Copper Paintings

Antique 1850 Mexican colonial style oil on copper religious painting.

ANTIQUE ORIGINAL OIL ON COPPER PANEL PAINTING Depicting two scantily clad females with loose robes bearing their breasts. They are relaxing back on some very comfortable-looking sof...

Colorful painting on copper in a (recent) black frame. Signed: JH. F...(unknown). Dated: 1970

An Allegorical Belle Époque Limoges Enamel Painting Plaque of a Semi-Nude Bacchante. The convex baked enamel copper plaque finely painted depicting a scantily clad young female Maen...

Scuola emiliana, XVII secolo Rebecca al pozzo Olio su tela, cm 76 x 58 Giunta la morte della consorte Sara, Abramo decide di cercare moglie al figlio Isacco. Pertanto, manda il suo ...

By van Olsen or Von Olsen. Probably, 19th or 20th century 1-11-18-8-5 Condition: Overall condition frames have some ware. Size frame 23 x 23 x 3cm Period: 20th century.

In this antique 17th-century oil painting on copper, we see St. Jerome, encased within an intricately adorned wooden frame. Jerome assumes the role of a penitent, deeply engrossed in...

Particular French decorative panel dated 1981. Artwork on embossed, chiseled and painted copper depicting an interesting subject with tribal elements, figures and masks of great dyna...

Sacrifice of the Mosaic Law. Oil on copper. 17th century, inspired by RUBENS, Pedro Pablo (Siegen, 1577-Antwerp, 1640). Oil on panel showing a figurative scene located in a building...

Vintage Painted Copper Metal Relief Art By A Gilles 26”x20 ” Japanese Sakura. Circa Mid to Late 20th Century. Measurements: 26" H x 20" W x 1" D.

Amazing workmanship enamel paintings in original frames. This unique and stunning pair of Midcentury Modern enamel paintings, in our view, is fit for a fine art museum, because thi...

Pieta, oil painting on copper, Northern Italy, 17th century In the foreground is The Dead Christ, lifeless and limply reclining on Mary's knees, supported and adored by a woman who...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

A very rare oil-on-copper portrait of a French officer from Louis Philippe period of 1830-48. Paintings on copper sheeting are typically found only among the genre of small devotiona...

Simple & elegant hand painted enamel on copper of a French cottage by a pond with dock. Petite in size, work of art is 3.5 x 5. Totality is 10.5 x 9.5 framed. In excellent antique co...

Oil on copper depicting a basket of flowers made up of roses, tulips and irises, with small florets fleshing out the larger buds carefully arranged in the basket. Jan Van KESSEL the ...

A 17th Century italian painting of Christ crucified accompanied by the three Marys: Mary Magdalene, Mary Salome and Mary of Cleophas in contemplation of Hi...

A 17th Century baroque painting of a sideview of Jesus Christ Salvator Mundi or Saviour of the World in sfumato Saint Savior of the World, a title given to Christ on the Catholic f...

A 17th Century Baroque painting of Our Lady of the Immaculate Conception in yellow, green and red silk robes. The hand on the breast, the Hand of God and...

This significant oil painting on copper represents a notable example of the North American School in the late 18th century. The artwork captures the essence of the time, marked by cr...

Théophile Soyer (French, 1853-1940) Madonna enamel on copper monogram lower right: “TS" A convex copper plaque with enamel paint in original bronze frame. plaque 6 ¼ inches wide ...

An oil on copper painting of a hawking scene attributed to Carel Van Falens. Circa 1700. A fascinating picture showing elegant mounted figures with t...

Pair of vintage signed original framed enamel on copper art panels by Louis Cardin. Very popular collectible items Circa 1980 Rich vibrant colors wi...

Senen Ubina "Composition 10 - 1969" Circa 1969

A Saint Paul of Tarsus Painting, also called Apostle Paul, Saul of Tarsus, Saint Paul the Apostle or Apostle of the Gentiles. The sword in Saint Paul's hand symbolizes the way he wa...

An 18th Century painting that depicts the Holy Family, Child Jesus, the Virgin Mary and the elderly Saint Joseph, with the Angel. Oil on Copper. Frame: Width: 18,11 in (46 cm) De...

Miniature on copper depicting the Holy Trinity in oil modelled after a painting by a Spanish painter, Fernando Yanez de la Almedina who was active ...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534 Antonio Alegri, (Corregio) Lo...

Cornelis Van Poelenburgh (Utrecht 1594-1667) Copper Oil Painting 17th Century, depicting bathing nymphs. Dutch painter, mainly of landscapes. He studied in Utrecht with Bloemaert an...

This unique and vibrant enamel painting on copper is of a sailboat in stormy waters. The sky is aglow in bright yellow, ochre, and white mixing with hints of blue and green. The roll...

Miniature painted on copper framed in brass style Napoleon III late 800. The miniature is in good condition with small wear and tear caused by the use ...

Oil On Copper, 17th Century ELEGANT OIL ON COPPER REPRESENTING THE VIRGIN MARY SPANISH SCHOOL OF THE 17TH CENTURY VERY WELL PRESERVED CONDITION GILT WOOD FR...

Oil On Copper 19th Century SMALL OIL ON COPPER OF THE XIX CENTURY DUTCH SCHOOL MEASURES: 25X15 CM

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

A French Limoges painting offers enamel on copper portrait of a woman in outdoor setting, seated in giltwood frame, 20th century. Measures- 10.5'' H x 9.5'' W x 1.75'' D; 2 sites;...

Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...

Little Italian enamel on copper signed Amurri (Giancarlo Amurri) within a square black frame cm. 23,5. It' a little art work!

Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642). Has faults. Oil on copper that shows the Virgin Mary seated on clouds...

A wonderful 17th century oil on copper painting from the Catalan region of Spain housed in a beautiful frame of painted wood. The painting depicts a saint or a religious man...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Dominic "Don/Dom" Mingolla Enamel on Copper Framed Equestrian Painting Horse Jockey Race Derby. Item features enamel on copper painting, distressed wooden frame, artist signature to ...

Daniel Belliard Enamel on copper small framed painting fisherman in boat on lake. Item features an enamel on copper painting, distressed wooden frame...

Wonderful work of art attributed to the splendid art of Monsiau Nicolas-André (1754-1837) in the 18th century. The work is a round framed painting...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Miniature on copper...

Dom Dominic Mingolla enamel on copper small painting. Possibly depicting the Cathedral of Notre Dame (?), 6 x 8. item features enamel on copper painting, artist signature to bottom r...

Den Moshe signed enamel on copper small painting yellow countryside 7 x 8 Art. Item features enamel on copper painting, artist signature to bottom right corner, beautiful subject and...

Daniel Belliard Enamel on Copper Small Framed Painting Yellow Countryside. Item features enamel on copper painting, wooden frame, artist signatu...

Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers' France, Circa 1880s Framed in an elaborate hand carved pierced and giltwood t...

O/8272 - Italian school about 1920 - This pair of still life oil paintings depict flowers on copper are in their original frames. They ...

Dom Dominic Mingolla Enamel on Copper Painting Clown in Hat Portrait 12 x 9. Item features enamel on copper painting, artist signature to bot...

Dom Dominic Mingolla Enamel on Copper Girl in Green Forest and Tall Trees 8 x 10. Item features enamel on copper painting, artist signature to bottom right corner, beautiful subject ...

Dom Dominic Mingolla Enamel on Copper Painting Girl with Dog in Field 12 x 9. Item features enamel on copper painting, artist signature to botto...

Dom Dominic Mingolla Enamel on copper painting red lighthouse and Shoreline 9 x 12. Item includes enamel on copper painting, artist signature...

Dom Dominic Mingolla Enamel on copper painting Spanish Matador 9 x 12 - a Pair. Listing includes (2) Paintings included, enamel on copper medi...

An antique Italian painting offers enamel on copper portrait of a Classical woman seated in reticulated foliate giltwood frame, artist signed with initials as photographed, 19th cent...

19th century still life painting after Pieter Claesz (1597-1660) Dutch. This outstanding 19th century oil painting on copper shows an amazing intuitiv...

This original painting is signed "A. Larren" presumably from England, and dating to approximately 1920 and done in the period Art Deco style. The painting is done in oil paint on a c...

A beautiful painting of the Italian school from the second half of the 17th century. The religious subject depicts the Virgin Mary with Jesus and Saint...