Ernest Walbourn Art

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

Wonderful Scottish 19th century Highland landscape, with a figure and cattle on a pathway overlooking a Loch This piece is signed lower right and is framed in a Vintage Gold Leaf fr...

Francis Jamieson was a painter in oil and watercolor of highland landscapes and coastal scenes. (The work of this highly prolific artist is curious since the oils and watercolors have two quite distinctive styles and subject matter. The oil paintings are most frequently seen and these are highland landscapes or loch scenes - sometimes they appear to be signed with pseudonyms such as 'W. Richards' and 'Phil Hips' - the location is usually inscribed on the reverse. The watercolors are often coastal scenes with boats and figures on a shore, painted in a more traditional Victorian style, and possibly pre-date the oils. F. E. Jamiesons's beach scenes were published as postcards around 1920 by G. Ajelli & Co. of London on a textured card to give the appearance of oils. Jamieson is known to have traveled widely in the South of England between the wars selling his work but does not appear to have exhibited.) This quote in parentheses is taken from Jeremy Wood's excellent book 'Hidden Talents - A Dictionary of Neglected Artists Working 1880-1950'. - Work by Francis Jamieson can be seen at the usual sites. Please note that on all these sites you will find F. E. Jamieson variously listed as Francis E. Jamieson, F.E.Jamieson, Frank E. Jamieson, Frederick E. Jamieson etc. You may also find some listings under his various pseudonyms of Arnould Pienne, Charles Maurice, Graham Williams...

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...

Wonderful small-scale mid 19th Century European landscape with gypsy figures and caravan by Pal Paul Bohm (Hungarian, 1839-1906), circa 1870. Signed lower right with "Munchen" locati...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

REDUCED FROM $3000 The Sailor is a 11 x 8" oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed. It is oil painted on a wood panel . The Sailor floats in the frame. The background of Reynier Llanes is unique in style , subject matter, and medium. The artist says this about Field of Flight The characters in my paintings emerge from stories and their journeys are inspired by my own experiences and daily routines. My inspiration comes from literature, music, cinema, and daily life. My daily routine enables me to meditate and use my creativity to serve these stories and inspirations. I begin my mornings with sketches and watercolors. This is the time I use to keep inventory of my ideas and to allow them to further inspire me. Many of these characters have been depicted in my work before, whether in a different geographical location or in a different state of their physical evolution. I use a variety of mediums in my work including oils, watercolors, coffee, and charcoal. They are all equally important to me as they allow me full expression, each in its’ own sector. I use a great deal of symbolism in my art to give depth to the subjects that I wish to express. I want my art to tell a story in a manner that stimulates the imaginations of others, especially of things never seen or expressed directly. As an observer it is clear to see that we are all in pursuit of life’s mission of working, loving, and belonging. I begin my paintings by building layers of textures and color values, and then subtly add dimension and depth. Through the use of colors and highlighting I am able to enhance the atmosphere with mood, character, depth and mystery, and bring special attention to my subjects. It is the creative process of using these materials and methods that feed my soul, life, and being. I believe it is our mission as intellectuals to have a voice in our society, for our work to have a footprint in history, and to be a reference for future generations. BIO: Reynier Llanes was born in Pinar del Rio, Cuba in 1985. He attended the city’s school of art (Instructores de Arte) for four years and completed his studies in 2004. Llanes was tutored by one of the country’s most recognized realist artists, Juan Miguel Suárez. In 2005 he moved to Havana where he continued his studies and collaborated with various artists. The capital was a thriving mecca of art and culture and the museums the grounds for inspiration. In 2007 LIanes availed himself of an opportunity to emigrate from Cuba and moved to the United States, first settling in Naples, FL. In Naples he began to introduce his work in a major exhibition entitled “Strange Visitor” at the Kapo Maestro Gallery. In 2009 he relocated to Charleston, SC where he had the honor of being granted an artist in residency at the Jonathan Green Studios. Llanes was awarded a "first purchase award" for a piece now in the art collection of the city of Charleston 2011 at Moja Art Festival Juried Exhibition Award. In 2012 Oxford America recognized him as one of the "New Superstars of Southern Art." The art of Reynier was nourished by the rich southern culture and he began to collaborate with various museums and art centers. His work was featured in a traveling exhibition The Vibrant Vision Collection at the Morris Museum in Augusta, GA and the Gibbes Museum of Art in Charleston, SC. Llanes is also an avid art collector in his own right, focusing on works by artists from Cuba, and particularly those from his native province of Pinar del Río. A selection of works from his collection was exhibited at City Gallery in Charleston in 2013 and in the Art Museum in Myrtle Beach in 2015. In 2015 Llanes relocated with his family to Miami in order to take advantage of the city’s international art market and vibrant cultural life and to be closer to his home country. South Florida is, of course, home to a large community of intellectuals, collectors, and fellow artists who have welcomed Llanes into their cosmopolitan scene. His first solo exhibition in Miami took place at Miami Dade College West, this exhibition was entitled “Preserving Cultural Heritage” and it featured a large collection of coffee paintings. In 2017 he met Bill Meek...

19th century English Antique Victorian Summertime Harvest landscape, with figures. John Mundell was a British painter of landscapes as well as river scenes and coastal views. It is suggested that Mundell was a pseudonym of John James Wilson. Mundell’s work was vigorous, bright, and attractive and compares favorably with the work of many of the better artists of his time. This is a very fine example of the artist's work. It is a rare composition for the artist as he mostly painted marines. This piece is framed in its original antique gold leaf frame

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honourable mention in 1881 and a third place medal in 1888. William Thornley also went by the names Georges William and William...

Well-painted English late 19th century RIver landscape, with river, Church Cottage at Sunrise Daniel Sherrin 1868-1940 signed L. Richards This is a framed original oil painting on c...