Shusaku Arakawa Prints and Multiples
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Artist: Shusaku Arakawa
Still Life, from To and From Rrose Selavy, for Marcel Duchamp, Lt Ed silkscreen
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967
Limited Edition Silkscreen on velincarton (thin board) paper
10 1/2 × 13 1/4 inches
Limited Edition of 60
Hand signed, titled and dated on the front
Unframed
The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c
Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside.
Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category
1960s Dada Shusaku Arakawa Prints and Multiples
Materials
Screen, Mixed Media, Cardboard
Arakawa at Galerie Maeght exhibition poster
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Arakawa at Galerie Maeght, 1982
Offset Lithograph Poster
27 1/2 × 20 1/4 inches
Unframed
This collectible offset lithograph poster was created on the occasion of the ...
Category
1980s Abstract Shusaku Arakawa Prints and Multiples
Materials
Lithograph, Offset
The Degrees of Meaning
By Shusaku Arakawa
Located in New York, NY
The Degrees of Meaning
1973
Signed and numbered, recto
Lithograph
31 x 23.25 inche
This work is offered by CLAMP in New York City.
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph
Historic Dwan Gallery Poster: Presence or the Third Person
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Historic Dwan Gallery Poster: Presence or the Third Person, 1967
Offset lithograph poster
30 x 22 inches
Unframed
Rarely found, coveted 1967 poster from the legendary...
Category
1960s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph, Offset
The Degrees of Meaning, from Realities and Paradoxes
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
The Degrees of Meaning, from Realities and Paradoxes, 1973
Color Lithograph and Silkscreen
Hand signed, numbered from the edition of only 100 and dated on the front (lower right hand corner). Bears the Styria Studio blind stamp
Frame Included
Hand signed, numbered from the limited edition of only 100 and dated on front lower right hand corner with blind stamp.
This work is from the Realities and Paradoxes portfolio. It is classic Arakawa - an important example of his way of displacing sometimes cryptic words onto images as a form of artistic philosophy and performance. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph, Screen
Double Point Blank
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Double Point Blank, 1979
Lithograph on paper with deckled edges
Hand signed, numbered 13/45 and titled with publisher's and printer's blind stamp on lower front and printer's stamp on the back
35 × 60 inches
Unframed
Photos don't do justice to this impressive print! This interesting and uncommon conceptual lithograph by Arakawa was published from the limited edition of only 45. This late 1970s work, published by Topaz Editions in Florida, would make an excellent addition to any serious Arakawa collection. Hand signed, titled, numbered and dated on lower recto (front) with printer's and publisher's blind stamp and printer's stamp and inventory number on verso (back).
Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul...
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph
Blankless Tone
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Blankless Tone, 1979
Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left
Hand-signed by artist, Titled "Bl...
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph, Screen
Dear Picasso, from Homage to Picasso portfolio
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Dear Picasso, from Homage to Picasso portfolio, 1973 (Hommage a Picasso)
Color Silkscreen on Satin Arches Velincarton
Hand signed and numbered in graphite pencil on t...
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Screen
Untitled 3 from "No!" Says the Signified, signed proof, aside from the ed. of 40
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
Untitled 3 from "No!" Says the Signified, 1973
Lithograph and Silkscreen on Arches Paper with Deckled Edges
Hand signed and dated on the lower right front
Artist's Pr...
Category
1970s Conceptual Shusaku Arakawa Prints and Multiples
Materials
Lithograph, Screen, Pencil
Outside Blank
By Shusaku Arakawa
Located in Henderson, NV
Arakawa made an impact on the New York art world during the 1980s.
Category
1980s Abstract Geometric Shusaku Arakawa Prints and Multiples
Materials
Paper, Lithograph
original lithograph
By Shusaku Arakawa
Located in Henderson, NV
Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250), and published in Paris by Maeght. Image size: 15 x 12 1/4 inches (380 x 310 mm)....
Category
1980s Shusaku Arakawa Prints and Multiples
Materials
Lithograph
A Man Walking
By Shusaku Arakawa
Located in New York, NY
Shusaku Arakawa
A Man Walking, 1968
Silkscreen on velincarton (thin board)
29 4/5 × 21 4/5 inches
Edition of 100
Hand signed and numbered from the edition of 100 on the recto
Another rarely seen, richly colored mid century silkscreen by Arakawa, whose estate is represented by Gagosian Gallery. This work has only appeared a handful of times at public auction over the past half century.
Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Arthur Danto has found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa has declared: “Painting is only an exercise, never more than that.” Arakawa and Madeline Gins...
Category
1960s Abstract Geometric Shusaku Arakawa Prints and Multiples
Materials
Screen
USE THE FACT THAT - Lithograph by Shusaku Arakawa - 1973
By Shusaku Arakawa
Located in Roma, IT
USE THE FACT THAT is an original contemporary artwork by Shusaku Arakawa in 1973.
Mixed colored lithograph.
Hand signed and dated on the lower right margin. Numbered on the lower l...
Category
1970s Contemporary Shusaku Arakawa Prints and Multiples
Materials
Lithograph
"Galerie Maeght, " Offset Poster by Shusaku Arakawa
By Shusaku Arakawa
Located in Milwaukee, WI
Designed by Shusaku Arakawa, this was a poster for his exhibition at the Galerie Maeght in Paris, 1977.
Shusaku Arakawa was a Japanese artist and architect. Shusaku Arakawa, who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and with whom he eventually formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Charles Bernstein and Susan Bee observe, "Arakawa deals with the visual field as discourse, modal systems that constitute the world rather than being constituted by it." Arthur Danto found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa declared: “Painting is only an exercise, never more than that.” Beginning in 1963, he collaborated with fellow artist, architect and poet Madeline Gins...
Category
Late 20th Century Shusaku Arakawa Prints and Multiples
Materials
Offset
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Shusaku Arakawa prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Shusaku Arakawa prints and multiples available for sale on 1stDibs. If you’re browsing the collection of prints and multiples to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Shusaku Arakawa in lithograph, screen print, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Shusaku Arakawa prints and multiples, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Akio Takamori, Katsunori Hamanishi, and Kazuhide Yamazaki. Shusaku Arakawa prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $8,800, while the average work can sell for $2,500.