William IV Wall Decorations

An George I English needlework picture depicting musicians, maidens, dogs and ducks in the grounds of an estate with detailed renderings of flora an...

French vintage 20th century mirror-back hanging wall shelf in Louis XVI style gold gilt frame. The arched top of the mirror is crowned with a floral garland, transitioning into a lay...

Solid maple shelving unit that hangs from wall and ready to ship. The vertical frames attach to the wall and have slots that precisely hold the deep shelves in place. Rounded edges ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Uzbekistan Ready to go on a wa...

Oil on canvas portrait of a setter or golden retriever signed Clarence E. Braley, a Massachusetts artist (1854-1927).

Victorian Scottish Sampler, with a house and a thistle motif. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Meandering strawberry border. Colours...

CHARMING Antique English Oak Hanging Wall Shelf Plate Rack~~19th Century The perfect decorative accent piece for displaying your favorite Imari, Majolica, Staffordshire or other an...

Georgian Scottish Sampler, 1813, by Erskine Wade Sinclair. The sampler is worked in silk threads on a linen ground, principally in cross stitch. Meandering strawberry border. Colours...

An exquisite example of this artist's traditional take on still-life realism, and a masterpiece in its own rite. This floral painting represents the artist's awe for botanical and floral scenes as well as his or her adept knowledge of tactile painting. With broad sweeping strokes and high texture, the artist paints a portrait of a small circular Ombre deep blue vase, filled with creamy white ranunculus or buttercups with berry color centers, green eucalyptus and small accents of white hydrangea. Oil on canvas. Framed roughly in a small wood frame, with gilt painted accent inside. How we would display: A botanical painting will forever bring a certain feeling of femininity and softness to a room. This piece would be wonderful displayed in a space with too many harsh lines. Alternatively, we suggest hanging this as part of a grouping of other floral portraits on a large wall to add interest. Another favorite of ours for art is to display pieces on their own in a bedroom. Such as a guestroom or child's room. Hung just above a nightstand (we currently love the idea of using a bombe chest), and just above a table lamp, (perhaps a lamp with a Caprani...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....