Etching Drawings and Watercolor Paintings

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...

Pussy In The Sky With Swan Karen Lynn Gorney, American (1945) Etching, Watercolor, Pastel and Ink on Arches, signed, titled and numbered in pen Edition of 25-Jul Image Size: 17.75 x ...

Etching on paper, signed Gaetano Carboni A painter and engraver, Gaetano Carboni was born in 1928 in Ascoli Piceno and, between 1940 and 1950, implemented his first figurative experi...

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and prin...

Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

"Map of Palestine" is an original etching realized by an Anonymous Author in 19th Century. Good condition except for some traces of time and folding....

This piece titled "Scarlet Ribbons" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground and a la poupee on Rives BFK. This piece is edition of 8, m...

This piece titled "I'll Be Your Mirror" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground, sugarlift, aquatint and spit bite on Rives BFK. This p...

"Oriental Flowers" - Figurative Etching and Watercolor Figurative etching and watercolor of four men sitting, wearing coats and berets by San Francisco artist Margaret (Maggi) McEll...

William Tombleson Thames River Scenic (4) 1838 Color engraving 7 x 8.75 inches, 11 x 13 (framed)

William Tombleson Thames River Scenic (1) 1838 Color engraving 7 x 8.75 inches, 11 x 13 (framed)

William Tombleson Thames River Scenic (2) 1838 Color engraving 7 x 8.75 inches, 11 x 13 (framed)

William Tombleson Thames River Scenic (3) 1838 Color engraving 7 x 8.75 inches, 11 x 13 (framed)

Classic Paul Desmond Brown (1893-1958) c1930s drypoint etching depicting a gentleman jockey aboard steeplechaser #1 clearing a brush fence Art Sz: 5 1/4"H x 7 1/4"W Frame Sz: 12 1/...

This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas mas fam...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

"Alter Ego" - Original Watercolor Hand-Painted Etching on Paper - 35/120 Edition Variable In this highly detailed hand painted etching, artist Claus Sievert (American, 1949-2009) depicts a clown gazing into a handheld brass mirror holding a mask with matching face paint. The clown sits in what appears to be a dressing room surrounded with various costumes. This etching is uniquely hand painted in watercolor and gouache. The clown's eyes are hand drawn with added details throughout the face and hair. Signed, numbered, and titled along the bottom edge of paper, "35/120 E.V. "Alter Ego" Claus Sievert" Presented in a new white mat with foam core backing. Mat size: 24"H x 20"W Paper size: 18.38"H x 15"W Image, Claus Sievert, (American, 1949–2009) nicknamed “The Tree Guy," was a German-born American printmaker and illustrator, who studied etching in an art college in Brunswick, Germany, in 1971. He began his career as an art teacher in Germany, teaching printmaking, art history, advertising design, and visual communication, and became a full-time artist in 1981. Sievert created limited-edition etchings from copper plates and a hand-turned press which he then individually hand-colored. Sievert’s work won awards, illustrated a children’s book by Leo Tolstoy, was commissioned by the Sierra Club and Golden Gate National Recreation Area to illustrate their publications, and he had his images published in several calendars. He was known for his prints highlighting forms and the beauty of nature. His art was also featured in Ansel Adams Gallery, Muir Woods...

Title: La Perruche a ailes variees Pt. 57 From: Histoire Naturelle des Perroquets Date: 1801 - 1805 Size: 14" x 21" Medium: Engraving...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Art Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

Art Sz: 15 3/4"H x 22"W Frame Sz: 24"H x 30"W Classic intaglio polo etching c1985 edition #24/ 200 by Phillip Sage (b1942-) pencil signed (LR)

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas más fam...

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

Manfred K. Schwitteck (*1948), Still life with fish bones and champagne corks, 1992. watercolor over pencil on handmade paper, 31.5 x 45 cm (visible size), 47 x 61 cm (frame), signed...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Luis Miguel Valdes (Cuba, 1949) 'A pura linea', 2002 pencil on paper 9.9 x 11.1 in. (25 x 28 cm.) ID: 1D200205 Hand-signed by author ______________________________________________ Bi...

Luis Miguel Valdes (Cuba, 1949) 'Pareja', 1999 ink on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199907 Hand-signed by author ______________________________________________ Biography Bo...

Luis Miguel Valdes (Cuba, 1949) 'Perfil con mano', 1999 ink on paper 10.9 x 11.9 in. (27.5 x 30 cm.) ID: 1D199905 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Perfil', 1994 acrylic on paper Velin Arches 300 g. 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199410 Hand-signed by author _________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Enrredo', 2004 ink on paper 11.9 x 13.8 in. (30 x 35 cm.) ID: 1D200401 Hand-signed by author ______________________________________________ Biography...

Luis Miguel Valdes (Cuba, 1949) 'Perfil 2', 1999 ink on paper 15.8 x 11.9 in. (40 x 30 cm.) ID: 1D199912 Hand-signed by author ______________________________________________ Biograph...

Luis Miguel Valdes (Cuba, 1949) 'Perfil-1-99', 1999 aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) ID: 1D199911 Hand-signed by author ______________________________________________ ...

Luis Miguel Valdes (Cuba, 1949) 'Mariposa-I', 1999 aquatint on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199908 Hand-signed by author ______________________________________________ Bio...

Luis Miguel Valdes (Cuba, 1949) 'Caida', 1999 aquatint on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199906 Hand-signed by author ______________________________________________ Biograph...

Luis Miguel Valdes (Cuba, 1949) 'Pubis-02', 1999 ink on paper 11.9 x 13.8 in. (30 x 35 cm.) ID: 1D199904 Hand-signed by author ______________________________________________ Biograph...

Luis Miguel Valdes (Cuba, 1949) 'Las piernas', 1999 ink on paper 13.8 x 11.9 in. (35 x 30 cm.) ID: 1D199903 Hand-signed by author ______________________________________________ Biogr...

Luis Miguel Valdes (Cuba, 1949) 'Sentida-1-99', 1999 ink on paper 13.8 x 11.9 in. (35 x 30 cm.) ID: 1D199901 Hand-signed by author ______________________________________________ Biog...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 2', 2007 aquatint on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200713 Hand-signed by author _____________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Pared-1', 1996 aquatint on paper 9.1 x 12.1 in. (23 x 30.5 cm.) ID: 1D199602 Hand-signed by author ______________________________________________ Bio...

Luis Miguel Valdes (Cuba, 1949) 'Chac-1-96', 1996 aquatint on paper 9.1 x 11.9 in. (23 x 30 cm.) ID: 1D199601 Hand-signed by author ______________________________________________ Bio...

Luis Miguel Valdes (Cuba, 1949) 'Perfil I-94', 1994 acrylic on paper Velin Arches 300 g. 15 x 22.1 in. (38 x 56 cm.) ID: 1D199409 Hand-signed by author ______________________________...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 7', 2007 aquatint, ink on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200718 Hand-signed by author ________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 6', 2007 aquatint on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200717 Hand-signed by author _____________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Acueducto-1-99', 1999 aquatint on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199909 Hand-signed by author ____________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Pared-2', 1996 aquatint on paper 9.1 x 12.1 in. (23 x 30.5 cm.) ID: 1D199603 Hand-signed by author ______________________________________________ Bio...

Luis Miguel Valdes (Cuba, 1949) 'Chorro', 1994 acrylic on paper Velin Arches 300 g. 15 x 22.1 in. (38 x 56 cm.) ID: 1D199408 Hand-signed by author ___________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Patas', 2000 acrylic on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D200004 Hand-signed by author ______________________________________________ Biograp...

Luis Miguel Valdes (Cuba, 1949) 'Amor de pinceles-III', 1999 ink on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199910 Hand-signed by author ___________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 4', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199607 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 3', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199606 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 2', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199605 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 1', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199604 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Venus', 2002 acrylic on paper 23.9 x 17.4 in. (60.5 x 44 cm.) ID: 1D200206 Hand-signed by author ______________________________________________ Biogr...

Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public. Signed "Frank Short" lower right with monogram in the print "S within a shield" Titled lower left "Rough Weather at Blatchington" Lower left "Trial Proof" Image, 8.5"H x 10.88"W Mat, 16"H x 20"W x 0.13 Professionally cleaned and ph nuetral washed by our paper conservator. (new images posting) Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art*, in 1883. He also worked at the life class under Professor Fred...

Luis Miguel Valdes (Cuba, 1949) 'Tubos', 1994 aquatint, crayons on paper 17 x 11.1 in. (43 x 28 cm.) ID: 1D199405 Hand-signed by author ______________________________________________...

A fine limited edition color etching of a rooster titled “S.O.S.” by American artist Jamie Wyeth (b. 1946). Wyeth was born in Wilmington, DE and grew up in Chadd’s Ford, PA, the son of Andrew Wyeth, one of America’s most well known artists, and a grandson of the illustrator Newell Convers Wyeth. Wyeth studied under his aunt, Carolyn Wyeth, and apprenticed three years with his father before going to New York City to launch his own art career. During the 1960s and 70s, his portrait work included a posthumous President John F. Kennedy, Andy Warhol, and President Elect Jimmy Carter. Wyeth was commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, and he even painted Christmas cards of the White House for President Ronald Reagan. He summered on Monhegan Island and became closely linked to the Monhegan art...