 19th Century
Size: 217cm long - 85½ ins long
Provenance:
W.D. Webster, B...
Category
Late 18th Century Antique Oceanic Folk Art
Materials
Wood
Mid-20th Century Tami Islands Papua New Guinea Tribal Wooden Feast Bowl
Located in Point Richmond, CA
mid-20th century Tami Islands Papua new guinea wooden feast bowl
Of classic form, each end carved with raised and incised imagery depicting stylized sea cr...
Category
Mid-20th Century Oceanic Folk Art
Materials
Kaolin, Wood
An Unusual Polynesian ‘Child’s’ Fighting Club
Located in London, GB
An Unusual Polynesian ‘Child’s’ Fighting Club
Old patina and mellow colour
Wood
Fiji
19th Century
SIZE: 84.5cm long - 33¼ ins longù
Provenance:
Ex Welsh collection, sold at au...
Category
19th Century Antique Oceanic Folk Art
Materials
Wood
An Unusual ‘Kanak’ Hardwood War Club
Located in London, GB
An Unusual ‘Kanak’ Hardwood War Club
Fine dark glossy patina from use, a lighter band where a now lost ‘binding’ would have acted also as a ‘wrist thong’
Wood
New Caledonian, Kanak
E...
Category
Early 19th Century Antique Oceanic Folk Art
Materials
Wood
A Rare Double Roll of Pacific Solomon Islands, Santa Cruz, Red Feather Currency
Located in London, GB
A Rare Double Roll of Pacific Solomon Islands, Santa Cruz, Red Feather Currency ‘Tevau’
Plant fibre, bark strips, red bird feathers, small shells, glass beads
Solomon Islands
...
Category
19th Century Antique Oceanic Folk Art
Materials
Feathers
An Exceptional New Zealand Māori Bugle-Flute ‘Pu Turino’
Located in London, GB
An Exceptional New Zealand Māori Bugle-Flute ‘Pu Turino’
With soft and shallow surface decoration profusely carved with a dynamic scrolling motif made of two sections bound together with original and complete ‘Kiekie’ vine roots at four points
The bow shaped mouth piece of anthropomorphic form with small rounded sounding hole to the end
Soft silky smooth medium brown patina
18th Century
Size: 33.5cm high, 4.5cm wide, 2.5cm deep - 13¼ ins high, 1¾ ins wide, 1 ins deep
Provenance:
Collected by Robert Nutter Campbell 4th Regiment of Madras Native Infantry on his return from Singapore 1829
Thence by descent
Sold Sothebys, New York, May 17, 2002, lot 368
Ex Private English collection
Ex Finch and Co...
Category
18th Century Antique Oceanic Folk Art
Materials
Wood
A Rare Spirit Mask ‘Barak’ or ‘Yamburai Parak’
Located in London, GB
A Rare Spirit Mask ‘Barak’ or ‘Yamburai Parak’
Wood, remains of polychrome
Eastern Sepik Province, New Guinea
Late 19th - early 20th Century
SIZE: 45cm high, 35cm deep - 17¾ ins hig...
Category
Late 19th Century Antique Oceanic Folk Art
Materials
Wood
Papau New Guinea Sentani Mounted Nephrite Axe, Early 20th Century
Located in Bishop's Stortford, Hertfordshire
Large and exceptional vintage tribal carved green jade/nephrite axe from Sentani, Papau New Guinea. The Axe is mounted in a custom made bronze base and is...
Category
Early 20th Century Oceanic Folk Art
Materials
Stone
Pendant in Shell from Papua-New-Guinea
Located in Schellebelle, BE
Beautiful pendant made out of 3 different Shell species,
from Papua-New-Guinea from the 1960 ies,
the shells have a good and old patina and shine,
the pendant was used during ceremon...
Category
1960s Vintage Oceanic Folk Art
Materials
Shell
Large Early Papua New Guinea Carved Coconut Scoop or Spoon with Figure
Located in Point Richmond, CA
Large Early Papua New Guinea Carved Coconut Scoop or Spoon with Figure
Scoop is 3 x 4 3/4 x 4 3/4", on custom wood and metal base total height 7 1/2 inches.
Large carved expressive f...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Early Papua New Guinea Weathered Sepik Stylized Hook Figure Mask
Located in Point Richmond, CA
Early Papua New Guinea abstract hook figure or mask with two opposing hooks, and central looped design, Sepik River area. Some chips missing to central loops. Small hole at top for s...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Early Papua New Guinea Sepik Woven Raffia Talipun Mask Red Pigments ex Hamson
Located in Point Richmond, CA
Early Papua New Guinea Sepik tightly woven raffia mask from a talipun bride price currency piece. Old very encrusted surface.
Areas of red and other pigments. Wonderful heart shaped...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Aboriginal Painting by Ronnie Tjampitjinpa, Central Australian Desert
Located in NICE, FR
This is an exceptional painting due to its size of 2 meters by 2 meters, created by one of the leading first-generation artists of Aboriginal art, whose works are exhibited in collec...
Category
20th Century Tribal Oceanic Folk Art
Materials
Canvas, Acrylic
Shell Plaque (Barava) from Solomon Islands, 19th Century
Located in NICE, FR
Objects crafted from the shell of the giant Tridacna clam, also known as the fossilized giant clam, held great value among numerous Melanesian peoples. The artistry of working with f...
Category
19th Century Tribal Antique Oceanic Folk Art
Materials
Shell
Aboriginal Bark Painting by Betty Guymatala, Australia
Located in NICE, FR
This aboriginal painting crafted on a piece of bark uses predominantly earthly colours, which are said to be the most often featured colour schemes in traditional aboriginal painting...
Category
20th Century Tribal Oceanic Folk Art
Materials
Wood
Aboriginal Bark Painting by Emmanuel Wurrkidj, Australia
Located in NICE, FR
This impressive large aboriginal painting was crafted on eucalyptus bark from the Arnhem Land region in the Northern Territory of Australia. It was made by Emmanuel Wurrkidj who is a...
Category
20th Century Tribal Oceanic Folk Art
Materials
Wood
Mendi Ceremonial Headdress, Western Highlands, Papua New Guinea
Located in Leuven , BE
Wig with headdress “kelep” from Southern Highlands province, Mendi Valley Tribes. Hat-shaped headdress made of dark human hair and rattan, bark and bast fiber structure. The headdres...
Category
20th Century Oceanic Folk Art
Materials
Textile, Organic Material
Stirrup Vessel Wood Hand- Carved Massim People Papua New Guinea
Located in North Hollywood, CA
Wood Carved Stirrup Vessel, or Pipe, Massim people, Trobriand Islands, Papua New Guinea.
Hand-carved wood in the form of a large animal with a top ci...
Category
Early 20th Century Tribal Oceanic Folk Art
Materials
Wood
Papuan Gulf New Guinea Bioma Standing Red/White Figure T. Barlin col
Located in Point Richmond, CA
Papua New Guinea standing Bioma figure with raised designs, stylized classic face, and additional face in stomach. Mounted on custom metal and wood base.
Created mid 20th century...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Wood
Ancient Fiji Islands Flat Serving Bowl or Platter 19th century Polynesia
Located in Point Richmond, CA
Ancient Fiji Islands Flat Serving Bowl or Platter 19th century, made of very dense hardwood with deep patina, and expected wear on bottom. Two small opposing holes for suspension.
B...
Category
Late 19th Century Tribal Antique Oceanic Folk Art
Materials
Wood
Papua new Guinea Sepik Turtle stool Head Rest Oceanic Asian Tribal Art
Located in London, GB
Sepik Turtle stool Head Rest Oceanic Polynesian Australian
A cute small stool or Headrest carved in the form of a turtle from the Sepik region of Papua new Guinea
A beautiful objec...
Category
Mid-20th Century Oceanic Folk Art
Materials
Slate
Carved Wood Māori Wahaika Club New Zeland
Located in Atlanta, GA
A wood club known as Wahaika intricately carved and inlayed with small round shells from New Zealand circa 1920s. The hand-hold club was traditionally used as a close-range combat we...
Category
Early 20th Century Tribal Oceanic Folk Art
Materials
Wood
Aboriginal Fine Antique Wunda Shield Australia Tribal Art Interior Design
Located in London, GB
Fine large Antique Aboriginal Wunda shield in hard wood carved on both sides with a highly artistic Zigzag Geometric fluted design colored with red and and white pigment & paint.
The...
Category
Early 20th Century Oceanic Folk Art
Materials
Hardwood
'Marine Life with River Tortoise'. Unknown Aboriginal Artist, Australia
Located in London, GB
This fine painting by an unknown Aboriginal artist, titled 'Marine Life with River Tortoise' consists of natural pigments on mounted bark. The painting was originally purchased in th...
Category
1960s Tribal Vintage Oceanic Folk Art
Materials
Natural Fiber
A Fine Fijian Chief’s ‘Yaqona’ or Kava Bowl
Located in London, GB
A Fine Fijian Chief’s ‘Yaqona’ or Kava Bowl
Carved of vesi wood with traces of old residue deposits, with old ‘fibre’ tribal repair
Wood, fibre
Fiji
19th Century
Size: 14cm high,...
Category
19th Century Antique Oceanic Folk Art
Materials
Natural Fiber, Wood
Papua new Guinea Presentation Axe Oceanic Asian Tribal Art
Located in London, GB
Large Exquisitely crafted Oceanic Presentation Axe
Papua New Guinea Eastern Highlands Wahgi Valley Mount Hagen region.
Mount Hagen ceremonial axe, woven rattan, bicoloured in geometric patterns; the wooden handle attached at an angle with a slate blade
This is a ceremonial axe, a type of axe used mainly as store of wealth and at important rituals.
such special axes are the unit of exchange for the bride dowry price .
A beautiful object...
Category
Mid-20th Century Oceanic Folk Art
Materials
Slate
Aboriginal Painting 'Ngutjul' by Pantjiya Nungurrayi (1936-)
Located in NICE, FR
In this extraordinary painting, Pantjiya Nungurrayi celebrates, using a three-colour palette, the sites for which she holds ritual guardianship. In this instance, she portrays Ngutju...
Category
21st Century and Contemporary Tribal Oceanic Folk Art
Materials
Canvas, Acrylic
Aboriginal Painting by Makinti Napananka (1930-2011), Australia
Located in NICE, FR
ABOUT THE WORK
Makinti primarily paints episodes from the Dreamtime, featuring the ancestral women, Kungka Kutjarra, drawing particular inspiration from motifs associated with the site of Lupulnga. Her artworks are characterized by sweeping waves that resemble slightly curved lines (symbolizing ceremonial hair-string skirts used in certain rituals) or ovals that occasionally assemble to form what appears to be a wall of cells. Some of her compositions combine both motifs, always in a cohesive tonal harmony dominated by ochres, oranges, pinks, and, in some pieces, purples. While the men of her generation adhered to a highly detailed style, Makinti's spontaneity and vigor set her apart in contemporary Aboriginal art.
The artwork comes from an art center and possesses a registration number (05MN1626), with details provided on the back of the canvas. It is sold with a certificate of authenticity.
ABOUT MAKINTI NAPANANGKA (1930-2011)
Makinti Napanangka was born in 1930 in the Lake McDonald region. In 1972, she settled in Papunya at the time when the first group of male artists was formed. However, it wasn't until 1994 that women gained access to painting materials. She initiated her artistic career in Haasts Bluff and, in 1996, took advantage of the establishment of the new cooperative, Papunya Tula. Quickly, she gained significant renown. Presently, Makinti's artworks are highly sought after by collectors worldwide and are found in prominent private and public collections. Recognized as a leading artist from the Papunya Tula center, she was listed as one of the "50 Most Collectable Australian Artists" by the Australian Art Collector Magazine in 2003, 2004, and 2005. The director of the Papunya art center described her as "the best painter since Emily (Kngwarreye), with no living match in her painterly freedom, and her fearless blend of naive and sophisticated elements."
She passed away in 2011.
Awards received by this artist:
2011 - Appointed Member of the Order of Australia
2010 - Finalist, Western Australian Indigenous Art...
Category
20th Century Tribal Oceanic Folk Art
Materials
Canvas, Acrylic
Aboriginal Painting 'Tingari Dreaming' by Ronnie Tjampitjinpa (1943-)
Located in NICE, FR
ABOUT THE WORK "RETINGARI DREAMING"
The migration of the ancestors is depicted through interlocking squares in this artwork. These symbolic motifs narrate the journeys of the Tingari ancestors, who sculpted the terrains in the desert, infusing them with life. The subdued, warm tones evoke the ochre hues of the desert and the hills of Kintore, the community from which the artist hails.
ABOUT RONNIE TJAMPITJINPA
Ronnie Tjampitjinpa was born in 1943 in an almost uncharted region near Muyinga, Australia. He commenced painting only in the 1980s. Starting in 1970, he ardently advocated for Aboriginal rights, particularly for their return to their ancestral lands. Having played a significant political role, he chose to retire to his homeland in 2002, dedicating himself solely to painting. Often working in solitude, he isolates himself for several weeks in the desert to rejuvenate. Ronnie Tjampitjinpa's distinctive style is easily recognizable. The geometrical elements in his paintings captivate the viewer and reflect a territorial representation unique to Pintupi art, a region he traversed during his youth. His themes are diverse, encompassing Water Dreams, Fire Dreams, and a particular affinity for the Tingari cycles. Ronnie Tjampitjinpa stands as a prominent figure in contemporary Aboriginal art in Australia. He was listed as one of the "50 Most Collectable Australian Artists" by the Australian Art Collector Magazine in both 2001 and 2009.
Awards received by the artist:
2004 - Finalist, 21st Telstra National Aboriginal & Torres Strait Islander Art Award, Darwin (Australia)
1995 - Highly commended recognition at the 20th Annual Fremantle Print Award (Australia)
1988 - Alice Springs Art...
Category
21st Century and Contemporary Tribal Oceanic Folk Art
Materials
Acrylic
A Rare and Exceptional Carved Headrest ‘Kali Hahapo’
Located in London, GB
A Rare and Exceptional Carved Headrest ‘Kali Hahapo’
Excellent colour and patina
Wood, sennet (coconut fibre), glass beads
Tonga
Late 18th / Early 19th Century
SIZE: 19cm high, 5...
Category
Early 19th Century Antique Oceanic Folk Art
Materials
Natural Fiber, Glass, Wood, Coconut
A Very Fine and Rare Headrest ‘Kali’ or ‘Kalimasi’ / ‘Kali Toloni’
Located in London, GB
A Very Fine and Rare Headrest ‘Kali’ or ‘Kalimasi’ / ‘Kali Toloni’
Bamboo, wood, coconut ‘sennet’ fibre
The ‘cross-bar’ (rest) engraved with triangular design reminiscent of ‘Tapa Cloth’
Two old paper labels, one stating African origin
Superb colour and patina from age and use
Tonga
18th - early 19th Century
SIZE: 12.5cm high, 44cm long - 5 ins high, 17¼ ins long
PROVENANCE:
Tennant’s Auction Rooms, Yorkshire, July 2009, lot 314, entered privately from the grand daughter and descendant of an eccentric antiques dealer from Harrogate, who used to ride around the town in a ‘trap’ pulled by a zebra ! to the amusement of the townsfolk
William Young (auctioneer, dealer, collector) died 1930’s
Miss Young (grand-daughter)
Ex Finch and Co...
Category
Early 19th Century Antique Oceanic Folk Art
Materials
Bamboo, Natural Fiber, Wood, Coconut
Vanuatu Fernwood Grade Ritual Figure, Ambrym Island
Located in Point Richmond, CA
Vanuatu Fernwood Grade Ritual Figure, Ambrym Island. A sculpture carved from a solid section of the fibrous trunk of a tree fern composed of aerial roots surrounding a woody core, in...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
'Vaughan Springs Dreaming Pikilyi' Aboriginal Painting by Faye Nangala Hudson
Located in NICE, FR
Faye (Theo) Nangala Hudson portrays the narrative of Pikilyi, also known as the Vaughan Springs Dreaming, a sacred waterhole that never dries up. This natural spring, situated near M...
Category
21st Century and Contemporary Tribal Oceanic Folk Art
Materials
Acrylic, Canvas
Sally Morgan Signed Australian Aboriginal Art Original Painting Marble Bar Pool
Located in Studio City, CA
A wonderful, large original acrylic painting on canvas by Australian Aboriginal artist/author/ activist/dramatist Sally Morgan titled "Marble Bar Pool."
The work is signed, dated (...
Category
1990s Folk Art Oceanic Folk Art
Materials
Canvas, Paint
Iatmul People Group "Mei" Mask
Located in Bridgeport, CT
A large and powerfully carved Ceremonial Mask from New Guinea. In mineral paints with Cowrie Shell Eyes.
Collected in Kaminabit, Middle Sepik Region, Papua New Guinea.
The Mei is ...
Category
20th Century Tribal Oceanic Folk Art
Materials
Wood, Paint
Aboriginal Diptyque Paintings by Raelene Kerinauia
By Raelene Kerinauia
Located in Atlanta, GA
A lovely diptyque paintings by Australian Aboriginal artist Raelene Kerinauia (1962- ). Born in 1962 (Tiwi People), Wurrumiyanga, Mantiyupwi Country, Bathurst Island, Northern Terri...
Category
21st Century and Contemporary Modern Oceanic Folk Art
Materials
Canvas
Australian Indigenous Aboriginal Art Thompson Yulidjirri Emu Bird Bark Painting
Located in Studio City, CA
A wonderful, unique, and very engaging original indigenous painting by Australian Aboriginal artist Thompson Yulidjirri, (C1930-2009). The painting is made with natural earth pigments on eucalyptus bark and mounted to a backing for display. It was created in Oenpelli, Western Arnhem Land, in 1977.
Provenance: This piece is from the Kelton Foundation Collection (Richard Kelton Collection located in Santa Monica, California) of important Australian Indigenous Works of Art and was acquired in 1982.
Thompson Yulidjirri was an Aboriginal Australian artist of the Kunwinjku people of western Arnhem Land in the Northern Territory of Australia. He was renowned for his wide knowledge of ancestral creation narratives and tribal ceremony. His works can be found in many prominent collections and museums including:
The Australian Museum, Sydney
The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia
The National Gallery of Australia
The National Gallery of Victoria
The National Museum of Australia
A beautiful, striking, and original work. Would be a great addition to any Australian Aboriginal Indigenous Peoples art...
Category
1970s Folk Art Vintage Oceanic Folk Art
Materials
Wood, Paint
Australian Indigenous Aboriginal Art Thompson Yulidjirri Figural Bark Painting
Located in Studio City, CA
A wonderful, unique, and very engaging original indigenous painting by Australian Aboriginal artist Thompson Yulidjirri, (C1930-2009) featuring two Mimi figures. The painting is made with natural earth pigments on eucalyptus bark and affixed to a Hessian board backing for display. It was created in Oenpelli, Western Arnhem Land, in 1977.
Provenance: This piece is from the Kelton Foundation Collection (Richard Kelton Collection located in Santa Monica, California) of important Australian Indigenous Works of Art and was acquired in 1982. Exhibited: 'Abstract Reality: Australian Dreamtime Art', Modern Museum of Art, Santa Ana, CA, 17 January – 16 April 1989.
Inscribed on verso 'RKB28 No.3373' (likely Kelton collection accession number information)
Thompson Yulidjirri was an Aboriginal Australian artist of the Kunwinjku people of western Arnhem Land in the Northern Territory of Australia. He was renowned for his wide knowledge of ancestral creation narratives and tribal ceremony. His works can be found in many prominent collections and museums including:
The Australian Museum, Sydney
The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia
The National Gallery of Australia
The National Gallery of Victoria
The National Museum of Australia
A beautiful, striking, and original work. Would be a great addition to any Australian Aboriginal Indigenous Peoples art...
Category
1970s Folk Art Vintage Oceanic Folk Art
Materials
Burlap, Wood, Paint
Hand Crafted Concrete Sculpture of Panda Bears
Located in Los Angeles, CA
Hand crafted sculpture of koala bears on concrete. The shape of the total sculpture is the same shape as the country of Australia.This is a very heavy hand crafted sculpture.
Category
20th Century Adirondack Oceanic Folk Art
Materials
Concrete
Antique Lower Sepik brag type mask Papua New Guinea Murik Lakes Ramu Oceanic
Located in Leuven, BE
Ancient and exceptional mask of the brag type, Murik Lakes , Mouth Of The Lower Sepik / Ramu Papua New Guinea
A lovely patina and traces of red/brown ochres.
Length: 47 cm
Very good ...
Category
Early 20th Century Tribal Oceanic Folk Art
Materials
Hardwood
Australian Aboriginal Art Janet Forrester Ngala Painting Milky Way Dream, 1994
Located in Studio City, CA
A wonderful, unique, and quite engaging original painting titled "Milky Way Dreaming" by indigenous Australian Aboriginal artist Janet Forrester Ngala...
Category
1990s Folk Art Oceanic Folk Art
Materials
Canvas, Paint
Single Yua Wenga Currency from the Early 20th Century
Located in Atlanta, GA
A single Yua Wenga currency from the early 20th century on custom iron stand. This antique tribal currency piece from Papua New Guinea has been carved ...
Category
Early 20th Century Oceanic Folk Art
Materials
Bone
Australian Aboriginal Art Carved Wood Log Bone Totem Coffin with Skull Design
Located in Studio City, CA
A wonderful and quite engaging hand carved wood with hand painted ochres on a hollow wooden log coffin with skull and bone designs.
This piece is from the famed Kelton Collection...
Category
20th Century Oceanic Folk Art
Materials
Wood, Paint
Contemporary Australian Aboriginal Painting by Walangkura Napanangka
Located in Atlanta, GA
A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no.
"Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes.
Provenance: Grasstree Gallery, Australia.
It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007.
Brief biography From Australian Art Gallery artist...
Category
Early 2000s Modern Oceanic Folk Art
Materials
Linen, Acrylic, Wood
Three Early Miniature Papua New Guinea Sepik Woven Yam Masks on Custom Bases
Located in Point Richmond, CA
Group of three early Papua New Guinea Sepik miniature tightly woven raffia yam mask with areas of heavy yellow and black pigments. Different Bird imagery in e...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Early Papua New Guinea Sepik Wood Yam Mask Yellow Red and Black on Custom Base
Located in Point Richmond, CA
Early Papua New Guinea Sepik hard wood yam mask with areas of yellow, red, black and white pigments. Expressive face.
Mask is 8 1/2 inches high, on custom metal base total height 12 ...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material, Wood
Early Papua New Guinea Sepik Hard Wood Yam Mask Red and Black
Located in Point Richmond, CA
Early Papua New Guinea Sepik hard wood yam mask with areas of red, black and white pigments.
Mask is 10 inches high, on custom metal base total height 12 1/2...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material, Wood
Antique Aboriginal Carved Wood Boomerang Australia Tribal Art Interior Design
Located in London, GB
Very Good Antique Aboriginal carved wood Boomerang Australia
Carved with fluted design on one face chip design on back, red pigment
Central desert ...
Category
Early 20th Century Oceanic Folk Art
Materials
Hardwood
Early Papua New Guinea Sepik Woven Yam Mask Yellow Pigments on Custom Base
Located in Point Richmond, CA
Early Papua New Guinea Sepik River area tightly woven raffia yam mask with areas of heavy yellow and black pigments. In profile small bird beak form at bottom...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Early Papua New Guinea Painted Maprik Wood Mask Curves Old Pigments
Located in Point Richmond, CA
Early Papua New Guinea painted Maprik carved hard wood mask. Mid-20th century, with wonderful curved expressive asymmetrical face. Long nose with pierced septum. Faded polychrome pig...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material, Wood
Old Australian Aboriginal Peoples Throwing Club
Located in South Burlington, VT
A monumental Australian aboriginal throwing club, crafted from a very hard wood and it dates to the early 20th century.
Incised longitudinal fluted design with a pitch coated handle.
Condition: Very good condition. Display base not included.
Dimensions: 26.5 inches in length.
Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Red base not included.
History:
The throwing stick...
Category
Early 20th Century Oceanic Folk Art
Materials
Wood
Early Papua New Guinea Sepik Woven Raffia Talipun Mask With Pigments Custom Base
Located in Point Richmond, CA
Early Papua New Guinea Sepik tightly woven raffia mask from a talipun bride price currency.
Areas of white, black and red pigments. Wonderful heart shaped face with open eyes and mouth.
This mask or face would have been tied to a large shell which was the currency used...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material
Aboriginal Dot Pattern Gilded Studio Ceramic Bowl, Signed, Australia, 20th C.
Located in Chatham, ON
Aboriginal 'dot' pattern studio pottery bowl with gilded highlights - wheel thrown conical shape - hand painted design with mirror black glaze to the outer sides and background - sig...
Category
20th Century Modern Oceanic Folk Art
Materials
Ceramic
Shell Currency Yua Bride's Price, Papua New Guinea
Located in Point Richmond, CA
Yua Shell Currency, Bride’s Price
Sepik River Region, Papua New Guinea
Hand carved from a clam shell
Measures: 7 x 7.5 in / 18 x 19 cm
Height on cus...
Category
20th Century Other Oceanic Folk Art
Materials
Shell
Early Papua New Guinea Painted Maprik Wood Head or Mask, Strong Expression
Located in Point Richmond, CA
From Papua New Guinea an early painted Maprik carved wood head sculpture or mask, intense expression showing teeth, and two opposing stylize...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material, Wood
Cache-Sexe Papua New Guinea
Located in Point Richmond, CA
Cache-Sexe Papua New Guinea
Culture, Papua New Guinea
Natural fibers, boar’s tails, and pigment
Mid 20th C.
Dimensions: 10 w x 12 h in./13.75 w ...
Category
Mid-20th Century Other Oceanic Folk Art
Materials
Natural Fiber
Early Papua New Guinea Sepik Light Wood Yam Mask Elegant Flame Shaped Form
Located in Point Richmond, CA
Early Papua New Guinea Sepik light wood yam mask. Elegant flame shaped form, old, oxidized wood with black accents, traces of yellow and white pigments. Small...
Category
Mid-20th Century Tribal Oceanic Folk Art
Materials
Organic Material, Wood
Ironwood Root Carved War Club
Located in London, GB
Gunstock shaped war club ‘Sali’. Ironwood root carved with traditional motifs. An excellent example, mounted on a custom stand in patinated bronze.
Measure...
Category
1980s Vintage Oceanic Folk Art
Materials
Iron
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