Keith Haring

Montreux Jazz Festival 1983 (Green)

1983

Title: Montreux Jazz Festival 1986 Collaboration by Keith Haring & Andy Warhol Medium: Screenprint in colors on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) Signature: Plate signed by Keith Haring & Andy Warhol Open edition Description: This iconic artwork commemorates the twentieth anniversary of the Montreux Jazz Festival and Claude Nobs’s fiftieth birthday. A remarkable collaboration between two New York icons, Keith Haring and Andy Warhol, this piece captures the vibrancy and energy of the festival in bold red and yellow hues. Pierre Keller's ingenious idea brought these renowned artists together for the first time, resulting in a visually striking poster that evokes a sense of Swiss charm...

Turtle (FS II.360A) 1985 Limited edition of 250 Screenprint on Lenox Museum Board. Signed in pencil and numbered with the blindstamp of the printer. Frame size 90 cm x 110 cm

Title: Montreux Jazz Festival 1983 by Keith Haring 1986 Medium: Screenprint in colours on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) S...

Title: Montreux Jazz Festival 1983 by Keith Haring 1986 Medium: Screenprint in colours on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) S...

This is a complete set of three screenprints by Keith Haring. The first of these were produced by Keith Haring in 1983 as the official poster for the Montreux Jazz Festival. The firs...

Edition of 100 + 15 APs Screen print on paper with hand-deckled edges Signed and numbered by the artist Cream Speckletone paper 105 cm x 77 cm 41 x 30 inches 2021

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. From the PP (Printers Proof) edition of 5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman numerals, 1 BAT, 30 TP). Published by Ronald Feldman Fine Arts, Inc., NY. Printed by Rupert Jasen Smith, NY. Frame size approx 43.5 x 43.5 inches. Artwork is in excellent condition. All reasonable offers will be considered. Warhol was inspired by Judy Garland’s advertising campaign for Blackglama Fur company and their ubiquitous tagline “What becomes a Legend most?” Many legends of style and pop culture have modeled for the company over the years, including: Diana Ross, Bridget Bardot, Lauren Bacall, Julie Andrews, Ray Charles and Marlene Dietrich. Known for her starring role in the 1939 film, The Wizard of Oz, Judy Garland was described by Fred Astaire as “the greatest entertainer who ever lived.” She also had major roles in movies like Meet Me in St...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 27 x 33 i...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landsc...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...