Ceramic Prints and Multiples

Ed Ruscha, He Up and Went Downtown, Porcelain Plate, 2020 Porcelain plate From a limited edition of 175 10.5 × 10.5 in (26.7 × 26.7 cm) NOTES: The only edition to date from Ruscha...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

Ed Ruscha (b. 1937) Sweet Taters, 2021 Medium: Fine bone china plate 10 7/10 in diameter 27.3 cm diameter Edition of 250: Printed signature and edition details on verso Condition: E...

Available sizes: 18” x 27.86” - Edition of 8 - Archival Pigment Print 28” x 43.34” - Edition of 8 - Archival Pigment Print 38” x 58.82” - Edition of 6 - Silver Gelatin Print 48” x 74...

PABLO PICASSO (1881-1973) Joueur de flute et cavaliers (A. R. 340) Terre de faïence plate, 1956, 'A 101', with the Empreinte Originale de Picasso and Madoura stamps.

PABLO PICASSO (1881-1973) Visage No. 197 (A. R. 494) Terre de faïence plate, 1963, numbered 151/500, titled, inscribed 'Edition Picasso' and 'Madoura', glazed and painted

Amy Sherald (American, b. 1973) Untitled, 2023 Medium: Fine bone china Dimensions: 26.7 diameter (10 1/2 in) Edition of 250: Not signed, not numbered (printed signature and edition d...

PABLO PICASSO (1881-1973) Paysage (A. R. 208) Terre de faïence plate, 1953, numbered 93/200, with the workshop numbering, partially glazed and painted, with the Edition Picasso and...

Louise Bourgeois (French-American, 1911-2010) Je t'aime, 2005/2023 Medium: Fine bone china plate Dimensions: 26.7 diameter (10.5 in) Edition of 250: Not signed, not numbered (Printed...

PABLO PICASSO (1881-1973) Chouette (A. R. 604) Terre de faïence vase, 1969, numbered 135/250, incised 'Edition Picasso' and 'Madoura', partially glazed and painted, with the Editio...

Peter Halley Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000 Limited Edition Ceramic Plate. Artist signature fired into the plate on the underside and numbered 166 from the edition of 510. 10 3/10 inches diameter by 1/4 inch height Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...

PABLO PICASSO (1881-1973) Visage (A. R. 533) Terre de faïence plate, 1965, numbered 39/100, with the workshop numbering, with the Empreinte Originale de Picasso and Madoura stamps.

PABLO PICASSO (1881-1973) Motif spiralé (A. R. 404) Terre de faïence plate, 1957, numbered 71/500, with the workshop numbering, incised 'Edition Picasso' and 'Madoura', partially p...

PABLO PICASSO (1881-1973) Femme échevelée (A. R. 510) Terre de faïence plate, 1963, numbered 57/100, with the workshop numbering, with the Empreinte Originale de Picasso and Madoura...

PABLO PICASSO (1881-1973) Bouteille gravée (A. R. 249) Terre de faïence vase, painted and partially glazed, 1954, 172/300 and inscribed 'Edition Picasso', with the d'après Picasso a...

PABLO PICASSO (1881-1973) Visage et Hibou (A. R. 407) Terre de faïence vase, painted in colors and partially glazed, 1958, numbered 92/200 and inscribed 'Edition Picasso', with th...

Yoshitomo Nara (Japanese, born 1959) Girl in the Moon, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed signatu...

PABLO PICASSO (1881-1973) Colombe mate (A. R. 77) Terre de faïence plate, 1948, from the edition of 450, partially glazed and painted, with the Edition Picasso and Madoura stamps.

Paper Size: 2 x 3 inches ( 5.08 x 7.62 cm ) Image Size: 2 x 3 inches ( 5.08 x 7.62 cm ) Framed: No Condition: A: Mint Additional Details: Complete set of 6 porcelain expresso cups a...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

PABLO PICASSO (1881-1973) Tête de chèvre de profil (A. R. 106) Terre de faïence plate, 1950, from the edition of 50, partially glazed and painted, with the Empreinte Originale de P...

PABLO PICASSO (1881-1973) Sujet colombe (A. R. 435) Terre de faïence vase, 1959, numbered 398/500, with the workshop numbering, inscribed 'Edition Picasso', with the Edition Picass...

Damien Hirst Home Sweet Home, 1996 Color screenprint on porcelain plate 8 11/25 in diameter Edition 1358/1500 Signed in plate, bears Damien Hirst's signature fired in the underside P...

PABLO PICASSO (1881-1973) Picador (A. R. 201) Terre de faïence plate, 1953, numbered 153/200, partially glazed and painted, with the Empreinte Originale de Picasso and Madoura stamps.

PABLO PICASSO (1881-1973) Oiseau sur la branche (A. R. 175) Terre de faïence ashtray, painted and partially glazed, 1952, from the edition of 500, inscribed 'Edition Picasso', wit...

PABLO PICASSO (1881-1973) Hibou Mat (A. R. 284) Terre de faïence plate, painted in colors and partially glazed, 1955, from the edition of 450, with the Edition Picasso and Madoura...

PABLO PICASSO (1881-1973) Picador (A. R. 160) Terre de faïence plate, 1952, from the edition of 500, incised 'Edition Picasso', partially glazed and painted, with the Edition Pica...

PABLO PICASSO (1881-1973) Yan petites têtes (A. R. 515) Terre de faïence pitcher, 1963, numbered 142/300, inscribed 'Edition Picasso' and 'Madoura', painted, with the Madoura stamp.

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Jeff Koons Balloon Dog (Blue) ...

PABLO PICASSO (1881-1973) Profil de taureau (A. R. 317) Terre de faïence plaque, painted and partially glazed, 1956, from the edition of 450, with the Empreinte Originale de Picass...

KAWS (American, b. 1974) Hours, Nights, Weeks, Months, 2023 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed signatu...

JEFF KOONS (1955-Present) Metallized porcelain multiple, 2017, with the stamped signature, titled, dated and stamp-numbered 219/999 (total edition includes 50 artist's proofs), publ...

PABLO PICASSO (1881-1973) Jacqueline's profile (A. R. 385) Terre de faïence plaque, 1956, from the edition of 500, partially glazed and painted, with the Empreinte Originale de Pic...

PABLO PICASSO (1881-1973) Personnages et cavalier' (A. R. 540) Terre de faïence plaque, 1968, numbered 178/500, with the workshop numbering, partially painted, with the Empreinte ...

PABLO PICASSO (1881-1973) Picador (A. R. 201 V) Terre de faïence plate, 1953, from the edition of 200, inscribed 'Edition Picasso', partially glazed and painted, with the Edition ...

David Hockney The Rake's Progress, 2019-2020 Fine Bone China finished with platinum gilding in elegant navy blue presentation box with gilt lettering Created by Halcyon Days UK in co...

PABLO PICASSO (1881-1973) Taureau, marli aux feuilles (A. R. 394) Terre de faïence plate, 1957, numbered 84/500, incised 'Edition Picasso' and 'Madoura', partially painted, with th...

PABLO PICASSO (1881-1973) Toros (A. R. 161) Terre de faïence plate, 1952, from the edition of 500, incised 'Edition Picasso', partially glazed and painted, with the Edition Picass...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

Salvador Dali Jack of Hearts, 1967 Limited Edition Limoges Porcelain Plate. Signature Fired into Plate. Numbered with COA 9 3/4 × 9 3/4 × 3/10 inches 24.8 × 24.8 × 0.8 cm Edition 35...

JEFF KOONS (1955-Present) Yellow Swan, Blue Monkey and Red Rabbit stamped with the signature Jeff Koons, title, date '17 from the edition of 999. Porcelain with high-gloss glazing, ...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1000.00...

Herbert Bayer Things to Come tray, 2018 Porcelain dish with metallic gold edge and silkscreened image Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out. Measurements: Box: 5.5 x 5.5 inches Tray: 5 x 5 inches Provenance: Originally distributed by the Museum of Modern Art, before it sold out Manufacturer: Galison Publishing LLC and The Museum of Modern Art Herbert Bayer biography: Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions. He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages. In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career. -Courtesy of MOMA More about Herbert Bayer: Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee. In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories. Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

About the work: Materials: Chromogenic print on Fuji Luster / Pigment print of Luster Sizes, Prices, and Edition Size: 14.5" x 20" $450.00 Edition of 10 22" x 30" $1,000.0...

PABLO PICASSO (1881-1973) Le barbu (A. R. 217) Terre de faïence pitcher, painted in colors and partially glazed, 1953, from the edition of 500, inscribed 'Edition Picasso' and 'Mado...

Takashi Murakami (Japanese, b. 1962) Gargantua on Your Palm, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed s...

PABLO PICASSO (1881-1973) Picador (A. R. 289) Terre de faïence bowl, 1955, from the edition of 500, inscribed 'Edition Picasso' and 'Madoura', partially glazed and painted.