Joan Miró

One Plate, from Ubu au Baléares

1971

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...

Six colour lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76.6 x 60 cm. (30¼ x 23½ i...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph comes from the Als Mestres de Catalunya...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Awakening Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 22 x 30 inch...

Artist: Raphael Soyer Title: Boy and Girl Year: circa 1950 Medium: Lithograph on paper, signed in pencil l.r. Image Size: 12 x 7.5 in. (30.48 x 19.05 cm) ...

Artist: Bruce Porter, American (1948 - ) Title: Untitled III Medium: Lithograph, signed and numbered in pencil Edition: 14 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88...

Lithographic reproduction executed by Charles Sorlier from a large original print, "The Magician of Paris", 1970 from the second printing of 3500 ...

Artist: Juan Garcia Ripolles (1932 - ) Title: Harlequin Leaping Date: 1971 Medium: Lithograph, signed and numbered in pencil Edition of E.A. XX (20) Size: 25.5 in. x 19 in. (64.77 cm...