John Chessell Buckler Art

Children, illustrations, tales Marina Evgenevna USPENSKAYA (Moscow, 1925 – 2007) Marina Evgenevna Uspenskaya was born in Moscow. She graduated from the 1905 Art College, where she ...

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

Hans Dvořák (19th century). Shady hollow way in a sunny forest. Watercolour and pen-and-ink drawing, 58.5 x 43 cm (visible size), 70 x 55.5 cm (frame), signed and dated "Hans Dvořák ...

Waves. Watercolor, paper, 55 x 93 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, ...

Sails. Watercolor, paper, 18,5 x 23 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden...

The painting is signed and dated 1858 Felix Schlesinger (1833-1910) was a German painter known for his charming and detailed portrayals of domestic ...

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

Arabian Charger Seller" by Antonio Rivas (Spanish, 1845-1911) stands as an exquisite example of Orientalism, a 19th-century artistic movement that sought to depict the rich and diverse cultures of the East. Rivas, a master of his craft, delves into this genre with a keen eye for detail and a dedication to authenticity that brings the scene to life. In this antique watercolor on paper...

Adolph Eduard Otto von Faber du Faur (1828 Ludwigsburg - 1901 Munich). Man sitting in the studio. Watercolour painting, 43 x 27 cm (visible size), 73 x 53 cm (frame), monogrammed at lower right, estate stamp. Upper right corner neatly repaired, small tear in the wall to the left of the sitter. - Thinking about art - About the artwork The sitter, an elderly man, is seated in a studio on a pedestal reminiscent of an academy hall. The earthy, dark tones give the scene a weighty quality. The lightest tones are found in the incarnate parts of the figure, which do not stand out from the other colours of the picture, but are linked to them. As a result, the sitter's face is both part of and the highlight of the colour references in the picture. The colour of the sitter's skin is reflected in his pink coat, while his white-grey hair matches the colour of the wall next to him. This almost monochrome wall surface, in turn, is connected across the portrait to the framed picture standing on the floor, which seems to have been erased by this correspondence with the empty wall surface. Through the palette, which is positioned directly behind the sitter's head, the reference to painting, which is already given by the studio space, is explicitly linked to the sitter, who thus seems to be contemplating the question of the meaning of art. This raises the question of whether Faber Du Faur, who had become lonely in his old age, might have painted a self-portrait here in his later years. In addition to the studio setting, the sitter's explicit reference to the palette and the fact that the picture was part of his estate, the only summary elaboration of the body suggests a self-portrait, while the representation of the face is concretised with the wide-open eyes typical of a self-portrait. This concentration on the face gives the impression of the artist's melancholy introspection, captured by the palette and related to the meaning of painting, whose dark character is reinforced by the concealment of the palette hanging on the right of the picture in the light tones so characteristic of Faber Du Faur. In the course of this resignation, Faber du Faur advises his son Hans, who has also become a painter: "Promise me one thing: never move to Munich, they'll kill you here!" Whoever the sitter may be, the references to painting make the portrait a resigned self-contemplation by Faber Du Faur, focused on art. About the artist After leaving school, Otto Faber du Faur entered the service of the Württemberg army, at the same time cultivating his artistic talent. In 1851, on the recommendation of his father Christian Wilhelm, who was himself a battle painter, he spent six months in Munich as an apprentice to Alexander von Kotzebue. In 1852 he was granted a year's leave of absence from military service to study battle painting in the studio of Adolphe Yvon...

Frank J. Egginton. British ( b.1908 - d.1990 ). The Maamturk Mountains from Recess, Connemara, Ireland Watercolor. Signed lower left. Image size 20.5 inches x 29.1 inches ( 52cm x 74cm ). Frame size 27.6 inches x 36 inches ( 70cm x 91.5cm ). Available for sale is this original watercolour by the British artist Frank Egginton which dates from the 1970s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind non-reflective Tru Vue UltraVue® UV70 glass. This vintage painting is in very good condition, it wants for nothing and is supplied ready to hang and display. The watercolor is signed lower left. Frank Egginton was a British contemporary landscape artist, synonymous with watercolours of the Irish countryside, particularly county Donegal. He came from an artistic family, with his father being the well-known artist Wycliffe Egginton (1875-1951), and his nephew was the artist Robert Egginton. His daughter and son in law have run The Gallery in Dunfanaghy, Co. Donegal for many years. Frank (officially Francis John) Egginton was born in Wallasey in the county of Cheshire on 10 November 1908. When he was a baby the family moved to Newton Abbott in Devon, as his father had been appointed headmaster of the College of Art there. Frank was educated at Newton College, and then Newton Abbott College of Art, and Exeter School of Art. He then spent some time perfecting his drawing whilst working in an architect’s office. In 1921 the family moved again to Teignmouth in Devon. In 1930 Egginton visited Co. Donegal and painted some pictures for a businessman friend of his father’s. He developed a love of the west Irish...

Cross Place du Village Watercolor Painting by C Koella c1897 19th Century Saas Switzerland E Vouga from Geneva is the previous owner Good antique condition with a small tear on one...