Henri MatisseUntitled from Les Lettres Portugaises1946
1946
About the Item
- Creator:Henri Matisse (1869-1954, French)
- Creation Year:1946
- Dimensions:Height: 16.75 in (42.55 cm)Width: 14.5 in (36.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:1stDibs: LU54439596432
Henri Matisse
Whether working as a draftsman, a sculptor, a printmaker or a painter, Henri Matisse was a master of color. Although classically trained at the Académie Julian, in Paris, he quickly abandoned traditional techniques and genres to pioneer a style all his own, marked by quick, gestural strokes and fluid contours.
Along with fellow painter André Derain, Matisse was the leading proponent of Fauvism, a movement whose name is derived from the French word for "wild beast.” Marked by vibrant hues, Fauvist paintings like Matisse’s famous 1906 composition Le Bonheur de vivre use wild, active brushstrokes and a palette unconstrained by nature, resulting in women with purple skin and trees with orange leaves. Often, these compositions unite pure color with the white of exposed canvas to create a sense of transparency and light.
In addition to masterful landscapes and still lifes, Matisse loved to paint erotic subjects, particularly the female nude. Rejecting strict realism, he distilled the form into its essential parts and then translated these into voluptuous, rounded contours. With its striking colors and sculptural modeling of the figure, Odalisque couchée aux magnolias is among Matisse’s most famous works — and the most expensive work of his ever sold — depicting Henriette Darricarrère, his muse and favorite model for around seven years, lounging luxuriously in his Nice studio. In pictures like the lithograph Nu Bleu, he explored the expressive power of a body in motion by placing his figures in twisted or contorted poses, transforming their limbs into tangles of color and shape that push figure painting toward abstraction.
Find original Henri Matisse prints, sculptures and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: Washington, DC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Paraphrase d'un Chant d'Enfant dans le Soir, from Poesies AntillaisesBy Henri MatisseLocated in Washington, DCArtist: Henri Matisse Title: Paraphrase d'un Chant d'Enfant dans le Soir Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Frame Size: 24" x 20 1/4" Sheet Siz...Category
1970s Portrait Prints
MaterialsLithograph
- Marine, from Poesies AntillaisesBy Henri MatisseLocated in Washington, DCArtist: Henri Matisse Title: Marine Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Frame Size: 24" x 20 1/4" Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 3...Category
1970s Portrait Prints
MaterialsLithograph
- Marc Chagall David and BathshebaBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Medium: Lithograph Title: David and Bathsheba Portfolio: The Bible Lithographs Year: 1956 Signed: No Reference: Cramer 25 Mour...Category
1950s Portrait Prints
MaterialsLithograph
- Frontispiece from Chagall Lithographe Volume IIIBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Title: Frontispiece Portfolio: Chagall Lithographe Volume III Medium: Lithograph Year: 1969 Edition Size: Unnumbered Frame Size: 20 3/4" x 17 3/4" Sheet Size: 12...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Pasiphae Plate 1By Henri MatisseLocated in Washington, DCArtist: Henri Matisse Title: Plate 1: Et il Faudra Mourir sans Avoir Tué le Vent (And He Will Die without Having Killed the Winds) Portfolio: Pasiphae Medium: Linocut on Arches vellu...Category
1980s Portrait Prints
MaterialsLinocut
- The Connor Brothers There's Nothing So Seductive As A Dangerous IdeaBy The Connor BrothersLocated in Washington, DCArtist: The Connor Brothers Title: There's Nothing So Seductive As A Dangerous Idea Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Framed Size: 21 1/2" x 16 1/2"...Category
2010s Pop Art Figurative Prints
MaterialsVarnish, Giclée
- Red Head, Lithograph by Charles LevierBy Charles LevierLocated in Long Island City, NYRed Head Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 24 x 16 inches Size: 30 x 22 in. (76.2 x 55.88 cm)Category
1970s Fauvist Figurative Prints
MaterialsLithograph
- Girl in Blue, Lithograph by Charles LevierBy Charles LevierLocated in Long Island City, NYGirl in Blue Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed in pencil l.r. Edition of 250 Image Size: 24 x 17 inches Size: 30 x 22 in. (76.2 x 55.88 cm)Category
1970s Fauvist Figurative Prints
MaterialsLithograph
- "Mlle Landsberg" (grade planche, pl. 16)By Henri MatisseLocated in Missouri, MO"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...Category
1910s Fauvist Figurative Prints
MaterialsEtching, Drypoint
- May Milton - Litho After H. de Toulouse-LautrecBy (After) Henri Toulouse LautrecLocated in Roma, ITImage dimensions: 29 x 20 cm. May Milton is a beautiful chromolithographed Art Nouveau poster, monogrammed and dated on plate on the lower left margin by the French artist Henri de Toulouse-Lautrec. A wonderful reduction of the famous Moulin Rouge poster...Category
1950s Post-Impressionist Figurative Prints
MaterialsLithograph
- Portrait of Woman - Lithograph by E. Laurent - 1901 ca.By Ernest LaurentLocated in Roma, ITPortrait is a splendid lithograph realized by the French painter and engraver M. Ernest Laurent from one of his own works exhibited at the Salon in 1901. On the lower left, below the image, “Gazette des Beaux-Arts” is printed; on the lower right “Imp. D’Art A. Clot, Paris”; on the lower center “Portrait/ Lithographie de M. Ernest Laurent d’apres son tableau / (Societé des Artistes français – Salon de 1901)”. The conditions of the work are excellent. The paper presents an irregular cut on the left margin, and the print is not perfectly centered on the piece of paper. M. Ernest Laurent was an exponent of Neo-Impressionism and Divisionism, pupil of Ernest Hébert...Category
Early 1900s Post-Impressionist Figurative Prints
MaterialsLithograph
- Reine de Joie - Litho After H. de Toulouse-LautrecBy (After) Henri Toulouse LautrecLocated in Roma, ITImage dimensions: 28.3 x 20 cm. Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...Category
1950s Post-Impressionist Figurative Prints
MaterialsLithograph