Joan Miró

Terres de Grand Feu, (Land of Great Fire)

1956

Red Mountain Three color lithograph, 1986-7 Signed, titled and dated in pencil lower right Annotated "B.A.T." for Bon a Tire lower left corner This example is the printers guide for printing the editon of 40 Printed on BFK Rives paper Printed at Derriere L'Etoile Studios, New York Printer: Maurice Sanchez Condition: Excellent, never framed Image/Sheet size: 45 1/4 x 30 inches Louisa Chase came to prominence in the 1980's as one of the outstandingNeo-Expressionist painters. Her work then was characterized by bold colors and brush strokes, often incorporating natural elements and fragments of the figure. Louisa Chase's works have been featured in gallery and museum shows in Cologne, Nurnberg, Luzem, Switzerland, Toronto, and Tokyo, and various galleries and museums throughout the US. She has also been featured at the American Pavillion at the 1984 Venice Biennale. Also in 1984, the Institute of Contemporary Art in Boston organized as travelling exhibition of her work. In 1997, the Madison Art Center organized a retrospective of her prints, Louisa Chase: Prints, 1981-1996. She has been a featured artist at the University of Wisconsin's Tandem Press and at the Tamarind Press; ahe was also invited to do a print for Lincoln Center in New York City. The recipient of two grants from the National Endowment for the Arts, Chase's works are in the permanent collections of such museum as The Museum of Modern Art, the Metropolitan Museum of Art, The Whitney Museum of American Art (New York), The Brooklyn Museum of Arts, The Corcoran Gallery and The Library of Congress (Washington D.C.), The Walker Art Center (Minneapolis), the Mount Holyoke College Art Museum, the Denver Museum of Art, and the Chazin Museum of Art of the University of Wisconsin, Madsion and the Madison Museum of Contemporary Art (Madison WI). Bibliography: Elizabeth Armstrong, Painters who print (Minnapolis: Walker Art Center, 1984); Ruth S...

Calligraphy Lithograph, 1969 Edition: 260 Signed in script by the artist (see photo) Signed with initials and dated by the artist (see photo) Publication for the Print Club of Cleveland, No. 47 for 1969 Printer: Hollander Workshop, New York, with their chopstamp (see photo) Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings...

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

Sprong in de Lente (Deux Personnages) Color lithograph, 1963 Signed, dated and numbered in pencil (see photos) Edition: 25 Signed, dated and numbered in pencil Printed on Arches paper Probably exhibited at David Anderson Gallery/Martha Jackson Gallery. Provenance: Martha Jackson Gallery David Anderson Gallery David K. Anderson Grandchildren Trust Condition: Colors fresh and unfaded Slight oil stains verso from the ink, not visible on front Image size: 18 1/2 x 26 inches Sheet: 22 x 29 5/8 inches Karel Appel B. 1921, AMSTERDAM; D. 2006, ZURICH Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years. In 1950 the artist moved to Paris; there the writer Hugo Claus...

Drole de Drame Lithograph, 1960 Signed, dated and numbered in pencil lower right (see photos) Edition: 120 (91/120) Published by L’Ouevre Grave, Geneve (blindstamp recto) Printed by ...

Untitled Color lithograph, 1959 Unsigned (as issued) From: Derriere Le Miroir, No. 113, 1959 Publisher: Editions Pierre a Feu Editor: A. Maeght Small edition as it appeared in the ma...

Printer: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower margin

Fragile is an colored serigraph realized by Mario Padovan in the 1990s . Hand-signed in pencil on the lower right. Artist proof. Good conditions. This artwork represents a typica...

Lithograph by Alain Le Foll 1934-1981 Number 71 of 150 examples hand signed by the artist Unframed in very good condition with one very small tear on one edge that doesn't affect the image and won't show when framed In the 1970s he produced designs for Rosenthal Studio Line Porcelain which were typical of his distinctive style Alain Le Foll in his lithographic art gained an international reputation for his highly charged, surrealist imagery This is printed on smooth, archival paper in an edition of one hundred and fifty impressions. It is signed and numbered by Alain Le Foll in pencil A twentieth century French artist, Alain Le Foll studied art techniques at the Beaux-Arts Academy in Caen. He moved to Paris shortly after completing his studies and began exhibiting his original lithographs in international exhibitions in Paris, Dijon, Basel, Dusseldorf, Cologne, Cracovie, Florence, Washington, D. C. and Tokyo. Alain Le Foll began teaching at the Ecole Nationale des Arts Decoratifs, Paris, in 1964 and remained there until his untimely death in 1981. Alain Le Foll was equally famous for his lithographs and for his contributions to the book arts. During the 1960's and 1970's he illustrated many works by the author, Claire Nadaud, including, Moise, Jesus nous donne le pain, Les trios arbres du Samourai and Sinbad the Sailor. In 1965 he received the diploma 'Meilleur Livre Loisirs Jeunes' for his illustrative...

"Cali" is a typical motif by Maurice Estève. The lithograph in colours was published in an edition of 100. 49,6 x 65 cm. Signed and numbered.

Lithograph, 1962 Edition : III/X 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 50.00 cm. x 63.00 cm. 19.69 in. x 24.8 in. (image) Annoted "Epreuve artiste" Handsigned by the ...

Lithograph, 1975 Edition : V/XV 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 50.00 cm. x 67.00 cm. 19.69 in. x 26.38 in. (image) Lithograph belonging to a series of 15 litho...