Objekte ähnlich wie Brookdale, New Jersey

Frank Wilcox - Crashing Waves an der Atlantikküste, Meereslandschaft aus der Mitte des Jahrhunderts, Künstler der Cleveland School

Hannah Reeves - Meisenwaldsänger

Emilio Sanchez - [ Ohne Titel] Straßenszene mit Obstverkauf.

Frank Wilcox - Eck des Frauenzimmers, am Fluss Cuyahoga, Anfang des 20. Jahrhunderts Landschaft

Fred Nagler - Unbetitelt (Baum)

John Lear - John Lear, männlicher Akt, amerikanische modernistische Aquarelllandschaft, Landschaft, Gay, männlicher Akt

Möchten Sie mehr Bilder oder Videos?

Zusätzliche Bilder oder Videos von dem*der Anbieter*in anfordern

1 von 7

Oscar Florianus Bluemner
Brookdale, New Jersey
1922

Name: Brookdale, New Jersey
Brand: Oscar Florianus Bluemner
Price: 2681.8 AUD
Availability: InStock
Rating: 5 (100 reviews)

Angaben zum Objekt

Brookdale, New Jersey Graphite on paper, 1922 Signed with the artist's initials l.l., and dated 1922 (see photo) Annotated "Brookdale" front and back of sheet Condition: Excellent Archival framing with 8 ply acid free rag matting and UV filtering glass. Housed in a Marin style metal leaf, finished corner frame Frame size: 15 x 16-3/8 x 3/4 inches Image size: 5 x 6 3/4 inches Provenance: Estate of the Artist Courtesy of Wikipedia Oscar Bluemner (June 21, 1867 – January 12, 1938), born Friedrich Julius Oskar Blümner and after 1933 known as Oscar Florianus Bluemner, was a Prussian-born American Modernist painter. Early life Bluemner was born as Friedrich Julius Oskar Blümner in Prenzlau, Kingdom of Prussia (now Germany), on June 21, 1867. He studied painting and architecture at the Royal School of Art in Berlin. Architecture Bluemner moved to Chicago in 1893 where he freelanced as a draftsman at the World's Columbian Exposition. After the exposition, he attempted to find work in Chicago. In 1901, he relocated to New York City where he also was unable to find steady employment. In 1903, he created the winning design for the Bronx Borough Courthouse in New York, although it is credited to Michael J. Garvin. The scandal that arose around this took down borough president Louis Haffen for corruption and fraud. In 1908 Bluemner met Alfred Stieglitz, who introduced him to the artistic innovations of the European and American avant-garde. By 1910, Bluemner had decided to pursue painting full-time rather than architecture. He exhibited in the 1913 Armory Show. He said that the Americans' contribution failed to match that of the Europeans because the American selection process reflected rivalries and compromises rather than curatorial judgment, resulting in a "melée of antagonistic examples".Then in 1915 Stieglitz gave him a solo exhibition at his gallery, 291. Despite participating in several exhibitions, including solo shows, for the next ten years Bluemner failed to sell many paintings and lived with his family in near poverty. He created paintings for the Federal Arts Project in the 1930s. Later life After his wife's death in 1926, Bluemner moved to South Braintree, Massachusetts. From there in 1932 he contributed a letter to an ongoing debate in the New York Times on the question "What is American Art?". He wrote: “America sells its shoes, machines, canned beef and so forth in Europe and all over the world not because they have an American style or are wrapped in the American flag, but simply because they are best. Thus also, the French export their paintings and birth-control, and the Germans export sauerkraut and prima donnas, because those things, each, are best. Today, for quality, nationalism, as a race-attribute, means nothing; chemistry, astronomy, or engineering admit, nowhere, of any national flavoring, nor do higher things like religion or philosophy. Let us, here, make progressive and best painting, each one as he is fit to do, and merely ask: What and when is painting, in a critical sense? ... How can the people agree on what is American style, if the painters themselves, and by their work, disagree profoundly as to what real painting itself is! And there is, and always was, nothing more contemptible, ridiculous and, to art, disastrous, than patrioteering, which thinly veils profiteering. Ideally, art, pure, is of a sphere and of no country; the first real artists, always and everywhere, have either been importers or immigrants bringing the light with them. El Greco, an immigrant ... defied the Spanish professors ... ; we, now, call his work more truly Spanish than that of his local contemporaries. And in the same sense, the future will not fail to stamp that of our own work as peculiarly American in which the living painter, here, has injected no conscious thought of his hailing from Hoboken or Kankakee, and every consideration of pure and modern painting and of the supreme quality he maybe capable of.” He had a successful one-man show in 1935 at the Marie Harriman Gallery in New York City. In the New York Times, Edward Alden Jewell called it Bluemner's "apotheosis". He wrote: He is very much alive and has been working of late ... with robustious [sic] results. These twenty-eight canvases bear the generic title , "New Landscape Paintings." That is because Mr. Blkuemner feels that some degree of "representation" is essential if abstract ideas are to be put over with entire success. However, the artist more fully and more exactly classifies them as "compositions for color themes." He might, if he chose, even call them "color music" without risking the opprobrium that usually attends excursions into so hazardous a field. ... These startling pictures build harmonies and rhythms that depend as a rule on simple statement. Here we find none of the overtones and undertones that some other artists have employed in projecting visual music. Bluemner relies for his effect upon plain, resonant chords. Though modulations of tone occur, these seem of secondary importance in his scheme. There is decidedly something in this new, bold, exclamatory style. Bluemner died by suicide on January 12, 1938. Legacy Stetson University holds more than 1,000 pieces of Oscar Bluemner's work bequeathed in 1997 by his daughter, Vera Bluemner Kouba. In 2009 the Homer and Dolly Hand Art Center at Stetson opened with a primary mission of housing a providing exhibition space for the Kouba Collection. Often overlooked in his lifetime, Bluemner now is widely acknowledged as a key player in the creation of American artistic Modernism, with better-known colleagues such as Georgia O'Keeffe and John Marin. In 2013, the Montclair Art Museum in New Jersey presented an exhibition of Bluemner's works depicting the landscapes and industrial areas of Paterson, painted between 1910 and 1917, drawn from the Stetson holdings. It marked the centenary of the Paterson silk strike, which had inspired his politics. An oil painting by Bluemner, Illusion of a Prairie, New Jersey (Red Farm at Pochuck) (1915) sold at Christie's, New York, for $5,346,500 on November 30, 2011.

Schöpfer*in:

Oscar Florianus Bluemner (1867-1938, Amerikanisch)

Entstehungsjahr:

1922

Maße:

Höhe: 12,7 cm (5 in)Breite: 17,15 cm (6,75 in)

Medium:

Grafit

Bewegung und Stil:

Amerikanische Moderne

Zeitalter:

1920–1929

Zustand:

Galeriestandort:

Materialien

Gouache

William C. Grauer
Ohne Titel (Rocks along the Coast), c. 1950

350 $

Das könnte Ihnen auch gefallen

Crashing Waves an der Atlantikküste, Meereslandschaft aus der Mitte des Jahrhunderts, Künstler der Cleveland School

Von Frank Wilcox

Frank Nelson Wilcox (Amerikaner, 1887-1964) Brechende Wellen an der Atlantikküste, 1957 Aquarell und Graphit auf Papier Signiert und datiert unten rechts 22 x 29 Zoll Frank Nelson...

Kategorie

1950er, Amerikanische Moderne, Figurative Zeichnungen und Aquarelle

Materialien

Grafit, Wasserfarbe

800 $

John Lear, männlicher Akt, amerikanische modernistische Aquarelllandschaft, Landschaft, Gay, männlicher Akt

John Brock Lear, JR, ein amerikanischer Künstler der Moderne aus Philadelphia, Pennsylvania. Seine Werke befinden sich in den Sammlungen des Philadelphia Museum of Art, des Woodmere ...

Kategorie

Ende des 20. Jahrhunderts, Amerikanische Moderne, Aktzeichnungen und -aq...

Materialien

Grafit

John Lear
John Lear, männlicher Akt, amerikanische modernistische Aquarelllandschaft, Landschaft, Gay, männlicher Akt, 1985

3.200 $

Kürzlich angesehen

Alle anzeigen

Oscar Florianus BluemnerBrookdale, New Jersey1922

Angaben zum Objekt

Mehr von diesem*dieser Anbieter*in

1940er, Amerikanische Moderne, Landschaftszeichnungen und -aquarelle

Charles E. BurchfieldBlizzard in Hölzern, c. 1945-1963

Frühes 20. Jahrhundert, Amerikanische Moderne, Landschaftszeichnungen un...

Virginia DehnUntitled (Pueblo), 20. Jahrhundert

1920er, Amerikanische Moderne, Landschaftszeichnungen und -aquarelle

Robert HallowellStaten Island, c. 1928

1930er, Amerikanische Moderne, Landschaftszeichnungen und -aquarelle

Leon KellyLandscape with buildings and trees, 1930's

1930er, Amerikanische Moderne, Landschaftszeichnungen und -aquarelle

Louis SchankerCows in a Field (Recto) Zwei Figuren in einem Innenraum (Verso), 1938

1950er, Amerikanische Moderne, Zeichnungen und Aquarellbilder

William C. GrauerOhne Titel (Rocks along the Coast), c. 1950

Das könnte Ihnen auch gefallen

1950er, Amerikanische Moderne, Figurative Zeichnungen und Aquarelle

Frank WilcoxCrashing Waves an der Atlantikküste, Meereslandschaft aus der Mitte des Jahrhunderts, Künstler der Cleveland School, 1957

21. Jahrhundert und zeitgenössisch, Amerikanische Moderne, Tierzeichnung...

Hannah ReevesMeisenwaldsänger, 2024

1950er, Amerikanische Moderne, Figurative Zeichnungen und Aquarelle

Emilio Sanchez[ Ohne Titel] Straßenszene mit Obstverkauf., circa 1950

1910er, Amerikanische Moderne, Figurative Zeichnungen und Aquarelle

Frank WilcoxEck des Frauenzimmers, am Fluss Cuyahoga, Anfang des 20. Jahrhunderts Landschaft, c. 1916

20. Jahrhundert, Amerikanische Moderne, Landschaftszeichnungen und -aqua...

Fred NaglerUnbetitelt (Baum)

Ende des 20. Jahrhunderts, Amerikanische Moderne, Aktzeichnungen und -aq...

John LearJohn Lear, männlicher Akt, amerikanische modernistische Aquarelllandschaft, Landschaft, Gay, männlicher Akt, 1985

Kürzlich angesehen

Oscar Florianus Bluemner
Brookdale, New Jersey
1922

Mehr von diesemdieser Anbieterin

Charles E. Burchfield
Blizzard in Hölzern, c. 1945-1963

Virginia Dehn
Untitled (Pueblo), 20. Jahrhundert

Robert Hallowell
Staten Island, c. 1928

Leon Kelly
Landscape with buildings and trees, 1930's

Louis Schanker
Cows in a Field (Recto) Zwei Figuren in einem Innenraum (Verso), 1938

William C. Grauer
Ohne Titel (Rocks along the Coast), c. 1950

Frank Wilcox
Crashing Waves an der Atlantikküste, Meereslandschaft aus der Mitte des Jahrhunderts, Künstler der Cleveland School, 1957

Hannah Reeves
Meisenwaldsänger, 2024

Emilio Sanchez
[ Ohne Titel] Straßenszene mit Obstverkauf., circa 1950

Frank Wilcox
Eck des Frauenzimmers, am Fluss Cuyahoga, Anfang des 20. Jahrhunderts Landschaft, c. 1916

Fred Nagler
Unbetitelt (Baum)

John Lear
John Lear, männlicher Akt, amerikanische modernistische Aquarelllandschaft, Landschaft, Gay, männlicher Akt, 1985