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(after) James Rosenquist
1960s James Rosenquist F-111 announcement

1965

About the Item

James Rosenquist F-111 announcement: Vintage original folding exhibition pamphlet published on the occasion of a 1960’s exhibition in Stockholm at the Museet Moderna: September 29th-October 18th 1965. Features a reproduction of Rosenquist’s famed “F-111”. Folding out to four portions, the reverse chronicles an extensive interview (in Swedish) between Rosenquist & the museum. Rare and highly collectible. Medium: Offset printed fold-out museum pamphlet. Condition: Quattro fold-lines as issued; good overall vintage condition. Dimensions: 5.5 x 11 inches (opening to 5.5 x 44 inches). Unsigned from an edition of unknown; rare. Rosenquist began the painting F-111 in 1964, in the middle of the Vietnam War. He positioned his main subject, the F-111 military plane, which was in development at the time, flying through fragmented images of consumer products and references to war. Through its expansive network of colliding visual motifs, F-111 addresses the connections between the Vietnam War, income taxes, consumerism, and advertising. James Rosenquist was an American Pop artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts, movie stars”…”before I came to New York I wanted to paint the Sistine Chapel. I thought this is where the school of mural painting exists.” In his politically charged multi-panel painting F-111 (1964–1965), the artist offered a critique of the Vietnam War, with a medley of mushroom clouds, advertising, and populist imagery. Born on November 29, 1933 in Grand Forks, ND, Rosenquist went on to attend the University of Minnesota, before studying at the Art Students League in New York under George Grosz, Morris Kantor, and Edwin Dickinson. The artist's early career as a commercial sign painter ended in 1960, after witnessing two coworkers fall to their deaths from a scaffold. Focused on his career, Rosenquist moved to a studio in Lower Manhattan, where he met other artists such as Ellsworth Kelly, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Jack Youngerman. Transitioning away from cultural references into more abstract subject matter, he lived and worked between Aripeka, FL and New York, NY. Rosenquist died on March 31, 2017 in New York, NY. His works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Gallery in London. Related Categories Robert Rauschenberg. Tom Wesselmann. Roy Lichtenstein. Pop Art. 1970s.
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