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Artist: Shusaku Arakawa
Still Life, from To and From Rrose Selavy, for Marcel Duchamp, Lt Ed silkscreen
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category

1960s Dada Shusaku Arakawa Art

Materials

Screen, Mixed Media, Cardboard

The Degrees of Meaning
By Shusaku Arakawa
Located in New York, NY
The Degrees of Meaning 1973 Signed and numbered, recto Lithograph 31 x 23.25 inche This work is offered by CLAMP in New York City.
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

Arakawa at Galerie Maeght exhibition poster
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Arakawa at Galerie Maeght, 1982 Offset Lithograph Poster 27 1/2 × 20 1/4 inches Unframed This collectible offset lithograph poster was created on the occasion of the ...
Category

1980s Abstract Shusaku Arakawa Art

Materials

Lithograph, Offset

Historic Dwan Gallery Poster: Presence or the Third Person
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 19...
Category

1960s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Offset

Untitled 3 from "No!" Says the Signified, signed proof, aside from the ed. of 40
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Untitled 3 from "No!" Says the Signified, 1973 Lithograph and Silkscreen on Arches Paper with Deckled Edges Hand signed and dated on the lower right front Artist's Pr...
Category

1970s Conceptual Shusaku Arakawa Art

Materials

Lithograph, Screen, Pencil

The Degrees of Meaning, from Realities and Paradoxes
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa The Degrees of Meaning, from Realities and Paradoxes, 1973 Color Lithograph and Silkscreen Hand signed, numbered from the edition of only 100 and dated on the front (lower right hand corner). Bears the Styria Studio blind stamp Frame Included Hand signed, numbered from the limited edition of only 100 and dated on front lower right hand corner with blind stamp. This work is from the Realities and Paradoxes portfolio. It is classic Arakawa - an important example of his way of displacing sometimes cryptic words onto images as a form of artistic philosophy and performance. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Screen

Blankless Tone
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Blankless Tone, 1979 Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left Hand-signed by artist, Titled "Bl...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph, Screen

Dear Picasso, from Homage to Picasso portfolio
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Dear Picasso, from Homage to Picasso portfolio, 1973 (Hommage a Picasso) Color Silkscreen on Satin Arches Velincarton Hand signed and numbered in graphite pencil on t...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Screen

Double Point Blank
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa Double Point Blank, 1979 Lithograph on paper with deckled edges Hand signed, numbered 13/45 and titled with publisher's and printer's blind stamp on lower front and printer's stamp on the back 35 × 60 inches Unframed Photos don't do justice to this impressive print! This interesting and uncommon conceptual lithograph by Arakawa was published from the limited edition of only 45. This late 1970s work, published by Topaz Editions in Florida, would make an excellent addition to any serious Arakawa collection. Hand signed, titled, numbered and dated on lower recto (front) with printer's and publisher's blind stamp and printer's stamp and inventory number on verso (back). Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

Outside Blank
By Shusaku Arakawa
Located in Henderson, NV
Arakawa made an impact on the New York art world during the 1980s.
Category

1980s Abstract Geometric Shusaku Arakawa Art

Materials

Paper, Lithograph

original lithograph
By Shusaku Arakawa
Located in Henderson, NV
Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250), and published in Paris by Maeght. Image size: 15 x 12 1/4 inches (380 x 310 mm)....
Category

1980s Shusaku Arakawa Art

Materials

Lithograph

A Man Walking
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa A Man Walking, 1968 Silkscreen on velincarton (thin board) 29 4/5 × 21 4/5 inches Edition of 100 Hand signed and numbered from the edition of 100 on the recto Another rarely seen, richly colored mid century silkscreen by Arakawa, whose estate is represented by Gagosian Gallery. This work has only appeared a handful of times at public auction over the past half century. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Arthur Danto has found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa has declared: “Painting is only an exercise, never more than that.” Arakawa and Madeline Gins...
Category

1960s Abstract Geometric Shusaku Arakawa Art

Materials

Screen

USE THE FACT THAT - Lithograph by Shusaku Arakawa - 1973
By Shusaku Arakawa
Located in Roma, IT
USE THE FACT THAT is an original contemporary artwork by Shusaku Arakawa in 1973. Mixed colored lithograph. Hand signed and dated on the lower right margin. Numbered on the lower l...
Category

1970s Contemporary Shusaku Arakawa Art

Materials

Lithograph

"Galerie Maeght, " Offset Poster by Shusaku Arakawa
By Shusaku Arakawa
Located in Milwaukee, WI
Designed by Shusaku Arakawa, this was a poster for his exhibition at the Galerie Maeght in Paris, 1977. Shusaku Arakawa was a Japanese artist and architect. Shusaku Arakawa, who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and with whom he eventually formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Charles Bernstein and Susan Bee observe, "Arakawa deals with the visual field as discourse, modal systems that constitute the world rather than being constituted by it." Arthur Danto found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa declared: “Painting is only an exercise, never more than that.” Beginning in 1963, he collaborated with fellow artist, architect and poet Madeline Gins...
Category

Late 20th Century Shusaku Arakawa Art

Materials

Offset

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Previously Available Items
1974 Shusaku Arakawa 'A Forgettance (Exhaustion Exhumed)' Contemporary Gray
By Shusaku Arakawa
Located in Brooklyn, NY
Paper Size: 14.25 x 38 inches ( 36.195 x 96.52 cm ) Image Size: 11.5 x 36 inches ( 29.21 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...
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1970s Shusaku Arakawa Art

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Located in Kansas City, MO
Shusaku Arakawa Title: Abstract Geometric Composition Medium: Lithograph Year: 1977 Edition: Limited Publisher: Maeght, Paris Size: 14.8 × 21.8 inches Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) was a Japanese artist and architect. He had a personal and artistic partnership with writer and artist Madeline Gins...
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Shusaku Arakawa art for sale on 1stDibs.

Find a wide variety of authentic Shusaku Arakawa art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Shusaku Arakawa in lithograph, screen print, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Shusaku Arakawa art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Akio Takamori, Katsunori Hamanishi, and George Chemeche. Shusaku Arakawa art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $8,800, while the average work can sell for $2,500.

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