William IV Furniture

English brass flanking lion coat of arms fire place tools with a spiral urn bulbous finial, adjustable flanking candle holders, and resting on a stylized rope Stand. Set consists of ...

Hallmarked in London in 1835 by Barnards, this superb, William IV, Antique Sterling Silver Soup Tureen, features an ornate cast handle to the lid and ornate cast feet, a gadroon bord...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1837 the makers mark of Paul Storr and is also engraved Storr & Mortimer 36, they were Goldsmiths and Jewellers to Her Majesty’ (1822-1839). It is typical of his work with the octafoil shape and the exquisitely detailed foliate and acorn rim. It is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms encompassing the lion rampant which I have had researched: The Arms of the Family of King The arms as engraved upon this William IV English Sterling Silver Footed Salver by Paul Storr hallmarked London 1837 are those of the family of King. They may be blazoned as follows: Arms: Sable a lion rampant between three crosses formy fitchy argent Undoubtedly this salver was in the possession of a gentleman who was member of a family bearing the name of King. There are a number of variants of these armorial bearings being borne by King families. Very often the lion is of a different tincture but the field of the shield is invariably remains ‘sable’. Similar arms and crest were recorded by Sir Edward Bysshe, Clarenceux King of Arms in his Visitation of the County of Kent of 1663 to the family of King, of Bromley. The tinctures of both arms and crest of King, of Bromley were slightly different to those engraved upon this tureen in that the Visitation family’s arms were ‘Sable a lion rampant ermine between three crosses paty fitchy or’ 1 and the crest ‘A lion’s gamb erect and erased sable holding a cross paty fitchy or’(see illustration below). These arms and crest were granted by Sir Edward Walker, Garter King of Arms on the 20th February 1660 – 61; and yet another Kentish family of King, of Bellevue who were created Baronets within the Baronetage of Great Britain in 1792 bore for their arms ‘Sable a lion rampant erminois between three crosses paty fitchy or’. Their crest being the same as the family of King, of Bromley. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Please see potos of the 2nd Baronet Timothy Shelley, 1753-1844 and Castle Goring, his home. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: height 4 x width 44 x depth 44 Weight 1.96 kg Dimensions in inches: height 2 inches x width 1 foot, 5 inches x depth 1 foot, 5 inches Weight 63 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Fine antique William IV rosewood card/side table with a fantastic figured rosewood top that lifts up and swivels to reveal a green baize interior, super carved frieze supported by a ...

This is a good, Mason's ironstone hydra jug with a snake handle in the Cashmire De Thibet pattern dating to the William 1Vth English 19th century period, circa 1832-1836 The jug has an octagonal hydra shape with a snake handle. This pattern is not often seen. It is called "Cashmire De Thibet" and is illustrated on page 60 of the book; A Guide To Mason's Patent Ironstone Patterns, published by The Mason's Collectors' Club. The jug is unmarked to the base as was sometimes the case, but is definitely by Mason's Ironstone as they were the only manufacturer to produce a jug in this shape with this pattern and dating to the English William 1Vth period circa 1832-1836. Notes on the pattern. This unusual name of "Cashmire De Thibet" was a name applied circa 1832-1836, to summer scarves...

English early 19th-century dark wooden desk box. Featuring a thin wide drawer with bead-shaped brass pull, four upper compartments of various sizes an...

An unusual William IV mahogany tea caddy in the form of a pedestal sideboard with a hinged lid opening to reveal a central well for a mixing bowl (now missing) flanked by two removab...

Antique English William IV period rosewood writing table, Circa 1830. Galleried top with leather and on original casters.

C Hindleys 134 Oxford St. London. Superior nineteenth century Furniture Makers of London. A good quality William the IV drop leaf oak dining tabl...

Antique oak chest trunk dating in the period of William III 1700's. This English linen chest trunk made of solid oak wood and metal joints. With some nice sculptural details in the...

Sn4699 in quality William IV secretaire chiffonier, having oblong top and secretaire section with pigeon holes, small drawers and leather writing surface above cupboard door with ple...

William IV armchair with concave crest rail and reeded splat, classically shaped arms, upholstered slip seat, the front tapered legs are turned and reeded ....

We are delighted to offer this very nice hand made in England circa 1830 William IV oak hall stand with bronze fixtures A good looking and well made piece, it has a very Pugin loo...

An impressive William IV/early Victorian four door breakfront bookcase or bookcase cabinet. Rare to find such a large bookcase in golden quarter-sawn oak which has the attractive ‘ti...

For sale is a good quality Victorian leather chair, in the manner of Gillows, having a horseshoe back on carved supports and reeded turned leg...

A fine quality William IV flame mahogany inverted breakfront sideboard of good color. English, circa 1835 The raised carved back having a central anthemion cartouche, ...

We are delighted to offer for sale this wonderfully restored circa 1830 William IV Figured Mahogany extending dining table after a design by Gillows This table is exquisite with a...

A large and elegant Scottish, lightly veined statuary marble fireplace surround in the manner of William IV. A generous top shelf with rounded corners sits above a stepped full lengt...

Antique William IV quality figured mahogany sideboard having a quality raised superstructure with a shelf supported by attractive turned columns above a figured mahogany sideboard wi...

A very fine quality early 19th century burr walnut circular occasional table with ‘Verona-Rosa’ marble top supported on three moulded ‘C’ scroll legs edge...

A rare William IV tea caddy in the form of a perfectly scaled model-miniature double pedestal sideboard with Integral Wine Cellaret, the pedestals with molded caddy tops above raised...

The top of this side table is solid mahogany. The corners curve out to meet the carved support columns. The drawer front and apron extend all the way around to the back. It was made ...

Quality antique William IV mahogany tea/side table having a marvelous mahogany round cornered swivel top opening to reveal a quality figured mahogany inside with a round cornered sha...

Antique William IV quality figured mahogany work box having a quality figured mahogany work box with a lift up lid opening to reveal a fitted interior consisting of five original lid...

A fine antique William IV sterling silver communion beaker and wafer tazza; an addition to our religious silverware collection. This fine antique William IV English sterling silver communion set consists of a beaker and tazza. The antique beaker has a plain bell shaped flared form onto a spreading circular foot. The wafer tazza has a circular form with a plain circular foot. The surface of the tazza, upper rim of the beaker and foot are ornamented with a band of tooled decoration. This antique beaker retains the original gilt interior. Dimensions Height of beaker 7.7 cm/3" Diameter of top 6 cm/2.3" Diameter of base 4 cm/1.5" Diameter of tazza 6.2 cm/2.5" Weight 6 troy ounces/186g Condition Each piece of this antique communion set...

Pair of Silver 10.25 Inch Candlesticks,Made By Walker & Hall of Sheffield, 1913. This style of candlestick was around in the 1830's They have a slight melon shape with nice leafwor...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

K0123, stunning William IV rosewood work box / jewelry box, having quadrant beading ad mother of pearl inlaid to the front and to the hinged top which opens to reveal relined interio...

This is a good, Mason's Ironstone Hydra jug or pitcher in the Turner Willow, colored Blue and White pattern, made in the English, first half of the 19th C period, circa 1830. The j...

English William IV mahogany chiffonier with two open shelves framed by "s" scrolls inlaid with ebony. Two cabinet doors frame brass grilles which are backed with pleated green fabric and a mahogany interior panel. The cabinet doors are further framed by full twist...

We are delighted to offer for sale this exquisite hand made in England William IV circa 1830 mahogany & Rosewood occasional table with Chess board top and baize lined card table insi...

An early 19th Century, William IV chimneypiece in grey Bardiglio marble of architectural design. With simple plain slab frieze and jambs topped with ornamental baroque scallop shell...

Pair of English brass mirrored foliage sconces with two scrolled arms, medallions, graduated bell flowers, and acanthus motif. Pair have been elec...

A very robust brassbound William IV Anglo-Chinese padouk silver chest, of rectangular form with a hinged lid and the original substantial brass carrying handles, the lock stamped ‘Barron WR Patent’. Circa 1830. Footnote: In 1778 Robert Barron...

This superb William IV sofa is of fine quality and elegant form. It comprises of a mahogany frame and features an elegant shaped top rail, Egyptian re...

A fine pair of vintage Elizabeth II electroplated silver and sterling silver bottle coasters in the William IV style; part of our electroplated si...

A William IV amboyna and rosewood table / jardiniere, in two sections with a fitted circular cover above a sloping bowl enclosing a replaced brass lining, bold gadrooning to the unde...

Very finely made likely by Gillow. Using finely figured rosewood. The drawer finely constructed including a key. Unusual form transitioning from the classical Regency to Victorian.

Quality antique William IV figured mahogany sideboard having a mahogany with a shelf and two turned mahogany columns above a quality mahogany top, three shaped frieze drawers above t...

Antique fine quality William IV mahogany glazed bureau bookcase, circa 1835, 19th century. We have a key for the bookcase and a small internal door on...

Pair of William IV Style Tufted Leather Armchairs. The chairs have a solid walnut frame and tufted leather upholstery. The chairs have a nice ...

Important nicely figured cuban mahogany (solid) William VI period oval dining table, the extending top set on an imposing central plinth base fitted with four scroll feet. England c....

A William IV two tier mahogany table attribruted to Gillows, with two circular shelves, the top one with a dished edge, supported on a reeded and...

??Antique William IV quality figured mahogany tea table having a quality mahogany fold over top opening to reveal a polished figured mahogany interior above a shaped frieze and supported by a hexagon shaped pedestal with a quality carved mahogany collar on a shaped platform base with fantastic carved mahogany paw feet...

Outstanding quality antique William IV circular rosewood centre table having a superior quality rosewood circular top boasting the most fabulous colour supported by a magnificent sha...

Quality early 19th century antique freestanding William IV rosewood chess top sewing table having a quality rosewood inlaid chess top, one long drawer to the...

Quality antique William IV rosewood work box having a quality rosewood lift up top opening to reveal a storage compartment, shaped frieze and raised on a shaped pedestal column standing on a platform base with quality carved rosewood scrolled...

Unusual antique William IV quality mahogany child’s armchair and stand having a quality arched shaped top rail and splat to the centre of the back, shaped scrolled open arms, newly r...

A William IV two tier mahogany table attribruted to Gillows, with two circular shelves, the top one with a dished edge, supported on a reeded and turn...

Beautifully carved mahogany hall chairs with armorial backs, hand-turned legs and solid mahogany seats. The chairs with original finish which have been French polished to show a warm...

William IV mahogany dining table with lions paw feet, 19th century. Exceptionally well built late 19th century mahogany dining table. This ...

We are delighted to offer this restored exquisite hand made in England William IV circa 1830 mahogany occasional table with brown leather chessboard top. A very rare example, I have never seen this table in Mahogany before and never with the leather Chessboard top which costs an absolute fortune to have made. The table has mother of pearl embossed handles, hand carved lion hairy paw feet and is of the finest quality The chess board is made from cattle hide leather, its hand embossed with wonderful banding, then each square is individually hand dyed, I had one of these made from my tric track...

Good early 19th C Welsh pine cricket table. Good colour. 1830. Dimensions 30 inches (76 cms) High 28 inches (71 cms) Diameter.

A William IV Black Belgian marble fireplace, the frieze flanked by jambs headed by stylised lotus leaf corbels, on block feet. Measures: Openin...

Set of six English carved rosewood dining chairs, c.1850 Gorgeous mid 19th century hand carved dining chairs with drop in se...

With squarish top with ebony stringing over seven graduated drawers with wood knobs and swinging lock mechanism which locks all drawers, raised on a plinth base. Holland & Sons was an important maker of furniture and rival of Gillows. Commissions include Sandringham House, Balmoral Castle...

Pair of English brass flanking dragon finial andirons with decorative foliage plinths, original rear wrought iron spiral dog legs, and resting on scrolle...

The sarcophagus-shaped top section has a hinged lid and is richly carved throughout in high relief. The everted sides have fleshy palmettes and paired acanthus leaves, while the top has four pairs of leaves which are joined by a carved rib in the centre and scroll outwards to up-curled edges. It is raised on a gadrooned and turned pedestal set on a quatrefoil base with reeded bun feet disguising the original castors. The interior, without fittings, is relined in crushed blue velvet. English, circa 1835. Susan Stuart, in Gillows of Lancaster and London 1730-1840, (ibid), p.110, pl.658, (above) illustrates a rosewood teapoy...