Laid Paper Photography

Sumo, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary color photograph 23.5" x 16.5" printed on handmade Awagami Japanese paper by the artist. The archival pigment print is: E...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the phot...

Geisha, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary black-and-white photograph 23.5" x 16.5" printed by the artist on handmade Awagami Japanese paper. The archival pigment print is signed, titled, dated on verso (back of print). Edition: 1/5. The photograph is from the “Tokyo” series JM made in 2009 while visiting Japan. Capturing a geisha with a guarded smile showing off her flower-patterned kimono while holding an ordinary shopping bag in her other hand, JM reveals a very endearing Japanese figure. For JM’s portrait the photographer chose a backdrop of sake barrels...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 7/10. Provenance: Freed archive. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity. The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us. The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology. "Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Live at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV. Giclee 300gsm smooth archival rag paper and archival ink Each fine print...

Driving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA. From Sinatra Family Archive Giclee 300gsm smooth archival rag paper and archival ink Each fine print i...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 23" x 30" 45" x 60" 54" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...

'Karine', Edition 2/10, 20x30cm, 2018 Art Print on Velvet Watercolor Paper, 310gsm, Bright White, Acid Free Signature label and Certificate. About Tao Ruspoli (born 7 November 1975)...

John Conn New York City Subway photographs. These limited edition fine art photographs were originally taken between 1975 and 1982. Each black and white photograph is signed and nu...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Fires 3 is a stunning Digital C-Type print on Fuji Maxima Matte Paper. This is Edit...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...