Henri MatisseFigure assise, le bras droit appuyé sur une table 1929
1929
About the Item
- Creator:Henri Matisse (1869-1954, French)
- Creation Year:1929
- Dimensions:Height: 14.97 in (38 cm)Width: 11.03 in (28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU26224638021
Henri Matisse
Whether working as a draftsman, a sculptor, a printmaker or a painter, Henri Matisse was a master of color. Although classically trained at the Académie Julian, in Paris, he quickly abandoned traditional techniques and genres to pioneer a style all his own, marked by quick, gestural strokes and fluid contours.
Along with fellow painter André Derain, Matisse was the leading proponent of Fauvism, a movement whose name is derived from the French word for "wild beast.” Marked by vibrant hues, Fauvist paintings like Matisse’s famous 1906 composition Le Bonheur de vivre use wild, active brushstrokes and a palette unconstrained by nature, resulting in women with purple skin and trees with orange leaves. Often, these compositions unite pure color with the white of exposed canvas to create a sense of transparency and light.
In addition to masterful landscapes and still lifes, Matisse loved to paint erotic subjects, particularly the female nude. Rejecting strict realism, he distilled the form into its essential parts and then translated these into voluptuous, rounded contours. With its striking colors and sculptural modeling of the figure, Odalisque couchée aux magnolias is among Matisse’s most famous works — and the most expensive work of his ever sold — depicting Henriette Darricarrère, his muse and favorite model for around seven years, lounging luxuriously in his Nice studio. In pictures like the lithograph Nu Bleu, he explored the expressive power of a body in motion by placing his figures in twisted or contorted poses, transforming their limbs into tangles of color and shape that push figure painting toward abstraction.
Find original Henri Matisse prints, sculptures and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Cruise-O-maticBy William TillyerLocated in London, GBWilliam Tillyer Cruise-O-matic 1972 Line Etching on zinc, Edition of 60 Paper size: 70.5 x 104.5 cms (27 3/4 x 41 ins) Image size: 50.5 x 75 cms (19 7/8 x 29 1/2 ins) This classic ...Category
Late 20th Century Modern Figurative Prints
MaterialsEtching
- Nadia au regard attentifBy Henri MatisseLocated in London, GBAquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794Category
Mid-20th Century Modern Prints and Multiples
MaterialsAquatint
- PatitchaBy Henri MatisseLocated in London, GBHenri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...Category
1940s Modern Figurative Prints
MaterialsAquatint
- Nu couchéBy Henri MatisseLocated in London, GBHenri Matisse Nu couché 1929 Etching on Chine appliqué on wove paper, Edition of 25 Paper size: 28.6 x 38 cms (11 1/8 x 14 5/8 ins) Plate size: 12.3 x 15.5 cms (4 3/4 x 6 1/8 ins) HM...Category
1920s Modern Figurative Prints
MaterialsEtching
- Nu couché. Intérieur à la lampe vénitienneBy Henri MatisseLocated in London, GBHenri Matisse Nu couché. Intérieur à la lampe vénitienne 1929 Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28 x 38 cms (11 x 15 ins) Plate size: 9.1 x 1...Category
1920s Modern Figurative Prints
MaterialsEtching
- The Scalby Suite - Blue Vase and Arrangement in Scarboroughs HollywoodBy William TillyerLocated in London, GBEtching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)Category
2010s Prints and Multiples
MaterialsEtching, Aquatint
- From Rues et Visages de Paris - 1920s - Drypoint/Etching - ModernBy Chas LabordeLocated in Roma, ITIllustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor. In excellent...Category
1920s Modern Figurative Prints
MaterialsDrypoint, Etching, Tempera, Watercolor
- Le Matin - Etching by James Tissot - 1886By James TissotLocated in Roma, ITWonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...Category
1880s Modern Figurative Prints
MaterialsEtching, Aquatint
- The King and the Queen - Etching after Domeniquin (Domenichino) by G. AudranLocated in Roma, ITThe King and the Queen is an original artwork realized by Gérard Audran in the second half of the XVII century. Original etching on paper. Signed on the lower right corner. Etching ...Category
Late 17th Century Modern Figurative Prints
MaterialsEtching
- Untitled - Etching on Japan Paper by G. F. Bigot - Tokyo 1886By George Ferdinand BigotLocated in Roma, ITUntitled is a drypoint on Japon paper, etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints published at the author...Category
1880s Modern Figurative Prints
MaterialsEtching
- Mein Weg mit dem Weib, plate 7By Walter Richard RehnLocated in Roma, ITDrypoint and aquatint (brown ink) on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...Category
1910s Modern Figurative Prints
MaterialsDrypoint, Aquatint
- Amateurs d'Estampes - Etching by Armand Coussens - 1921By Armand CoussensLocated in Roma, ITAmateurs d'Estampes is an artwork realized by the Armand Coussens in 1921. Original etching on paper. Passepartout included (cm 51 x 35). Mint conditions. The artwork represents two male figures watching a print. They are two lovers of prints talking over and watching the artwork. The theme of the print lover was very famous during that years. The stroke is very soft and delicate and presents the two figures in a movimented and fresh way. Armand Coussens (1881-1935) a French painter, engraver and artist best-known for its etchings. From 1900 to 1907, he painted at quais de Seine and frequented the cabarets de Montmartre and collaborated with illustrated magazines Le Ire, Le Cri...Category
1920s Modern Figurative Prints
MaterialsEtching