Bruce Barry Art

The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...

A Chinese, Tang Dynasty, Sancai-glazed, three colors of brown, green and creamy, sculpture of a horse with a cut fur blanket. This Chinese, Tang Dynasty (618-907 AD), glazed earthenw...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges po...

Karen Kuo 'Galaxy Cup No. 11,' 2022 Colored porcelain, ^6 oxidization 3.5 x 3.5 x 2.75 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LAD...

Visage noir Moucheté, Picasso, Plate, Portrait, Naif, Multiples, Earthenware Visage noir moucheté Ed. 39/200 pcs 1948 white earthenware clay, decoration in engobes under glaze 31 x ...

Karen Kuo 'Cobblestone Nerikomi Bowl,' 2022 Colored porcelain, ^6 oxidization 5.25 x 5.25 x 4 .2 inches ━━━ (This piece is part of the exhibition titled 'WO...

Ross Redmon Title: Serpent Ceramic, Post Fire Surfaces Year: 2014 Size: 84 x 26 x 19 inches Signed COA provided Ross Redmon is a Kansas City based artist, originally from Greer, So...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Pablo Picasso A.R. 142 Ice Pitcher 1952 12.6” x 21.6” Pitcher Edition of 100 White earthenware clay, decoration in oxides, knife engraved on white enamel Ramie 142 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...