Lloyd Martin Art

A summer meadow strewn with wild flowers, re-interpreted to create an effect like a tapestry or sampler. Mixed media but mainly oil, on canvas. Framed in a white tray frame - framed ...

Robert Petrick's "Misty Morning" is a compelling abstract oil painting that masterfully captures the essence of a tranquil and elusive early morning atmosphere through geometric prec...

Polzeath Beach is an Original Painting by Eleanor Woolley Painted in the Artist's Gloucestershire Studio, Polzeath Beach is Inspired by a trip to Cornwall last Summer. Photographs we...

Ces McCully, Australian, b. 1982 Untitled (Altar), 2021 Signed and dated CES '21 on the reverse Oil on canvas 39 1/2 x 31 1/2 inches (100.3 x 80 cm) Unframed Ces McCully (born 1982, Melbourne, Australia) Now based in Southern France, Ces McCully is a contemporary Australian artist, whose work is collected and shown internationally. ​ Rachael McCully's oeuvre includes text based pieces which utilize chance in color relationships, and abstract geometric paintings which often have a meditative effect; both sharing autobiographical elements with a reflection on society, and a minimalist approach. "I dabbled in painting, photography, writing and design over the years," before settling more firmly on painting. Feminist icons Cindy Sherman and Barbara Kruger were amongst her inspirations as she began studying art. However now Rachael McCully-Kerwick is forging her own visual language in the south of France. Ces McCully explores themes of female relationships and identity through minimalistic forms, geometric compositions and repeated tribal motifs. Her work, which moves between text pieces and abstract painting, is collected and shown internationally. In McCully’s typography works, she uses vivid colours to create stylised and geometric typographical pieces, divulging secret, and often brutally honest thoughts. Muted-color, cloth-like ‘Patchwork’; geometric and linear works including ‘Mono’ and ‘Shape’; and three-dimensional Cubes with bold colors which brighten up the space. More recently however, we have seen McCully embrace the folk art like characteristics of her work, incorporating religious iconography and human figures into her paintings. Her works are held in private collections internationally and has been shown within Europe and Australia. Mccully has had her work on display in the Louis Vuitton flagship store, Sydney CBD. SELECT SOLO EXHIBITIONS 2022 More Than This, Breach, Miami, USA 2021 Strange Like Me, PIERMARQ*, Sydney, Australia 2019 A Cure for Melancholy, Galerie 42B, France 2017 Beyond the Blablabla Sky, Galerie Rompone, Germany SELECTED GROUP EXHIBITIONS 2022 PINK, PIERMARQ*, Sydney, Australia (with new work by Maximilian Daniels, Gabriele Herzog, Ces McCully, Galina Munroe, Rob Tucker, Andrew Salgado and Spencer Shakespeare). 2019 Bluerider Art Gallery, Taiwan Delphian X Guts Gallery, London, UK (Douglas Cantor, Florence Hutchings, Geoffrey Bohm, Igor Moritz...

This work, painted in delicate summery pastel shades depicts a traditional wildflower meadow putting on its full summer show. Here are the colours of soft green grasses and the prett...

"Paynes Gray Forest" is a framed oil on canvas painting by Marshall Noice, depicting an abstracted copse of trees with gentle foliage amid a gray blue background befitting its namesa...

Polzeath Surfers is an Original Painting by Eleanor Woolley Painted in the Artist's Gloucestershire Studio, Polzeath Surfers is Inspired by a trip to Cornwall last Summer. Photograph...

Purple, red, maroon, rust, brown, yellow, orange, white Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

"Placid Morning" is an unframed oil on canvas painting by Eric Abrecht, depicting an abstracted landscape with trees and a pond (waterscape). The artist's technique of painterly, rou...

Robert Petrick's "God Walker" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chalkboard Series, this piece is both timeless and contemporary, offe...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...