Modern Wall Decorations

Yrsa Bergengen, Swedish artist. Abstract composition. Title "Tång". Oil on canvas. Signed and dated on the back 1973. Canvas measures 22.0 x 28.0 cm. Total 23.0 x 29.0 cm.

ATLAS 04 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

This charming watercolor is composed in the style of traditional ink calligraphy and depicts two ducks resting on a river bank. Tall grass and leafy sprouts dot the rocky terrain and...

Serigraph on paper "peacock bridge" by Edward Goldman (1916-2006). Signed, titled and numbered in pencil lower edge. In an edition of 40 we have several of these available. Unframed.

ATLAS 06 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

ATLAS 05 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

Abstract landscape oil and charcoal on wood panel by George Turner (1943-2014) American. From the artist's "Twitter Wood" series, signed lower right. Displayed mounted...

White Grid wall shelf by Kristina Dam Studio Materials: White Powder-Coated Steel. Also available in different colors. Dimensions: 25 x 75 x h 25cm. The Modernist furniture co...

This illegibly signed semi-abstract watercolor, dated from 1989, features a captivating and dreamy representation of sub-aquatic life. The technique used in this piece creates a deep...

Tortillero Erizo basket by Onora Dimensions: D 27 x 12 cm Materials: Woven Wicker Our new on going basket collection explores a sea urchin aesthetic. Handwoven by master weavers...

Vintage circa 1990's pencil on paper illustration drawing by Delmos Hickmott (1934-2016) Texas. Zombie walking dead like abstract skeletal woman Signed lo...

ATLAS 03 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

Oil Painting on Artist Pallet. Framed oil painting on artist pallet.

Small modern mixed media artwork. Painted on canvas on a wood stretcher, this artwork uses a plastic element to give depth and texture to the Artwork. The...

A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa (also known as Mrs. Bennett; 1935-2013). Entitled "Tjukurla Country", this work was acrylic on Be...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...

Unknown artist, probably French. Oil on panel. Abstract still life. Flowers in a vase on a table. Unsigned. Approx. 1960s. In perfect condition. Visual dimensions: W 11.0 x 20....

Ash minimalistic round by Corine Vanvoorbergen Dimensions: diameter 130 cm Materials: Brass, Wood, Ash, Epoxy and Acrylics ‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life. Corine van Voorbergen...

Gaia's Iris concept minimalistic round by Corine Vanvoorbergen Dimensions: diameter 150 cm Materials: Brass, wood, natural pigments, epoxy and acrylics Corine van Voorbergen...

Vintage Warren Fischer abstract painting with aquarium Offered for sale is a figurative abstract oil painting on canvas by the American artist Warren Fischer (1943-2001). The pain...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...

Generation 05 by Eguzkiñe Egaña Unique Dimensions: W 20.5 x L 20 x H 40 cm Materials: black stoneware, slip, rope and wooden log In this series of pieces, called 13 generations, ...

One of a kind, contemporary design, meadow block side tables embody the surface of moss. Made by the art and design duo Andredottir & Bobek They have...

Luis Vidal Collage. Very decorative. Unique Piece. Circa 2022, Spain. Very good condition. Modernism is both a philosophical and arts movement that arose from broad transformati...

Oil on canvas, signed, inscribed, and dated on the reverse. American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts / SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

This intriguing limited edition lithograph features a captivating interplay between surrealism and eroticism. The vibrant blue sky evokes the work of René Magritte, with its signatu...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called A Fecund Moment showing the tie of Marcus Garvey...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch...

This plate comes from the book On the Rock published by Montez press in 2016. The plates are a collaboration between the founders of figure ground on how to interrogate text into ima...

Black and White photo of African American Mother and Children Glossy Paper mounted on Foam Core Overall size = 18" x 24" Image size = 12" ...

Cornelio Star by Onora Dimensions: D 93 cm Materials: Woven wheat fiber Hand woven by the Tata Curiata workshop, master artisans who received a special mention in the Loewe Craf...

Italian modern Print on paper for the Milan Furniture Fair by BeB Italia, 1983 Print on paper in Metaphysical style representing a square with mo...

NASA Colonna shelf by Daniel Nikolovski Dimensions: ø39 x H 120 cm Materials: Aluminum, Colored Glass NASA Colonna is a circular shelf that is comp...

David Allgood "Hawk" signed serigraph numbered 254/500. Framed. Made in USA, c. 1980's.

Helge Ernst (1916-1991), a Danish modernist. Test print on paper. Modernist composition in colors. Member of the artist association "Koloristerne" in 195...

Limited Edition #01/10 Black & White portrait of a rice vendor in Tokyo October 2022 by Taco Joustra. This portrait is part of a series titled "Faces of Japan". The museum quality ...

Abstraction with India ink on paper by Nell Blaine.

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithographies are different from the others and are unique pieces. Hand signed by the artist. The collaboration with José Pérez...

Italian modern cream white plastic shelves by Marcello Siard for Kartell, 1970s. Set of six shelves with asymmetrical profile in plastic in colors ranging from white to cream, as t...

Box, ashtray in polished bronze by FAKASAKA Design Dimensions: W 63 x D 37 x H 7 cm Materials: Polished bronze.  

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Osis shelving by Llot Llov Edition 2 Dimensions: W 140 x D 35 x H 175 cm Materials: Core board birch, powder coated steel LLOT LLOV produce exclusive furniture and objects for priv...

Playful abstract artwork by Danish artist Erik Lagoni Jakobsen made at his own workshop in 1968. The work consist of different found object mounted on a circle and painted. It is ins...

Beautiful Mosaic after Georges Braque. Signed and numbered. Edition of IV. Dimensions: 120 x 160 cm. Mosaic executed by Heidi Melano (one of the most important French Mosaist, she collaborated with Chagall, Braque, Modigliani). This Mosaic has been exhibited in: Art Museum of the Imperial Palace, China, 2012. Nanjing museum, 2012. Muse´e Georges Braque, Saint-Die´-des-Vosges, 2013. From the gouache "Pelias et Ne´le´e,' dated 1962. Bibliography: "Les Me´tamorphoses de Braque" of Heger de Loewenfeld and Raphae¨l de Cuttoli, Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful mosaic is one of them. The father of Cubism. Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Ce´zanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Ce´zanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a Revelation: Ce´zanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large nude, a masterpiece of the period, can be considered the first work of Ce´zanne cubism. Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In still life with violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object. But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques 20th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood...

All our products are custom made. The price per square meter is 77$. The price shown is for a 350cm wide by 250cm high wall The "Eclipse" décor evokes the mysteries of the sky. A ...

Cornelio star by Onora Dimensions: D 120 cm Materials: Woven wheat fiber Hand woven by the Tata Curiata workshop, master artisans who received a special mention in the Loewe Cra...

Pair of polished bronze bar trays by Fakasaka Design Dimensions: W 63 x D 37 x H 7 cm Materials: Polished bronze.  

Oil painting on board by Sara Skaaning. Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until completely di...

Doozie 2021 Acrylic silkscreen ink on canvas 66 x 48 inches (152.94 x 121.92 cm) Edition of 2 Multidisciplinary artist, designer, photographer, an...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...

5 fogli mosaico Bisazza originale, anni 90 montati su rete. dim 30 x 30 cm adatti uso rivestimento vasi, cornici, rivestimento. adatti anche per uso in esterno. fogli pronti da inco...

Amara by Nathalie Van der Massen Dimensions: 150 x H 50cm Materials: Linen, Bio Cotton. Off white color. Technique: Manually woven. Hand-c...

Sver by Natalie Van der Massen Dimensions: 100 x 80cm Materials: Silk. Dyed blue and grey Technique: Manually woven, and painted. Hand-craf...

Imagine that you could have a system to organize your books in the order that suits you better. You might even have the option of having some storage for your office. Imagine that yo...

Ash minimalistic round by Corine Vanvoorbergen Dimensions: diameter 70 cm Materials: Brass, wood, ash, epoxy and acrylics ‘Ash’ symbolizes the outcome, almost like a relic of the intense passion that came before. This is never the end, as from ash comes new life. Available sizes: 70, 90, 110, 120, 130, 140, 150, 160, 180cm Corine van Voorbergen...

Quartz art frame by Aver Dimensions: D 46 x W 73 x H 80 cm Materials: Quartz, Steel, Resin.  

Blush minimalist round by Corine Vanvoorbergen Dimensions: diameter 140 cm Materials: Brass, wood, natural pigments, epoxy and acrylics Love, Anger, Shame, Frustration, Passion. It comes and it goes. Think about it. Corine van Voorbergen...

Two Kinds Of People Minimalistic Round by Corine Vanvoorbergen Dimensions: diameter 130 cm Materials: Brass, Wood, Natural pigments, Epoxy and Acrylics There are two kinds of people. Those that see the night coming and those that see the day arriving. Corine van Voorbergen...