Art by Medium: Etching

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting Hans Bellmer was a Ge...

Knox Martin Alice in Wonderland, ca. 1972 Etching with hand-coloring in watercolor on wove paper Hand signed and annotated "AP" on lower front (a unique ...

Salvador DALI (1904-1989) Don Quijote : The Legacy, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authenticate...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Visitante con nariz borbónica en casa de la Celestina', 1968 aquatint, sugarlift on oiled plate, dry point on paper 9.7 x 12.9 in. (24.6 x 32.6 cm.) Edition of 50 Conservation: The paper and the beards have been recently restored Unframed ID: PIC2001-007 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

A Rose... drypoint and etching in colors, on Somerset paper, 2008 Signed and dated in pencil, numbered 7/10 Published by Crown Point Press, San Francisco, with their blindstamp, wit...

Luis Miguel Valdes (Cuba, 1949) 'Tres columnas', 2002 etching, aquatint, sugarlift on paper 24.5 x 31.2 in. (62 x 79 cm.) Edition of 30 Unframed ID: VAL-120 Hand-signed by author ___...

Le Messager Sidéral (Sidereus Nuncius) is an etching on paper, realized in 1955 by the French artist Pierre-Yves Trémois (Paris, 1921). From Edition of 140 copies of the Suite "Cyn...

Genre: Realism Subject: Portrait Medium: Etching Surface: Paper Country: Israel Dimensions with Frame: 18" x 114" Jacob Eisenberg (1897–1965) (also Yaakov Eisenberg) was an Israeli ...

ARTIST: Salvador Dali TITLE: The Mythology Narcissus MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: 81/150 MEASUREMENTS: 18" x 30" YEAR...

French painter, sculptor, engraver, James Coignard was born in Tours in 1925. He lived and worked in Antibes, in the Maritime Alps, and he died in March 2008. Coignard began his studies in 1948 at the School of Fine Arts in Nice; however, his journey as an artist began in the Côte d'Azur, where he settled. In fact, Coignard traveled a lot, living for a period from 1985 to 1988 in New Orleans. His artistic career was marked by collective and personal exhibitions both in France and abroad (Sweden, Switzerland, the United States...), where he enjoyed fame and recognition. Until the 1960s, his artistic development was characterized by an expressionistic style; then Coignard found himself moving towards an abstract one with random spots, regular shapes, typographical characters, and mixed media backgrounds. He was a painter but also a sculptor, who experimented with bronze and with glass. His work as an engraver was also quite well-known. James Coignard created his first glass sculpture in the 1970s at the Fucina degli Angeli. Only later, after meeting Adriano Berengo...

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name...

This artwork "The Fifth Day" c.1980 is an original color etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC in pencil by the artist...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin II', 2006 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-130 Hand-signed b...

ARTIST: Salvador Dali TITLE: The Mythology Judgment of Paris MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 141/150 MEASUREMENTS: 18" x 29...

ARTIST: Salvador Dali TITLE: Vegetation Inedit (Pineapple) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Les Bibliophiles de L'Union Francaise EDITION NUMBER: EA MEA...

Woman with monkey is an artwork realized by Leo Guida, in 1971.  Etching, 50 x 70 cm. Edition II/XX Hand signed and dated lower right margin. Very good conditions

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bellmer was a German artist, who, when...

Terry Winters Field Notes #20 from Field Notes Etching on Hahnemuhle off white paper, 1992 Signed in pencil, numbered 20/75 Published by Aldo Crommelynck, Paris with full margins Ve...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors in Lithia Park, Ashland OR Born in Berkeley, California, ...

Afternoon Tea Party Drypoint and aquatint printed in colors, printed 1991 Initialed in the center of the plate Condition: Excellent Archival framing with silk matting, finished corner gold...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Hans Bellmer was a G...

This etching on paper, 11.75 x 8.25", is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 150, numbered...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Excellent conditions....

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name...

This artwork "GP (General Practitioner)" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 193/300 in pencil by ...

Medium: etching and aquatint Image size: Paper size: Printing element: 1 copperplate Edition Size: Beautiful etching and aquatint from an artist know for his depictions of trees ...

Signed and titled on plate. Etching and aquatint print. Good condition.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name...

This artwork "ACLU" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC (Hors Commerce) in pencil by the artis...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...

This artwork titled "The Jury" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and inscribed H.C (Hors Commerce) in pencil by the a...

Francisco De Goya (Spain, 1746-1828) 'Mucho hay que chupar (Caprichos. Estampa 45)', ca.1797-1799 burnished aquatint, etching on vellum paper 12.2 x 8.4 in. (30.8 x 21.1 cm.) 2nd Edi...

Antoni Clave Guerrier, 1970 Etching with Aquatint, signed and numbered in pencil Edition: 73/75 lower left Signed lower right Size: 76 x 56 cm

Jean Cocteau Surrealist Portrait, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 32,5 x 25 cm (c. 12,7 x 9,8 inch) Edition limited to 300 copies (unnumber...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Hans Bellmer was a G...

Francisco De Goya (Spain, 1746-1828) 'Disparates. Disparate desordenado (estampa 7)', ca.1815-1819 etching, aquatint, dry point on vellum paper 11.7 x 15.9 in. (29.6 x 40.3 cm.) 1st ...

ARTIST: Salvador Dali TITLE: Le Cirque Le Fou (Clown) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Berggruen, Paris EDITION NUMBER: 135/175 MEASUREME...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes passepartout. Hans Bellmer wa...

ARTIST: Salvador Dali TITLE: Three Graces of Cova d'or MEDIUM: Etching with embossed verso SIGNED: Hand Signed PUBLISHER: Galerie des Quatre Mouvements EDITION NUMBER: 31/90 ME...

Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965. Born in Mainington, West Virginia, Gerald Gooch first studied...

Salvador Dali (Spain, 1904-1989) 'Jinete apocalíptico', 1974 dry point, etching on paper 22.3 x 30.4 in. (56.5 x 77 cm.) Edition of 175 Unframed ID: DAL2001-016 Hand-signed by author ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

The Divine Back of Gala – 15.75 x 12" image size, signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding. M...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Rouault, Georges (French, 1871-1958). IL A ETE MALTRAITE ET OPPRIME ET IL N'A PAS OUVERT LA BOUCHE " (He was oppressed, and he was afflicted, yet he opened not his mouth). Aquatint, ...

Artist: Dali, Salvador Title: Who Stole the Tarts? Series: Alice in Wonderland Date: 1969 Medium: Photogravure printed in color Unframed Dimensions: 15.25" x 10" Framed Dimensi...

Antonio Lorenzo Carrión (Spain, 1922) Piloto de Pruebas IV, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet...

Indian artist Arun Bose's style is partially abstract, using familiar decorative motifs and patterns alongside images of animals and plant life. This etching is signed and numbered b...

This artwork "The Reading of the Torah" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered XV/XXXV in pencil by the artis...

Color etching and aquatint on wove paper. Signed, titled and numbered 56/100 in pencil. This etching is made after the painting of the same subject "Woman in Yellow Dress...

Salvador Dali (Spain, 1904-1989) 'Le Cheval et le Loup', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-013 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 L. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Signed, titled and numbered by the artist. Image size: 4 x 16 inches Glacier Divide from Humphreys Basin, John Muir Wilderness, California. Scene of sunlight on snow-capped mountain...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

(A charming lady chatting with a lady perfect in every possible way) Signed in the plate. No pencil signed impressions are existent. Edition: 368 (including 50 imps on japan) includi...

This artwork "Woman with Frog" c.1980 is an original blue ink etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 66/250 in pencil by the artist...

This artwork titled "The Mural Day" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered LVII/LXXV in pencil by the...

Francisco De Goya (Spain, 1746-1828) 'Bien tirada está (Caprichos. Estampa 17)', ca.1797-1799 etching, aquatint, dry point on laid paper 12.5 x 8.7 in. (31.5 x 22 cm.) 1st Edition Ir...