USA – Porträtgemälde

Wenn Sie dachten, dass Minnie Mouse nur still vor sich hin lächelt, ist es an der Zeit, alles zu überdenken. Hier ist sie in voller Größe und von vorne zu sehen. Silbernes Haar, tief...

Die Porträts von Christophe Veggetti sind nicht nur Kunstwerke, sondern auch ein greifbares Zeugnis für die dringende Notwendigkeit der sozialen Eingliederung auf nationaler Ebene. I...

Originalgemälde auf Leinwand. Vom Künstler handsigniert. Das Kunstwerk ist in ausgezeichnetem Zustand. Mit Echtheitszertifikat. Gerahmt. Alle vernünftigen Angebote werden berücksi...

Mathias Alten (deutsch/amerikanisch, 1871-1938) Unterzeichnet: M. Alten (oben, links) "Die alte Frau von Sagunto", 1922 Öl auf Leinwand 42" x 32" Untergebracht in einem 3" Newco...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Nachdem Napoleon Europa mit der Andersartigkeit und Exotik des Mittleren Ostens bekannt gemacht hatte, war es Delacroix, der als erster zurückkehrte. Er brachte einem ungläubigen Pub...

Die Künstlerin berichtet seit über 16 Jahren über New Yorker Collections und hat als Journalistin verschiedene Modedesigner und Persönlichkeiten für verschiedene Publikationen interv...

Original-Ölgemälde von Sharon Sprung aus New York. Sharon Sprung (geb. 1953, Glen Cove, NY) besuchte die Cornell University und studierte an der Art Students League of New York und ...

Porträt einer jungen Frau in einem eleganten weißen Kleid von Antonio Sotomayor (Bolivianer, 1902-1985). Signiert "Sotomayor" in der unteren linken Ecke. Präsentiert in einem Holzrah...

Provenienz In Kommission an die Galerie von einem privaten Sammler in Newport Beach, Kalifornien. Künstlerisches Statement "Das Volk der Miao ist eine der größten ethnischen Gruppen...

Fred Calleri wurde in Maryland geboren und ist langsam in Richtung Westen gezogen, wo er heute in Santa Barbara, Kalifornien, lebt. Auf seinem Weg dorthin machte er 1993 einen Abschl...

Kazuya Ushiodas The Sound of Prayer (2021) ist ein beeindruckendes figuratives Ölgemälde, das einen Moment der stillen Reflexion einfängt. Diese hohe und schlanke Komposition mit den Maßen 44,12 x 11,87 x 0,70 cm zeigt eine einzelne Figur in einem weißen Kimono...

Porträt eines Militärgenerals Feines 19. Jh. Europäisches, neoklassizistisches Porträt eines Militärgenerals in halber Länge, ein stattlicher Mann in militärischem Ornat mit goldenen...

"Within Arms Length" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, vintage comics, Staten Island, NY, New York, NYC, character, robot, robots w...

"Laura #1" von Rebecca Mason Adams ist ein wunderschönes originales fotorealistisches Gemälde in Acryl auf Leinwand, das eine Frau zeigt, die zufrieden im Bett liegt, in einem blasse...

Wunderschönes Porträt einer Frau aus San Francisco von dem europäischen Porträtkünstler Alfred Jonniaux (Belgier/Amerikaner, 1882-1974), um 1950. Verso signiert. Präsentiert in einem...

"Spectre" (2024) von Andrew Cadima ist ein handgefertigtes Original-Ölgemälde, das das Porträt einer verzerrten Frau in kontrastreichem Blau und Rot zeigt. Dieses Stück misst 11 x 9 ...

CAROLINA GOMEZ Smaragd aus der Serie Mirror Stone (Porträtgemälde Hedy Lamarr) 32 x 64 Zoll - Einzigartig ÖL AUF KANAVAS Carolina Gomez' Werke sind bekannt geworden für die kraftvol...

Kelly Birkenruths (USA) "Lost in Thought" ist ein originales, handgefertigtes Ölgemälde, das eine einsame weibliche Figur im Profil zeigt, die auf japanische Blüten im Hintergrund bl...

„Close Encounters“ von Zoa Ace (US-based) ist ein originales, handgefertigtes Ölgemälde, das eine Gruppe von Menschen zeigt, die Instrumente spielen und im Vordergrund miteinander sp...

Unter den vielen Auszeichnungen, die ich Dean Cornwell zuteil werden lassen würde, steht an erster Stelle, dass er einer der größten Porträtmaler Amerikas ist. Mit wenigen Strichen f...

John Bakers "The Greatest Possible Success" ist ein Acrylgemälde auf Leinwand mit Collage im Format 24 x 20 Zoll in Grau-, Silber- und Weißtönen. Die dramatische Vertikalität der Arc...

Im Angebot ist ein Porträt des berühmten englischen Juristen Sir William Blackstone (1723-1780). Jeder Anwalt, der es wert ist, bei der Anwaltskammer zugelassen zu werden, kennt den ...

Ureinwohner Amerikas "Porträt eines fröhlichen Mannes" Emin Abbasov (geb. 1950, Aserbaidschan) Öl auf Karton, signiert 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 Rahmen) Zoll Emin Abbasov ist ...

Ohne Titel (Big Momma im Profil) Signiert vom Künstler unten rechts: "Sedrick Huckaby III". Tempera und Gesso auf Buchkarton (Tafelgröße) 32 x 20 Zoll Rahmen: 40 x 28-1/2" (101.6 x ...

"Riggs hat sich seinen Freunden in der Kunstszene von Philadelphia gegenüber offen als schwul zu erkennen gegeben, seinen Arbeitgebern gegenüber aber seine Orientierung verschwiegen....

Gesichter Gemälde von Marc Zimmerman. Das Gemälde "Gesichter" verkörpert die tiefen Verbindungen und geschätzten Beziehungen, die unser Leben bereichern. Dieses Meisterwerk ist in...

Clyde Steadmans "Regards" ist ein originales, handgefertigtes Ölgemälde, das das Porträt eines weiblichen Modells in einem dunklen Innenraum zeigt.

Titel: Lilien Medium: Öl auf Leinwand Größe: 34 x 31 Zoll Rahmen: Einrahmungsmöglichkeiten vorhanden! Zustand: Das Gemälde scheint in ausgezeichnetem Zustand zu sein. Hinweis: ...

Das vorliegende Werk zeigt das anonyme Porträt einer schönen Frau. Unter dem Titel "Les Chemins du Hasard", was übersetzt "Die Wege des Zufalls" bedeutet, strebt JM Robert danach, Ge...

Einsamkeit I, 2021

Titel: Frau neben dem Fenster Medium: Öl auf Leinwand Größe: 11,5 x 7,5 Zoll Rahmen: Einrahmungsmöglichkeiten vorhanden! Zustand: Das Gemälde scheint in ausgezeichnetem Zustand zu se...

Zeitgenössisches Original Abstrakte Figur des Profils und des detaillierten Auges Siebdruck - Life's Frustration Ein fesselnder abstrahierter Siebdruck des Profils eines Mannes mit ...

Inigo Sesma (1987 - ) - La Promesa Azul, Jahr: 2011, Medium: Öl auf Karton, verso signiert, betitelt und datiert, Größe: 30 x 24 Zoll (76,2 x 60,96 cm)

Höchstwahrscheinlich geschieht dies für Look Magazine, Sports Illustrated und Playboy oder vielleicht eine Werbeagentur. Das Werk ist in einem einfachen Metallrahmen gerahmt.

Jessica Oliveras' "Píntame angelitos negros" ist ein eindrucksvolles, figuratives Originalgemälde, das in Öl, Ölstift und Marker auf Leinen ausgeführt wurde. Dieses vielschichtige We...

"Silent Solitude" (Stille Einsamkeit) von Derek Harrison (USA) ist ein Original-Ölgemälde, das ein weibliches Modell im Schatten vor einer Kulisse aus Ebenen und blauem Himmel zeigt....

Burlesque-Clown Bert Lahr ist mit einem Bowlerhut und einem schiefen Grinsen zu sehen. Lahr glänzte in der Rolle des feigen Löwen im Zauberer von Oz. Hier ist er in seinem Komödia...

Jim's of Lambertville ist stolz darauf, dieses Kunstwerk anbieten zu können: Gershon Benjamin (1899-1985) Gershon Benjamin ist ein amerikanischer Modernist, der Porträts, Landschaf...

"Weißt du noch, wie wir immer an den Strand gegangen sind? Bevor Sie krank waren? I miss you..." (2023) von Andrew Cadima ist ein handgefertigtes Original-Ölgemälde, das das Porträt ...

Komplexes und detailliertes Historiengemälde im epischen Maßstab eines afrikanischen Stammesfestes mit einem anblickenden König. Das Werk weist eine Fülle von Details auf, vom Stil u...

Dieses hyperrealistische figurative Gemälde auf Leinwand misst 38,5 cm im Quadrat. Es ist in einem passenden goldfarbenen Rahmen gerahmt und kann aufgehängt werden. Es ist vom Künstl...

Louis Recchias "Best Wishes" ist ein originelles, handgefertigtes Gemälde in Mischtechnik, das zwei Figuren mit rosa und blauen Luftballons zeigt. Louis Recchia produziert seit übe...

Akribisch gestalteter Bericht über drei Goldsucher, die versuchen, Wasser zu finden, bevor sie nach Gold graben können. Magazin-Illustration des Alten Westens, Amerikanischer Westen,...

"Beer Witch" (2024) von Beth Randloff ist ein handgefertigtes Originalgemälde in Mischtechnik, das eine spielerische Szene zeigt, in der eine Hexe den Weizen und die Gerste in ihrer ...

Ifeoluwa Alades Gemälde *"Oasis "* aus dem Jahr 2024 ist ein eindrucksvolles Beispiel für die von ihm verwendete Araismus-Technik - ein einheimischer nigerianischer Malstil, der mit ...

"Tranquil Contemplation" von Derek Harrison (USA) ist ein Original-Ölgemälde, das ein weibliches Modell in einer entspannten Pose auf einem gelben Stuhl zeigt. Derek Harrison ist e...

"Memories or Ghosts" (2023), Chris RWK street art, aerosol art, graffiti, comics, red drips, shadow, highlights, illustration, street artist, Staten Island, NY, New York, NYC, charac...

Datum: 1956 Medium: Öl und Bleistift auf Pappe Abmessungen: 18.00" x 15.00" Signatur: Signiert mit den Initialen des Künstlers 'N/R' unten rechts Pan American World Airways Werbekam...

Dynamische und abstrakte Kunstwerke werden durch die Hände von Amadou Opa Bathily, einem Künstler, der tief mit der Bewegung verbunden ist, zum Leben erweckt. Der 1987 in Bamako gebo...

ANNA KINCAIDE "Nicht nach unten schauen" Öl auf Leinwand 72 x 60 Zoll Anna Kincaide kommuniziert Emotionen und Erzählungen mit begrenzter Unterstützung durch die Mimik ihrer Figuren...

Inspiriert von ihrem Hintergrund in der Modebranche schafft die Künstlerin Lindsey McCord lebendige Porträts, die das Selbstvertrauen zum Ausdruck bringen, das mit dem Spaß an Stil u...

Antike Illustration eines Golfspielers, der sich aus einem Sandloch befreit, von dem bekannten Illustrator Leslie Saalburg, dessen Arbeiten in Vanity Fair und Esquire erschienen.

Nadezdas wunderschönes neues Ölgemälde "Wisdom" (2024) ist ein surrealistisches Porträt von drei Frauen, die ein Ritual durchführen. Nadezda ist Malerin, Bildhauerin, Fotografin und...

Flüsternde Winde Di Li Feng, Chinesisch (1958) Datum: 1985 Öl auf Leinwand, verso signiert Größe: 47 x 69 Zoll (119,38 x 175,26 cm)

Joachim Probst (1913-1980) verso signiert und datiert 1946 Öl auf Leinwand Originalrahmen Joachim Probst war ein amerikanischer deutscher abstrakter Maler Hier haben wir ein Bild ...

Dynamisches fauvistisches Porträtgemälde mit dem Titel "Chicken Yard" der kalifornischen abstrakt-expressionistischen Künstlerin Kristin Cohen (Amerikanerin, geb. 1963). Kristin Cohe...