Louisa ChaseBaby, Baby1991
1991
About the Item
- Creator:Louisa Chase (1951 - 2016, American)
- Creation Year:1991
- Dimensions:Height: 21.75 in (55.25 cm)Width: 25.75 in (65.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Louisa Chase
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yale University School of Art. In 1975, she moved to New York and had her first solo show at Artists Space.
Chase was among the wave of Neo-Expressionists of the 1980s who rejected the detached, pared-down approach of Minimalism and Conceptualism in favor of a dynamic technique and the use of symbolic imagery in her paintings and prints. She has had numerous solo shows in New York, Los Angeles, and Toronto, and has participated in group exhibitions held in the United States and abroad, notably at the Daimaru Exhibition Hall in Osaka, Japan, the Cincinnati Art Museum, the Metropolitan Museum of Art, New York, and the American Pavilion at the Venice Biennale 1984.
In 1984, the Institute of Contemporary Art in Boston organized a traveling exhibition of Chase’s work, and in 1997 the Madison Art Center held a retrospective exhibition of her prints.
Chase is a recipient of grants from the National Endowment for the Arts in 1978–79 and 1982–83. She has taught at the Rhode Island School of Design, the School of Visual Arts in New York, and at the Skowhegan School of Painting and Sculpture in Maine.
Chase’s work can be found in major public collections across the country, including the Brooklyn Museum of Art; the Albright-Knox Art Gallery, Buffalo, New York; the Denver Art Museum, Colorado; the Nelson-Atkins Museum of Art, Kansas City the Madison Art Center, Wisconsin; the Walker Art Center, Minneapolis; the Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; the New York Public Library; the Whitney Museum of American Art, New York; and the Corcoran Gallery of Art, Washington, D.C.
(Biography provided by Diane Villani Editions)
- ShippingRetrieving quote...Ships From: Akron, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- UntitledBy Henri GoetzLocated in Fairlawn, OHUntitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on reverse Sheet: 9 7/8 x 12 3/4" Image/Plate: 5 x 7" Note: Goetz was born in the United States, moved to Paris and became a noted Surrealist artist and journalist of the surrealist movement. As a printmaker, Goetz invented carborundum printmaking in the 1960’s. In 1968, La gravure au carborundum, a treatise on carborundum printing, was published by the Maeght Gallery. It was prefaced by Joan Miró. Goetz created many abstract prints using this method. Other artists such as Antoni Clavé, Antoni Tàpies, and in particular Joan Miró, employed carborundum printing in their work. Henri Bernard Goetz (1909-1989) Henri Bernard Goetz was born 29 September 1909 in New York, in a family of French and American origin. He studied at Harvard University and the Grand Central Art School before moving to Paris in 1930 where he continued his studies at the Academies Julian and Academies Ozenfant in Montparnasse. After a brief return to the US in the early 1930’s he settled permanently in France, taking a Parisian studio next to Victor Brauner. With Brauner Goetz became involved with the Surrealist group and was soon a highly accomplished exponent. 1935 would be a year of major importance for Goetz: he exhibited for the first time at the Salon des Surindependants, he married the Dutch painter Christine Boumeester and he met Hans Hartung, who would become a close lifelong friend. In 1937 Goetz held his first solo show at Galerie Van Leer, Paris. During the war, having neglected to become naturalized French citizens, Goetz and Boumeester became illegal aliens and both worked in the resistance movement. They printed leaflets on a simple printing press and created posters to paste...Category
1960s Abstract Expressionist Abstract Prints
MaterialsDrypoint, Etching
- Ancient Landscape II (Ancient City)By Louise NevelsonLocated in Fairlawn, OHAncient Landscape II (Ancient City) Etching and drypoint, 1953-1955 Signed and titled in pencil by the artist; (see photo) Annotated: "E130 A/1" in pencil lower right Estate stamp v...Category
1950s Abstract Expressionist Abstract Prints
MaterialsEtching
- NeonBy Carlos Davila 1Located in Fairlawn, OHNeon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...Category
1970s Abstract Geometric Abstract Prints
MaterialsAquatint
- DebrisBy Ray H. FrenchLocated in Fairlawn, OHSigned, dated, titled and number Edition: 25 (1/25), never fully realized Provenance: Estate of the artist Etching, engraving and color aquatint Sheet: 10 5/8 x 13 1/2"; Image...Category
Mid-20th Century Abstract Geometric Abstract Prints
MaterialsEngraving, Etching, Aquatint
- Between Air and Water #18By Shoichi IdaLocated in Fairlawn, OHBetween Air and Water #18 Color soft ground, Spit Bite Aquatint and Drypoint on Gampi Chine Colle, 1992 Signed, titled, and dated in pencil (see photo) Annotated: A.P.4 (see photo) C...Category
1990s Abstract Abstract Prints
MaterialsAquatint
- BATBy Bertrand DornyLocated in Fairlawn, OHBat Embossed color aquatint and etching on Arches paper, 1976 Signed by the artist in pencil lower right (See photo) The Print Club of Cleveland stamp verso Edition: 261 The Print Cl...Category
1970s Abstract Abstract Prints
MaterialsAquatint
- Mexican Night IIBy Robert MotherwellLocated in London, GB44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Etching, Aquatint
- Roth-HandleBy Robert MotherwellLocated in London, GBCR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsAquatint
- Jean Miotte - Constant Eye I - Original Signed LithographBy Jean MiotteLocated in Collonge Bellerive, Geneve, CHJean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: /66 Hand-Signed in pencil L'Oeil Constant, Vence, Pierre Chave, 2001.Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsAquatint
- After Henri Michaux - Moments - Original AquatintBy Henri MichauxLocated in Collonge Bellerive, Geneve, CHAfter Henri Michaux - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A C...Category
1990s Abstract Expressionist Abstract Prints
MaterialsAquatint
- 60s American Abstract Expressionist Untitled Abstract Color Composition EtchingBy Don FinkLocated in Surfside, FLColor Abstract Expressionism aquatint etching. hand pencil signed limited edition. Don Fink (1923-2010) was a well known and well listed Abstract Expressionist who studied at the Art Students League and the Academie Julian. He was born in Duluth , Minnesota, but later moved to Europe where he established himself as an artist. He was first based in Paris where he was a member of the "Jeune École de Paris" (with Karel Appel, Debre, Friedensreich Hundertwasser, Antoni Tapies, Dumitresco, Messagier, Zanartu , etc.) and later moved to Barcelona. A large retrospective of his earlier works was held in Madrid in 1998 with the following promotion: Don Fink Returns to Madrid: American "action" painter Don Fink (b. Duluth, Minnesota, 1923) has a show at Galería Rayuela through September 25. The artist divides his time between Barcelona, Paris, and New York. This is his second exhibition in Madrid in four years. The works on view date from 1952 to 1970. Their "active" surfaces meld the arts of tattooing, calligraphy and three-dimensional terrain mapping, resulting in a meditative and rewarding experience for the viewer. The show was organized by Sebastià Janè of Barcelona and Carmen Muro of Madrid. Galería Rayuela is at Calle Claudio Coello...Category
20th Century Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint
- Nets – Mid-Century Modernism, Atelier 17By Sigismond Kolos-VariLocated in Myrtle Beach, SCSigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). ABOUT THE ARTIST Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...Category
Mid-20th Century Abstract Expressionist Abstract Prints
MaterialsEtching, Aquatint