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Keith HaringUntitled1982
1982
About the Item
Artist: Keith Haring
Title: Untitled (Plate 1)
Size: 24 x 36 in. (61 x 91.4 cm)
Medium: Lithograph of Arches Paper
Edition: 23 of 40
Year: 1982
Notes: From a suite of six prints. Signed, dated and numbered on right edge. Published by Barbara Gladstone Gallery, New York. Littmann P. 19. In very good condition with no apparent issues.
Like much of Haring’s work, this print is reminiscent of Aztec or Aboriginal art, with an emphasis on line, pattern and energy. Notably, Untitled features Haring’s iconic motif of the barking dog used to represent abuses of power by government and oppressive regimes that demand obedience.
This print has a compulsive quality that fills out across the work that contrasts to Haring’s typical use of simplified form and block colour. Haring’s use of bold, rounded lines across the entire image creates a jarring effect against the outlines of the standing dogs, injecting the static image with a sense of movement.
Explaining why many of his works resembled Aztec or Aboriginal art, Haring has said “My drawings don’t try to imitate life; they try to create life, to invent life,” something that he believed to be a so-called primitive idea. Untitled is exemplary of this notion by creating a rhythmic, all-over composition that focuses on pattern rather than realism, Haring produces a kinetic image that excites the viewer and transcends reality.
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1982
- Dimensions:Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hollywood, FL
- Reference Number:1stDibs: LU1453213139992
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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- ShippingRetrieving quote...Ships From: Hollywood, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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