Boxwood Dining Room Tables

A good quality English inlaid mahogany Georgian style three pedestal dining table retaining its 2 original leafs, the top with elegant burl elm crossbanding finished with boxwood tri...

Table de salle à manger en pin Pierre Gauthier Delaye éditons Vergneres La patine chaleureuse de la table de forme elliptique est renforce par le veinage décoratif du pin des landes....

A MASSIVE, 18 SEATER, LATE-19TH CENTURY, ANTIQUARIAN, REFECTORY TABLE, with an elm top, boxwood and parquetry frieze and oak base 3.68m 145" long - It is virtually impossible to source C17 and earlier dining tables with integrity which are more than 274cm., 108 inches long & period models are narrow around 70cm or 27.50 inches wide - It is very rare to find a table of this size with parquetry decoration which was only used on the finest pieces and is sophisticated elevating its status. - The massive elm top is made from over 10" wide, beautifully figured boards, 1 1/4" thick - The bulbous legs on this table are typical of those found on drawleaf tables that were made in the third quarter of the 16th century. The bulbous or vase-shaped legs were of Flemish and German origin, introduced into England by immigrant craftsmen and through published designs such as those of Dietterlein and De Vries. In early Elizabethan examples, the vase-shape is very pronounced, the bulbs generally being carved with acanthus and gadroons, and terminating at the junction with the frame in Ionic volutes as in this example. - The top is detachable and unusually the base of table can easily be dismantled unlike the 16th century examples whose immovable nature caused them to descend through many generations in the same family, and Evelyn observes in a familiar passage that both in hall and parlour long tables " were as fixed as the freehold " '. Consequently drawleaf tables still survive today in situ some of the great collections, such as Hardwick Hall, while others have passed into the hands of museums such as the Treasurer's House, York - Provenance : Private Collection UK. The Estate Of Wendy Vanderbilt Lehman, USA. Wendy was born in California to Manuela Hudson and Alfred Gwynne Vanderbilt II, a pioneer in thoroughbred racing, who’s father had gone down on the Lusitania. She was great, great granddaughter of Cornelius Vanderbilt, the historic tycoon known as The Commodore. Like many wealthy children of her generation, Wendy grew up largely in the care of nannies, and throughout her childhood she was shuffled between Palm Beach and the Plaza Hotel. Wendy experienced her first sense of belonging at boarding school, where she cultivated life-long loving friendship with her art teacher Betty Klein. She later attended Sarah Lawrence College. In her early 20s Wendy was widely sought after and photographed as a debutant. She was featured in one of Lilly Pulitzer’s first advertising campaigns and attended the Truman...

This splendid little dining table is a prime example of American Mid-Century Modern design. Constructed entirely from solid oak with gorgeous, prof...

Twelve sided dodecagon hinged top with elaborate sunburst central inlay with outer band sunburst with elm outer banding, conforming apron with carved details, on a inverted vase supp...

Antique English Regency Mahogany tilt top centre table/breakfast table C.1800. Solid mahogany with boxwood inlay stringing tilt top. The baluster stem on four reeded out-swept leg...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

Rare dining table model 1020 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

An extravaganza furniture with an excellency of design and handcraft represented in one piece. This luxury marble top dining table, crafted to perfection over the solid wood based. Hand carved from the highest quality of Italian marble from the best source, uniquely designed and carved by our in house designer and own production. The wooden table base...

This majestic table set designed for those with a luxurious setting. Glamorous Venetian style dining table made of a solid wood in ivory white, decorated with golden motif all around...

A classic large briar table, with intricate inlay design top that can accomodate a warm gathering up to 10 seatings. Ornated with golden motif details all around the table to enhance...

This elegance handcrafted table presents a sophisticated mix of wooden elements on the classic marquetry table top, down to the flemish scroll legs. The...

A fine early 19th century Regency period rosewood Breakfast Table having reeded edged ,satinwood crossbanded ,boxwood and ebony strung rectangular top ...