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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Woman in a Fur Wrap
By Rudolf Bauer
Located in Fairlawn, OH
Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist Borghi & Company, New York Condition: excellent Sheet/Image size: 11 1/8 x 8 1/8 inches Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category

1920s Art Deco International Fine Print Dealers Association Art

Materials

Ink

OIL BOAT
By Arthur Dove
Located in Portland, ME
Dove, Arthur (American, 1880-1946). OIL BOAT. Watercolor and crayon on paper, 1932. Signed "Dove," lower right. Provenance, Alfred Stieglitz, American Place Gallery; Terry Dintenfass...
Category

1930s International Fine Print Dealers Association Art

Materials

Watercolor, Crayon

The Heavenly Suite (purple)
By Robyn Denny
Located in London, GB
Screenprint
Category

1970s International Fine Print Dealers Association Art

Materials

Screen

Fillette
By Henri Matisse
Located in London, GB
Lithograph on vellum paper, Edition of 25 Paper size: 33 x 26.5 cms (13 x 10 1/2 ins) Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)
Category

1940s Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

Parachute Class
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders Parachute Class Direct to plate photogravure and aquatint. Edition of 50
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Etching

Golden Parachute
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders Golden Parachute Color aquatint and gold leaf. Edition of 50
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Etching

VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category

1750s Old Masters International Fine Print Dealers Association Art

Materials

Etching

The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category

1810s International Fine Print Dealers Association Art

Materials

Paper

'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category

1980s American Modern International Fine Print Dealers Association Art

Materials

Monoprint

Sheffield Island Light off Norwalk, Conn.
By Reynolds Beal
Located in New York, NY
“Sheffield Island Light off Norwalk, Conn.“ This pencil drawing is on a 5.50 x 9 inch sheet of laid paper. It is initialed and dated (June 30, 1887) in ...
Category

1880s Naturalistic International Fine Print Dealers Association Art

Materials

Graphite

Feminist Writers - I am the Author of This Remarkable Play!!
By Honoré Daumier
Located in Santa Monica, CA
HONORE DAUMIER (1808 – 1871) LES BAS-BLEUS - THE BLUE STOCKINGS, 1844 (Daumier Register; Delteil, 1227 ii/ii) Lithograph as published in "Le Charivari" March 17, 1844. Plate 17 from the series Les Bas Bleus on thin wove paper with text on verso. 7.36 x 8.62 inches. LES BAS-BLEUS is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844. The usual centerfold from the folded publication. A sheet of acid free black paper placed behind to minimize the text from the verso Provenance: The Richard Vogler Collection. Vogler's Collection of the caricatures of George Cruikshank, now at UCLA, was the largest private collections of his work in America. From the "Daumier Register" website: TRANSLATION (The audience at the Odeon Theatre.) - Author... Author!.... Author! - Gentlemen, your impatience is about to be rewarded.... You want to know the author of this remarkable play that has just obtained such a great, and I must say, justified success.... that author... is MEEEEE....! LES BAS-BLEUS (The bluestockings) is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844. ALBUM LES BAS-BLEUS. The series (“Les Bas-Bleus”) proved to be of such a success with the public, that apart from the Charivari edition a separate edition was published on single white sheets and sold at an up-market price to collectors. Apart from that, an album LES BAS-BLEUS was published in the same year (1844). ABOUT THIS PRINT. The Odéon theatre in Paris opened in 1797 and merged in 1946 with the Comédie Française. It reopened again in 1959 as an independent theatre under the name Théatre de France. This print shows an enthusiastic public applauding the author at the opening night. It seems that the female author had hidden behind a male name. The applause stops when the audience fully realizes the deception. This print can be seen in reference to George Sand's play "Cosima", which also had been rejected by the public under similar circumstances. BLUESTOCKINGS. The expression "Bluestocking” (or suffragette) dates back to 18th century England. At that time, angry young gentlemen of society met in London at the Montague House to discuss literary and political questions of their time. As a sign of protest against the establishment they wore blue wool-socks instead of black silk stockings. The expression was taken over by 19th century France to ridicule the new movement carried by Jeanne Désirée (1832), Cécile Fourmel, Suzanne Vailquin, and Claire Demar. George Sand and Flora Tristan joined the group later. Leclerc de Buffon (1707-1788), famous writer and scientist, as well as Madame de Staël...
Category

1840s Realist International Fine Print Dealers Association Art

Materials

Lithograph

Bowling Green, New York
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Drypoint

America - La France Variations I
By Robert Motherwell
Located in London, GB
118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil
Category

1980s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Color, Lithograph

The Renaissance Man
By Hernan Bas
Located in Berkeley, CA
Color softground etching, drypoint and spitbite aquatint.
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Etching

The Great Pylon at Edfou, Upper Egypt
By Francis Frith
Located in Fairlawn, OH
The Great Pylon at Edfou, Upper Egypt Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, ...
Category

1860s Romantic International Fine Print Dealers Association Art

Materials

Photographic Paper

Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...
Category

2010s American Modern International Fine Print Dealers Association Art

Materials

Engraving, Mezzotint

Codex YTREBIL
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 25. The artist describes this project: Codex YTREBIL, (liberty backwards), is based on a series of small books by anonymous Ind...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Madame Helleu Looking at Watteau drawings at the Louvre..
By Paul César Helleu
Located in Storrs, CT
Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
Category

Late 19th Century Impressionist International Fine Print Dealers Association Art

Materials

Drypoint, Color

SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS) SEA TREASURES...
Category

1920s American Impressionist International Fine Print Dealers Association Art

Materials

Woodcut

York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category

1970s International Fine Print Dealers Association Art

Materials

Screen

Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

New Orleans Sportin House
By Stephen Longstreet
Located in Fairlawn, OH
New Orleans Sportin House Pen and ink on paper, 1951 Signed in ink, titled and dated in pencil (see photos) Condition: Corners are pasted to support sheet, some staining in image. Image/sheet size: 15 5/8 x 18 inches Provenance: Acquired from the artist Joseph M. Erdelac, Cleveland, patron and friend of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

Ink

Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

From: You Are The Weather
By Roni Horn
Located in New York, NY
Two-color silkscreen on Arches, 20 x 24” (50,7 x 60,4 cm), in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm), printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 60/XX, sig...
Category

1990s International Fine Print Dealers Association Art

Materials

Screen

Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures Color lithograph poster, 1961 Unsigned as issued Large edition Published by Maeght Editeur Imprimeur Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980 Condition: Framed Colors fresh Image/sheet size: 25 x 19 inches Frame size: 34 x 27...
Category

1960s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category

21st Century and Contemporary American Modern International Fine Print Dealers Association Art

Materials

Mezzotint

'Evening' —Mid-Century American Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Evening', color serigraph, 1958, edition 25, Ryan 71. Signed, titled, and annotated 'Ed. 25' in pencil. A fine impression, with fresh colors, on cream wove paper; the...
Category

Mid-20th Century Surrealist International Fine Print Dealers Association Art

Materials

Screen

Untitled (Mother and Child)
By Maurice Denis
Located in Myrtle Beach, SC
Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...
Category

1890s Symbolist International Fine Print Dealers Association Art

Materials

Lithograph

Proscenium III (hard line grid with border)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30 1/2x 23 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Proscenium I (square border around loose lines)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite IIc (yellow/blue)
By Richard Smith
Located in London, GB
Etching, Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...
Category

19th Century Impressionist International Fine Print Dealers Association Art

Materials

Etching

Paperclip suite IIe
By Richard Smith
Located in London, GB
Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite IId (yellow/blue)
By Richard Smith
Located in London, GB
Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite IIb (yellow / blue)
By Richard Smith
Located in London, GB
Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite II (yellow / blue)
By Richard Smith
Located in London, GB
Etching, Edition of 25 45 x 45 cms (17.5 x 17.5 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching

JOSHUA TREE
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (American, 1869-1958) JOSHUA TREE c. 1925-30 Color block print. Signed in pencil. 6 1/2 x 4 1/2 inches. Edition unknown, bur likely ab...
Category

1920s Modern International Fine Print Dealers Association Art

Materials

Linocut, Woodcut

Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category

1810s International Fine Print Dealers Association Art

Materials

Paper

Five Greek Poets and a Philosopher
By Cy Twombly
Located in London, GB
Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialed and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio...
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Lithograph

Self Portrait
By Augustus Edwin John
Located in Storrs, CT
Self Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Slight toning in ...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

BETENDES MADCHEN
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. BETENDES MADCHEN. Klipstein 11, Knesebecke 14. Softground, drypoint and aquatint, 1892. The third state of four, with "Original Rad von Kathe Kollwitz" in the plate,...
Category

1890s International Fine Print Dealers Association Art

Materials

Etching, Aquatint, Drypoint

Wendingen, Issue 8/9, Cover by R.N. Roland Holst, 1923.
Located in New York, NY
WENDINGEN- 5-8/9 1923 R. N. ROLAND HOLST. Shells, the Wonder Forms of the Sea. Published November 1923. Strange resemblance’s by R. N. Roland Holst; Na...
Category

1920s Symbolist International Fine Print Dealers Association Art

Materials

Lithograph

CENTERPORT SERIES #23
By Arthur Dove
Located in Portland, ME
Dove, Arthur (American, 1880-1946). CENTERPORT SERIES #23. Watercolor on paper, 1940. Signed "Dove," at the lower center. Labels identifying the work on the backing paper of the ...
Category

1940s International Fine Print Dealers Association Art

Materials

Watercolor

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32
Category

1970s Abstract International Fine Print Dealers Association Art

Materials

Etching, Aquatint

AIDS (Stamps)
By General Idea
Located in New York, NY
Offset lithograph on perforated paper Edition of 200
Category

1980s International Fine Print Dealers Association Art

Materials

Offset, Lithograph

Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous cabaret located in the old wind mill building in the right distance of this image. It was the center of fin de siecle culture in Paris. Condition: Slight yellowing to the sheet from age. Sight size: 9 x 5 3/4 inches Frame size: 14-1/8 x 10-3/4 x 1/2" Provenance: Eric G. Carlson (1940-2016), art historian and noted art dealer François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875). “Somm is above all a painter and his watercolors are much sought after; he has the painter’s eye to the highest degree imaginable.” Louis Morin, Somm’s fellow artist revealed in 1893 that while his training as an academic painter forged his draughsmanship and an acute eye for colors, Somm preferred and excelled in the graphic realm. Particularly prolific, he produced a very extensive corpus of 7,500 drawings and prints, many of which were widely reproduced in journals and magazines. In 1867, Somm’s career reached a turning point with the discovery of Japanese culture through his friendship with French collector and critic Philippe Burty and a visit to the Paris International Exhibition. More generally, Japanese art and especially Japanese woodblock prints exerted a heavy influence on French artists at the time, and especially on the Impressionists, who were particularly inspired by the subject matter, as well as the innovative use of perspective, composition and color. Although technically not an Impressionist by pure definition, Somm’s interest in the effect of atmospheric light on shadow and color prompted Edgar Degas to invite him to participate in their 4th exhibition in 1879. However, Somm did not exhibit again with the Impressionists, and was never considered a member of the group. Rather, his work intersects between Impressionism, Symbolism and Japonism. In fact, while his drypoints and etchings reflect a more literal borrowing of Japanese elements than the work of Whistler or Monet, they also clearly anticipate the future work of Henri de Toulouse-Lautrec. Although Somm was 20 years older than Toulouse-Lautrec, both artists developed a friendship, as habitués of the Chat noir, a cabaret founded by Rodolphe Salis and located 84 boulevard de Rochechouart in Montmartre. More than a cabaret, the Chat noir also became an important gathering place for writers, poets, composers, musicians, and artists living in Montmartre. For Somm, a founding member of this artistic circle, it also served as a unique environment, where he could express his limitless imagination as active participant to the events – notably the literary soirées organized by the hydropathic group – and illustrator of the Chat noir journal. In 1886, Somm, in collaboration with Georges Auriol, initiated the Chat noir’s first puppet show, which subsequently evolved into shadow theater. Somm’s Japonism and sense of humor appealed to Toulouse-Lautrec, and this influence is echoed in Lautrec posters advertising two other Montmartre nightspots, namely Le Mirliton and Le Divan Japonais...
Category

Late 19th Century French School International Fine Print Dealers Association Art

Materials

Ink

Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching, Aquatint

ISLAND, SEA, AND SKY I, PANAREA
Located in Portland, ME
Crossley, Greg (Canadian/American, born1952). ISLAND, SEA, AND SKY I, PANAREA. Colored pencils on black paper, 2011. Signed and dated in pencil. 5 1/8 x 3 3/4 inches (image) on a lar...
Category

Early 2000s International Fine Print Dealers Association Art

Materials

Color Pencil

Raised Eyebrows / Furrowed Foreheads: Crooked Made Straight
By John Baldessari
Located in New York, NY
9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate
Category

Early 2000s International Fine Print Dealers Association Art

Materials

Screen

Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching, Aquatint

A Burial at Sea
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with collage, Edition 20. The artist describes this project: "My recent collaboration with Bud Shark resulted in three images based on classic sailing...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category

1950s Modern International Fine Print Dealers Association Art

Materials

Stencil, Woodcut

London Series II: Untitled (Blue/Pale Blue)
By Robert Motherwell
Located in New York, NY
Edition of 150
Category

1970s International Fine Print Dealers Association Art

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