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Sale Items
bridge and river lithography artwork abstract expressionism
By Jose Antonio Herrera Alcazar
Located in Barcelona, Barcelona
Jose Antonio Herrera Alcazar was born in 1960 and was largely influenced by the 1970s. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce itself, as a re...
Category
2010s Contemporary Landscape Prints
Materials
Lithograph
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
Profile Series I, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Profile Series I
Year: 1998
Edition: 140/300, plus proofs
Medium: Lithograph on Coventry Smooth paper
Size: 9 x 7.5 inches
Condition: Excellent
Inscri...
Category
1990s Pop Art Figurative Prints
Materials
Lithograph
Three Herons - At the flaming lake -
Located in Berlin, DE
Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print".
- A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting.
About the artwork
In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism.
In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...
Category
Early 20th Century Realist Animal Prints
Materials
Color
Nihon Noir Tokyo - Long Exposure Photograph by Tom Blachford
By Tom Blachford
Located in Brooklyn, NY
'Nihon Noir arose from my fascination with Japan and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...
Category
2010s Modern Landscape Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Color, Archival Pigment
GOING TO CHURCH Signed Lithograph, Southern Landscape, African American Heritage
By William Tolliver
Located in Union City, NJ
GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original hand drawn lithograph (not a photo reproduction or digital print) printed on archival printmaking paper 100% acid free, using hand lithography techniques.
William Tolliver 's recognizable artistic style freely combines the colors of Chagall with the solid compositional principles of Cezanne and the mood and forms reminiscent of Modigliani and Picasso. GOING TO CHURCH depicts a Southern Landscape with a group of black country folk - three females clothed in long dresses, and two youths wearing blue jeans, all walking on their way to religious services. The black textured drawing background defines the composition's frame and outlines the rural landscape, trees, and sky with the procession of human figures in the foreground; a rainbow of multicolors creating a vibrant, almost stained-glass visual effect .
GOING TO CHURCH is an impressive large horizontal landscape...
Category
1990s Contemporary Portrait Prints
Materials
Lithograph
Original "R. M. S. Caronia, Cunard Line vintage cruise line poster
Located in Spokane, WA
Original, linen-backed travel by Cunard Line cruise ship R.S.S. "Caronia" horizontal poster. This original poster is ready to frame.
RMS Caronia ...
Category
1940s American Realist Landscape Prints
Materials
Lithograph
View of a coastal town / - The Pilgrim's View -
Located in Berlin, DE
Albert Ernst (1909 Fronhofen - 1996 Hamburg), View of a Coastal Town, etching, 30 x 37 cm (picture), 45 x 50.5 cm (frame), signed in pencil lower right "Albert Ernst", framed under g...
Category
Mid-20th Century Realist Landscape Prints
Materials
Etching
Rock N' Roll Guitar III, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Rock N' Roll Guitar III
Year: 2003
Edition: 451/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.12 x 2.43 inches
Condition: Excelle...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Cosmic Jumper, Detail III, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Cosmic Jumper, Detail III
Year: 2002
Edition: 451/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.87 x 4.5 inches
Condition: Excell...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Cosmic Umbrella Man, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Cosmic Umbrella Man
Year: 2003
Edition: 496/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 3.43 x 2.62 inches
Condition: Excellent
I...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
The Pathfinder
By Mark Maggiori
Located in Draper, UT
Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag.
28 × 32 in from an Edition of 539.
O...
Category
2010s Land Landscape Prints
Materials
Paper
Indistinct Clear - Fluctuating ambivalence -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...
Category
1980s Abstract Abstract Prints
Materials
Etching
Memory and Present - The flowing space of memory -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Memory and Present, 1983. Color etching, copy 41/50, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogrammed and dated with pencil. Framed behind glass.
- in very good condition
- The flowing space of memory -
About the artwork
On an implied horizon line, a dog-like animal has risen on its hind legs and is about to jump over some kind of hurdle. To the left, a small flag is waving in the wind. The animal and the flag point forward, toward the reader, into the future. The flagpole, however, bends backwards in the opposite direction, corresponding to the impulse of movement of the sign-like formations in the "sky". The title of this work by Mordstein is also revealing. It reads "Memory and Presence" and thematizes the system of signs above the animal as memory. It is therefore not so much a sky as the space of remembering consciousness. Memory moves into the past, but comes from the future and begins where the animal first moves. Here, Mordstein develops a subtle pictorial philosophy about the character of time and the structure of memory, in which the system of signs representing the content of consciousness is inspired by the pictorial language of Paul Klee, whom Mordstein continues to think about in his own way.
About the artist
After graduating from the Werkkunstschule in Augsburg, Karl Mordstein worked as a commercial artist in Munich before becoming a freelance artist and concentrating entirely on his own creations. In 1970 Mordstein married the sculptor Sinen Thalheimer and the artist couple moved to Starnberg. In 1972, Mordstein had his first solo exhibition in Munich, which marked the beginning of an active international exhibition career that lasted for decades. From 1987 the couple lived on the Hollerberg in Wilzhofen.
"It is certainly not wrong to recognize in the impression of his calmly floating color drawings the expression of a state of mind that owes itself precisely to this conscious turning away from the hectic art market: concentrated serenity. It is not a changing state of mind, but an empathy with the supra-individual rhythms of creation, the perpetual genesis in the natural cycle of becoming and passing, which is expressed in them."
- Stefan Tolksdorf
Selected Bibliography
Karl Mordstein. Aquarelle, Gouachen 1972 – 1975, Galerie Angst und Orny, München 1975.
Juliane Roh: Karl Mordstein. Bilder, Paintings 1976 – 79, Frankfurt a. M. 1979.
Siegfried Salzmann (Text): Karl Mordstein. Arbeiten auf Papier, Galerie Dorothea van der Koelen, Mainz 1982.
Galerie Heimeshoff (Hrsg.): Karl Mordstein. "Seelen-Notate"; Bilder, Arbeiten auf Papier, Bildkästen; 1985 – 1988, Essen 1988.
Stefan Tolksdorf (Text): Lebenszeichen. Mordstein, Karl und Sinen Thalheimer, Essen 2009.
GERMAN VERSION
Karl Ludwig Mordstein (1937 Füssen – 2006 Wilszhofen), Erinnerung und Gegenwart, 1983. Farbradierung, Exemplar 41/50, 22,5 x 28 cm (Darstellung), 40 x 45 cm (Blattgröße), 43 x 48 cm (Rahmen), in Blei betitelt, nummeriert, monogrammiert und datiert. Hinter Glas gerahmt.
- in sehr gutem Erhaltungszustand
- Der fließende Raum der Erinnerung -
zum Kunstwerk
Auf einer angedeuteten Horizontlinie hat sich ein hundeartiges Tier auf die Hinterläufe erhoben und setzt zum Sprung an, um eine Art Hürde zu überwinden. Links daneben weht eine kleine Fahne im Wind. Das Tier und die Fahne weisen in Leserichtung nach vorne, in die Zukunft hinein. Die Fahnenstange biegt sich allerdings in die gegenteilige Richtung nach hinten und entspricht damit dem Bewegungsimpuls der zeichenhaften Gebilde am ‚Himmel‘. Auch bei diesem Werk Mordsteins ist der Titel aufschlussreich. Er lautet „Erinnerung u. Gegenwart“ und thematisiert das Zeichensystem über dem Tier als Erinnerung. Daher handelt es sich weniger um einen Himmel als um den Raum des erinnernden Bewusstseins. Die Erinnerung zieht in die Vergangenheit, kommt aber von der Zukunft her und beginnt dort, wohin sich das Tier erst bewegt. Mordstein entwickelt hier eine subtile Bildphilosophie über den Charakter der Zeit und die Struktur der Erinnerung, wobei das für den Bewusstseinsinhalt stehende Zeichensystem von der Bildsprache Plau Klees inspiriert ist, den Mordstein hier auf seine Art...
Category
1980s Abstract Abstract Prints
Materials
Etching
Neo Man In Love Ver. II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Neo Man In Love Ver. II
Year: 2001
Edition: 500/500, plus proofs
Medium: Lithograph on archival paper
Size: 11 x 9 inches
Condition: Excellent
Inscrip...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Two Sailboats with Stars, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Two Sailboats with Stars
Year: 2002
Edition: 499/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.87 x 4.5 inches
Condition: Excelle...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Vase with Tree, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Vase with Tree
Year: 2000
Edition: 140/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 2 x 2.75 inches...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Flying Doves, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Flying Doves
Year: 2002
Edition: 451/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.87 x 4.5 inches
Condition: Excellent
Inscripti...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
1983 Variety Photo Plays Signed Limited Edition Lithograph in colors
By Davis Cone
Located in Rochester Hills, MI
Davis Cone
1983
Variety Photo Plays
Signed in pencil and marked 3/7 PP (Printers Proof)
Lithograph in colors
Paper Size 34½ x 26 inches
Image Size 32½ x 23¼ inches
Eleanor Ettinger G...
Category
1980s Photorealist Landscape Prints
Materials
Lithograph
Revolution Pencil Signed Limited Edition Artist Proof
By Oscar De Mejo
Located in Rochester Hills, MI
Oscar De Mejo
Untitled (American Revolution)
Lithograph
1986
Pencil Signed - bottom right
PP (Printers Proof)
Paper Size 24 X 31 inches
Excellent Condition
Oscar de Mejo’s paintings...
Category
1980s Landscape Prints
Materials
Lithograph
Angel with Sun II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Angel with Sun II
Year: 2002
Edition: 427/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.87 x 4.5 inches
Condition: Excellent
Insc...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Mid Century Steve McQueen Home, Midnight Modern Architecture Photography
By Tom Blachford
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert.
Archival...
Category
2010s American Modern Color Photography
Materials
Cotton, Archival Ink, Photographic Paper
Abstract Zero, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Abstract Zero
Year: 2001
Edition: 500/500, plus proofs
Medium: Lithograph on archival paper
Size: 11 x 9 inches
Condition: Excellent
Inscription: Sign...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Space Angels, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Space Angels
Year: 1999
Edition: 199/300, plus proofs
Medium: Lithograph on Coventry Smooth paper
Size: 6.5 x 12 inches
Condition: Excellent
Inscripti...
Category
1990s Pop Art Figurative Prints
Materials
Lithograph
Original "Across the Wide Missouri" or 'Au Dela du Missouri' vintage poster
Located in Spokane, WA
Original ‘AU DELA DU MISSOURI’ or Across the Wide Missouri, vintage Belgium movie poster.
Museum linen backed. Smaller Belgium format. An affordable method to own an original Cl...
Category
1950s American Modern Portrait Prints
Materials
Offset
Aus dem Totenbuch einer Stadt (IV) - The presence of the submerged -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), From the Book of the Dead of a City (IV), 1983. Color etching, copy 16/60, 15.5 x 18.5 cm (imag...
Category
1980s Abstract Abstract Prints
Materials
Etching
Angel with Saturn, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Angel with Saturn
Year: 2001
Edition: 452/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 3.5 x 3 inches
Condition: Excellent
Inscrip...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Lady With Floating Flowers, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Lady With Floating Flowers
Year: 2001
Edition: 500/500, plus proofs
Medium: Lithograph on archival paper
Size: 9 x 11 ...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
"Night Views" Silkscreen Print by The Skyscape Artist, 25/100
Located in Soquel, CA
"Night Views" Silkscreen Print by The Skyscape Artist, 25/100.
By Tetsuro Sawada ( Japanese, 1933-1998)
This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W
Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Paper, Screen
Landscape - Screen Print by F. Hundertwasser - 1971
By Friedensreich Hundertwasser
Located in Roma, IT
Landscape is an artwork realized by F. Hundertwasser around 1980s.
The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black background.
Ci...
Category
1980s Contemporary Landscape Prints
Materials
Screen
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist Landscape Prints
Materials
Woodcut
Guldflod
Located in Central, HK
Camilla Engström
GULDFLOD, 2021
Digital print on 310g Photo Rag paper
31 1/2 × 23 3/5 in 80 × 60 cm
Edition of 100
Category
2010s Landscape Prints
Materials
Paper
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper
Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings.
Stamp with coat of arms on verso.
Artist's info written on verso.
Presented in a new black mat with foamcore backing.
Mat size: 16"H x 12"W
Paper size: 10.75"H x 6.75"W
Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category
1910s American Impressionist Landscape Prints
Materials
Paper, Ink, Drypoint
‘Room for Rothko’
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
‘Room for Rothko’
2008
Linocut A/P
30.0 x 30.0 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechani...
Category
Early 2000s Contemporary Landscape Prints
Materials
Linocut
Two Figures On Rainbow, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Two Figures On Rainbow
Year: 2001
Edition: 500/500, plus proofs
Medium: Lithograph on archival paper
Size: 9 x 11 inches
Condition: Excellent
Inscript...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Evening - The depth of the visible -
Located in Berlin, DE
Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass.
- Somewhat browned and slightly foxed.
About the artwork
The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination.
However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle.
The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs.
The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself.
The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself.
If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf.
It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it.
This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre.
About the artist
Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13.
"Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.”
- Max Clarenbach
At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...
Category
Early 1900s Realist Landscape Prints
Materials
Etching
Liberty Head III, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Liberty Head III
Year: 2001
Edition: 485/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 3.5 x 3 inches
Condition: Excellent
Inscript...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Vase with Tree II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Vase with Tree II
Year: 2000
Edition: 466/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 7.5 x 8.25 i...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
‘Sandy Harbour’
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
‘Sandy Harbour’
2008
Linocut 3/8
30.0 x 30.0 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...
Category
Early 2000s Contemporary Landscape Prints
Materials
Linocut
On a Distant Planet, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: On a Distant Planet
Year: 1978
Edition: H.C. 9; aside from the edition of 165
Medium: Silkscreen on Somerset paper
Size: 26.5 x 20.75 inches
Conditio...
Category
1970s Pop Art Figurative Prints
Materials
Lithograph
Guernsey Fort
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
Guernsey Fort
2010
Linocut 17/30
15.0 x 10.5cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, ra...
Category
2010s Contemporary Landscape Prints
Materials
Linocut
Waiting - 1996 Large Screen Print
By Robert Addison
Located in Rochester Hills, MI
Robert W Addison
Waiting - 1996
Print – Lithograph on Arches Archival Paper
Stamped signature and marked 157/250
Image size 30” x 22” inches
Paper 35"x 27½" inches
Robert Addison worked at Ficho & Corley art studio in the John Hancock...
Category
1990s American Realist Animal Prints
Materials
Screen
Lady Thru Window, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Lady Thru Window
Year: 1999
Edition: 166/300, plus proofs
Medium: Lithograph on archival paper
Size: 6.5 x 12 inches
Condition: Excellent
Inscription:...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
Latin Quarter, 1978, Erté
By Erté
Located in Fairfield, CT
Artist: Erte, Romain de Tirtoff (1892-1990)
Title: Latin Quarter
Year: 1978
Medium: Lithograph on premium paper
Size: 27.75 x 22.75 inches
Condition: Exc...
Category
1970s Art Deco Figurative Prints
Materials
Lithograph
Wing and Prayer
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
Wing and Prayer
2013
Linocut 25/50
15.5 x 10.5 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...
Category
2010s Contemporary Landscape Prints
Materials
Linocut
Two Cosmic Sages, Version I, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Two Cosmic Sages, Version I
Year: 2001
Edition: 453/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 4.5 x 5.5 inches
Condition: Excel...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
‘Pen-Olva Pool’
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
‘Pen-Olva Pool’
2008
Linocut A/P
30.5 x 20.5 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...
Category
2010s Contemporary Landscape Prints
Materials
Linocut
Tregenna Roofs (St. Ives)
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
Tregenna Roofs (St. Ives)
2011
Linocut 4/6
26.0 x 34.0 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used ...
Category
2010s Contemporary Landscape Prints
Materials
Linocut
Abstract Figure I, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Abstract Figure I
Year: 2001
Edition: 451/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 5 x 6 inches
Condition: Excellent
Inscripti...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
‘The Godrevy Window’
Located in Bournemouth, Dorset
DAVIES, Peter (b.1953)
‘The Godrevy Window’
2010
Linocut 3/8
20.5 x 30.5 cm
Artists Statement
Since starting to paint in 1981 my mainly plein aire landscapes have used a mechan...
Category
2010s Contemporary Landscape Prints
Materials
Linocut
Kuwana Station - Woodcut after Utagawa Hiroshige -1920s
By Utagawa Hiroshige
Located in Roma, IT
Kuwana Station is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1920s.
Original woodcut print oban yokoe. After the famous Tokaido series, ...
Category
1920s Modern Figurative Prints
Materials
Woodcut
20 Year Anniversary Print (Homage to Carlos Almaraz)
By Frank Romero
Located in Palm Springs, CA
Signed by Beto De La Rocha, Gilbert "Magu" Lujan, and Frank Romero
Commemorative print on the 20th anniversary for Los Four, commemorating the other member of...
Category
1990s Contemporary Figurative Prints
Materials
Screen
Fracas at Calamity's Place, Warrington Colescott
By Warrington Colescott
Located in Fairfield, CT
Artist: Warrington Colescott (1921-2018)
Title: Fracas at Calamity's Place
Year: 1969
Edition: 35/40, plus proofs
Medium: Lithograph on paper
Inscription: Signed & numbered in pencil...
Category
1960s American Modern Landscape Prints
Materials
Lithograph
Two Hearts on Blends, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Two Hearts on Blends
Year: 2005
Edition: 500/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 13 x 17 inches
Condition: Excellent
Insc...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Liberty Head IV, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Liberty Head IV
Year: 2001
Edition: 454/500, plus proofs
Medium: Lithograph on Lustro Saxony paper
Size: 3.5 x 3 inches
Condition: Excellent
Inscripti...
Category
Early 2000s Pop Art Figurative Prints
Materials
Lithograph
Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Mary Teichman...
Category
1990s American Modern Landscape Prints
Materials
Etching
Cowboys and Indians, Warrington Colescott
By Warrington Colescott
Located in Fairfield, CT
Artist: Warrington Colescott (1921-2018)
Title: Cowboys and Indians
Year: 1969
Edition: 24/75, plus proofs
Medium: Lithograph on paper
Inscription: Signed & numbered in pencil
Size: ...
Category
1960s American Modern Landscape Prints
Materials
Lithograph
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