Joan Miró

Maravillas con variaciones acrósticas en el jardín de Miró, 1975, (VI/XV)

1975

"Galerie Maeght" lithograph poster by Jean Rene Bazaine. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

A multicolored abstract lithograph by American artist James Rosenquist. This is number 36 from the edition of 100. Signed and dated lower right. Numbered and titled lower left. 37" ...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

"Encres sur cartes de navigation & peintures de l'annee" is an original color lithograph poster by the artist Pierre Alechinsky. It is advertising a show of his works at the Galerie Maeght in Paris, France November 1981. Beligian artist; Lives and works in France, since 1951. Pierre Alechinsky enrolled at the École Nationale Superieur d'Architecture et des Arts Décoratifs in Brussels in 1944 and attended classes of book illustration and typography. In 1947 he joined the group Jeune Peinture Belge. After finishing his artistic training in 1948, Alechinsky went to Paris for five months. Having returned to Brussels he met with the poet Christian Dotremont and joined the group COBRA in 1949, of whose semi-abstract Expressionism he was formed decisively in 1950. A scholarship by the French government led the artist to Paris in 1951. In 1954 Alechinsky met the Chinese artist Walasse Ting, who inspired him to travel to the Far East. Impressed by Japanese calligraphy he produced a movie on script art...

"Exposicion de Alejandro Mojica" is an original lithograph poster by Alejandro Mojica. It features an abstracted figure in bright colors--yellow, orange, pink, blue, and green. It ad...

Art: 11-1/4 x 11-7/8 Color lithograph, signed (2/10) Joseph Rozman was born on December 26, 1944 in Milwaukee, WI. He was the first artist to have a solo exhibition at the David Barnett Gallery...

Printer: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower margin

Frame size: 43 1/2 x 31 3/4 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Signed and annotated in pencil,...

Frame size: 43 1/4 x 32 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue Raisonné: Axsom 26 Signe...

A five colour lithograph on Somerset Satin Tub Sized White 410gsm paper. Edition of 125. Published in 2022. Hand signed and numbered by Stanley Whitney.

Fragile is an colored serigraph realized by Mario Padovan in the 1990s . Hand-signed in pencil on the lower right. Artist proof. Good conditions. This artwork represents a typica...

The Exchequer - Victor Vasarely - 1935 Lithography Inscribed on the back "L'échiquier - Lithog (1935)". Paper size: 40x46cm Size of the work: 33x23cm Signature at bottom right in p...