Prints and Multiples on Sale

Gauguin et Ses Amis is a Lithograph realized by Louis Anquetin (1861-1932). Good condition on a yellowed paper. Signed , titled ancd numbered on the lower margin. Louis Émile Anqu...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Wassily Kandinsky - Composition #218 (Two Ovals) 1919 Lithograph in colors on Arches paper, 1990 Paper size 30" x 24" inches Image size 24" x 20" inches Marked in pencil P.P. (Printe...

Guillaume Corneille L'arbre Extatique 1981 Print, Signed Lithograph on wove paper 25.5 x 19.5 " inches Signed in pencil and dated and marked AP 25/25 (artist proof) Hinges attached f...

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...

Artist: Warrington Colescott (1921-2018) Title: Cowboys and Indians Year: 1969 Edition: 24/75, plus proofs Medium: Lithograph on paper Inscription: Signed & numbered in pencil Size: ...

Paper Size: 26.5 x 26.5 inches ( 67.31 x 67.31 cm ) Image Size: 21.25 x 26.25 inches ( 53.975 x 66.675 cm ) Framed: No Condition: A: Mint Additional Details: First edition exhi...

Le Chasseur Fortune Engraving framed Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...

"Juan Sebastian Barbera (Mexico, 1964) 'Personaje', 1991 silkscreen on paper Velin Arches 300 g. 15.8 x 11.9 in. (40 x 30 cm.) ID: BAR-202"

Robert Indiana Great American Dream 1971 Limited Edition Print Edition 27/68

Mediterranean Calm Image: 25.0 x 18.2 cm Mount: 37.8 x 29.8 cm Wood engraving 1932 Condition: Slight foxing One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Sku: NR107 Artist: Roy Lichtenstein Title: Landscape With Figures and Rainbow Lg Year: 1989 Signed: No Medium: Serigraph Paper Size: 39.25 x 51 inches ( 99.695 ...

Artist: George Rodrigue Title: Truly Rudy Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 350 Medium: Original serigraph on ...

GOLDEN TJOY 2019 From “Sexy Golden fruit" project Measurement: CM 90x120 Print run 2/6+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChr...

Original poster: a l'Arc Musee d'art Moderne; artist Robert Combas; lithograph, 1984, excellent condition. Ready to frame. Year: 1984. Size 24.87" x 32.12" Artist: Robert Combas This poster is also known as the Cat or "Le Chat". Vintage original poster...

Comical illustration by Gaston Hoffmann (French, 1883-1977). A doctor is giving a shot to a female patient, while a nurse tries to prevent a man from barging in. Pencil signed "G Ho...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (carmín)', 1975 Lithograph on paper 20.9 x 24.5 in. (53 x 62 cm.) Edition of 75 ID: BUR110...

Photography / art print, limited 1/5, signed by the author.

"Flavio Garciandia (Cuba, 1954) 'Un salto en Madrid', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-001-106"

Paul Klee (after) Country House In The North (Landhaus im Norden) Year: 1925 Serigraph Size: 14x16.9 on 19x21.5 inches Edition: 440 Signed in the stone, numbered by hand Publisher: K...

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Guillaume Corneille Image D'Un Ete 1981 Print, Signed Lithograph on wove paper 25.5 x 19.5 " inches Signed in pencil and dated and marked AP 16/25 (artist proof) Hinges attached from...

Giclee on canvas. Hand signed on front by the Tomasz Rut. Hand numbered on verso. From the edition of 350. Custom framed as pictured. Frame size approx 42 x 33 inches. Please ...

Le alabarde, Ref. 499 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees with a cycle of sixty different platemarks. In 2021, Milan named a new street after her. Her etchings are in prestigious museums in Europe and America, as well as in many private collections. Her work is protected by a foundation with her name, based in Milan. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography Proudly present into Google art and Culture A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina - a village just outside Cremona- in the north of the country. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati...

Flavio Garciandia (Cuba, 1954) 'Sin título V', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR1570-005-106 Unframed

"Flavio Garciandia (Cuba, 1954) 'Sin título IV', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-004-106"

Artist: Peter Max (1937) Title: Tip Toe Floating I Year: 2001 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 4.75 inches Condition: Excellent Inscr...

GOLDEN PEAR 2019 From “Sexy Golden fruit" project Measurement: CM 30x40 Print run 10+2PA Digital Photography C-Type Lambda, print on Fujichrome Photo paper, unframed, in design...

Carlos Quintana (Cuba, 1966) 'Sin título II', 2001 silkscreen on canvas 39.4 x 28.8 in. (100 x 73 cm.) Edition of 75 ID: QUI1316-002-075 Unframed

Andre Baudin Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provid...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

"Flavio Garciandia (Cuba, 1954) 'El camino de Santiago (de Cuba)', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR157...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (azul)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

Woman With Horse is an artwork realized by Enzo Assenza. Print in lithograph technique. Hand-signed by the artist in pencil on the lower right corner. ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Chryssa Chinatown - 1979 Print - Serigraph   38.5'' x 31'' inches Edition: Signed in pencil and marked 204/250 Chryssa, (born Chryssa Vardea Mavomichal...

Sku: EF381 Artist: Roy Lichtenstein Title: Brushstrokes at Pasadena Art Museum Year: 1967 Signed: No Medium: Serigraph Paper Size: 25 x 33 inches ( 63.5 x 83.82 cm ) Image Size: 22 x...

Paper Size: 33 x 23 inches ( 83.82 x 58.42 cm ) Image Size: 26 x 23 inches ( 66.04 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: First edition exhibition poste...

Victorian-style drypoint etching by James Dobie (British, 1849-1911), after a painting by Walter Dendy Sadler. Printed in London by J. Brooker & Co. and ha...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.

"Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida III y IV (pag suelta)', 2005 woodcut on paper Rives BFK 300 g. 15.8 x 42.4 in. (40 x 107.5 cm.) Edition of 50 ID: CUE-128" ...

Sku: AE1129 Artist: Roy Lichtenstein Title: Aspen Jazz Year: 1967 Signed: No Medium: Serigraph Paper Size: 40 x 26 inches ( 101.6 x 66.04 cm ) Image Size: 4...

Paper Size: 27.5 x 39.5 inches ( 69.85 x 100.33 cm ) Image Size: 15 x 34.75 inches ( 38.1 x 88.265 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Artist: George Rodrigue Title: Angel Baby Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excellent...

Chryssa Chinatown - 1979 Print - Serigraph   38.5'' x 31'' inches Edition: Signed in pencil and marked 207/250 The bright lights and signage of Manhattan became an important source of inspiration for the Greek-born artist Chryssa Vardea...

"Bessie Smith" - Musician's Portrait Etching on Paper (A/P) Clean and modern drypoint etching of a jazz singer Bessie Smith by Maria Bennett (American, 20th Century). The singer is ...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), Rudolf von Rittner as Florian Geyer, 1924 (Müller 854), drypoint signed in pencil. 20.4 × 14.2 (plate size), 37.7 × 30.6 cm (sheet size). Published by Karl Nierendorf, Berlin. Framed in a passepartout. - Strong, precise impression. Frame a little bit rubbed and with two small damages. About the artwork The knight is a leitmotif in Lovis Corinth's work, culminating in his Self-Portrait in Armour of 1914. Of all the paintings on this theme, Corinth most often depicted Florian Geyer. Descended from a Franconian noble family, he fought for the freedom of the peasants during the peasant wars of the Reformation, first diplomatically and then militarily, leading the legendary Schwarzen Haufen (Black Troops). The name derives from the black uniforms with which Geyer dressed the peasants willing to fight. During the Napoleonic occupation, the freedom fighter Florian Geyer was sung about by the Romantics, and the free corps Die Schwarze Schaar, founded in 1813 by Major von Lützow, succeeded the Schwarzer Haufen. It was against this historical background that Gerhard Hauptmann wrote the revolutionary drama Florian Geyer, which premiered at the Deutsches Theater in Berlin in 1896. While the actor Rudolf Rittner, who would later appear in Fritz Lang's films, initially played the role of Schäferhans, he took over the leading role in the new production at Berlin's Lessing Theatre in 1904, again directed by Emil Lessing, which established his fame as an actor. Hauptmann himself praised the acting. He wrote to Hugo von Hofmannsthal: "It went quite well with Florian Geyer. In any case, I had the great pleasure of seeing the play again in an admirable performance". And Lovis Corinth was so taken with Rittner's performance that he painted an oil portrait of him in the role of Florian Geyer in 1906. After two further graphic versions in 1915 and 1920/21, Corinth returned to the painting a year before his death and almost twenty years after the oil painting to create this graphic version in 1924. Even the inscription in the picture was taken over. This proves all the more the importance of the knight and freedom fighter for Corinth's self-image. The oil painting, in particular, proclaims the single-minded determination to fight to the last for the values defended, manifested in the oil painting by the tattered flag held out to the enemy. There is a parallel with Rainer Maria Rilke's 1899 story The Cornet, in which the protagonist goes down with the flag that he first saved at the risk of his life. Consequently, the portrait is also a self-portrait, and the knight's armour is not an academic costume or an ironic refraction, but an expression of Corinth's self-image, which also includes his self-representation as an artist. The Secession poster...

"Flavio Garciandia (Cuba, 1954) 'Sin título VI', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR1570-006-106"

1982 1st pressing, Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers. Cover: Off-set print of Warhol's original screen print from the same year. 12 x 12 Inches (30.48 x 30.48 cm). Minor shelf-wear; otherwise very good overall vintage condition. Record included in very good condition. Warhol credit appears in the lower section of verso (image 3). Looks super cool framed. Further Background: The soundtrack for the Rainer Werner Fassbinder film based on Jean Genet's novel "Querelle de Brest." In 1982 Warhol designed a silk-screen image which was issued as a print, used on the poster for the movie, and as cover art for the soundtrack. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Gay interest. Andy Warhol record art. Warhol vinyl record album. Warhol nude. Warhol men.

David Morris Colibri Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

FRANÇOIS AND A FEW FRIENDS by the woman artist Robin Morris, is an original limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techn...

Original "Fete des Fleurs" vintage Swiss poster. Archivally linen backed and ready to frame. Printer: "Sonor', Geneva, Switzerland The Fest...

Sandra Ramos (Cuba, 1969) 'Avistamiento I', 2005 silkscreen, collage on canvas 22.9 x 27.2 in. (58 x 69 cm.) Edition of 99 Unframed ID: RAM1508-001-106 Hand-signed by author

Wassily Kandinsky - Composition 1916 Lithograph in colors on Arches paper, 1990 Paper size 24" x 28" inches Image size 20" x 22" inches Stamped signature (16) Blindstamps of the Russ...