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Dan FlavinDan Flavin: A Retrospective Poster /// Contemporary Abstract Light Sculpture Art2004
2004
$250
£187.45
€217.32
CA$348.89
A$389.68
CHF 202.49
MX$4,745.47
NOK 2,572.05
SEK 2,423.61
DKK 1,621.47
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About the Item
Artist: (after) Dan Flavin (American, 1933-1996)
Title: "Dan Flavin: A Retrospective"
Year: 2004
Medium: Original Offset-Lithograph, Exhibition Poster on heavy smooth wove paper
Limited edition: Unknown
Printer: Unknown, New York? NY
Publisher: Dia Art Foundation, New York, NY
Sheet size: 36" x 24"
Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition
Rare
Notes:
Poster produced for a special posthumous exhibition of Flavin's work "Dan Flavin: A Retrospective" at Dia Beacon, New York, NY, in association with the National Gallery of Art, Washington D.C., from October 3, 2004 - August 12, 2007. The exhibition included some 45 objects and installations, most of which use the medium of fluorescent light, as well as a significant group of drawings, sketches, and collage-constructions. The sculptural work featured on this poster is Flavin's 1977 light sculpture "Untitled (In Honor of Harold Joachim) 3" which was created with pink, yellow, blue, and green fluorescent lights measuring 8 feet square. Various exhibition information printed at lower center.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Dan Flavin, (born April 1, 1933, Jamaica, Queens, New York, U.S.—died November 29, 1996, Riverhead, New York), American artist whose installations featuring fluorescent lighting tubes in geometric arrays emit a rich ambient monochrome or multicoloured light that subtly reshapes the interior spaces in which they are displayed, creating intense visual sensations for the viewer. He was one of the leading exponents of Minimalist art and importantly influenced the direction of international contemporary art.
- Creator:Dan Flavin (1933-1996, American)
- Creation Year:2004
- Dimensions:Height: 36 in (91.44 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12125109861
Dan Flavin
Dan Flavin (1933-1996) was a prominent American artist best known for his illuminated light installations and sculptural fixtures. A pioneer of minimalism, Flavin repurposed commonplace industrial objects, such as harsh fluorescent lights, into transformative geometric installations. In the spirit of Marcel Duchamp's readymades, Flavin refrained from altering the objects and went as far as employing factory default colors for his strict palette of red, blue, green, pink, yellow, ultraviolet, and four different shades of white. Flavin's geometric compositions were an explicit study of color, light, and space. With almost no technical production required, Flavin was able to prioritize the installation and arrangement of the materials, focusing on how they cooperated with the space and the way the display might be experienced by the viewer.
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From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space.
Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others.
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