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Zao Wou-KiUntitled No. 289 - Chinese Art Abstract French1978
1978
About the Item
ZAO WOU-KI 1921- 2013
Beijing 1921 -2013 Switzerland (Chinese)
Title: Untitled No. 289, 1978
Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Arches Wove Paper
Paper size: 54 x 76 cm. / 21.3 x 30 in.
Image size: 45 x 60 cm. / 17.7 x 23.6 in.
Additional Information: This original lithograph in colours is hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. It is dated “78” [1978] next to the signature.
It is also hand numbered in pencil from the edition of 150, at the lower left margin. There were also 20 artist’s proofs.
It was printed by Bellini, Paris and published by Egmont H. Petersen, Copenhagen in 1974.
The paper bears the Arches watermark in the lower left corner.
Literature: Ågerup, J. (1994). Zao Wou-Ki - The Graphic Work - A Catalogue Raisonné 1937-1995. Copenhagen: Heede & Moestrup.
Reference: Ågerup 289
Condition: Very good condition. Pale time and mount staining across the sheet. Remnants of adhesive tape running along the upper sheet edge.
- Creator:Zao Wou-Ki (1921, Chinese)
- Creation Year:1978
- Dimensions:Height: 21.26 in (54 cm)Width: 29.93 in (76 cm)
- More Editions & Sizes:Edition of 150Price: $9,500
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1807041342
Zao Wou-Ki
Zao Wou-Ki was born in Beijing, China, on February 13, 1921, to a wealthy family descended from the Song Dynasty.
French-educated Chinese artist Lin Fengmian was Wou-Ki’s teacher at the China Academy of Art from 1935–41 and encouraged him to study abroad in Paris. Wou-Ki made the move in 1948 with a substantial amount of financial backing and later adopted France as his new home, remaining in the country, besides a few short trips abroad, until his death.
In Paris, Wou-Ki quickly joined a large postwar French art circle, composed of key writers, poets, painters and cultural figures, including Joan Miró, Pablo Picasso, Riopelle and Vieira da Silva, among others. This networking helped position himself at the top of the Lyrical Abstraction movement. By his mid-30s, Wou-Ki had decided to devote his artistic career to abstract painting that blended Eastern and Western stylistic traditions.
In 2011, Wou-Ki was referred to in art publications as the top-selling living Chinese artist. He died in Nyon, Switzerland, on April 9, 2013, at the age of 93.
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