Edward Schmidt Art

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

Bozzetto Accademico della Testa di un Cherubino. Disegno a carboncino e gessetto bianco su carta leggermente colorata di grigio. Seconda metà dell'Ottocento In buone condizioni. Prov...

Each drawing showing traditional Roman robes. Executed in pencil and highlighted in white chalk. Stamped on reverse. Paper size: 13"h x 10"w

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Sanguine chalk on paper Image size: 7 1/2 x 9 1/2 inches (19 x 24 cm) Acid free mount This is a sanguine chalk sketch after a print made by the French artist Francois Perrier in 163...

"Trois personnages nus" is a black conté crayon drawing on buff papaer by Francis Picabia. The artwork is signed in crayon, lower left, "Francis Picabia". The framed work measures 27 1/2 x 24 x 1 1/2 in. The Comité Francis Picabia has confirmed the authenticity of this drawing. Francis Picabia was an important French painter who experimented with a wide range of styles throughout his career and whose writings about art were influential in the development of the Dada movement...

Antique scene. 19th century drawing. Ink wash, black chalk and white chalk. Paper laminated on paper. Folds and dirt. 35.5 x 30 cm

Leonard Nowak, 'Tourists', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove drawing...

Leonard Nowak, 'Grand Canyon', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove dra...

Circle of François Boucher (French 1703 - 1770), Study of a Child. This charming work is probably a study for a painting, it shows a child with a swathe of billowing fabric over her ...

Entrance to the temple at Klungkung, Bali, 1925 With studio seal at the reverse, dated and described, bottom left Black chalk on paper, 53 x 46.5 cm In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...