Acerca de Atelier Lorenzo Franceschinis
Lorenzo Franceschinis, nacido en Friuli, en el noreste de Italia, regresó a su tierra natal en 2010 tras pasar varios años en el extranjero trabajando para continuar su afición de toda la vida por la carpintería. Creyente en la artesanía genuina, Franceschinis se ha centrado en desarrollar sus habilidades desde entonces. Hoy en día, su actitud natural hacia la innovación ha avanzado más allá de la carpintería tradicional, en la que el alma de la madera se sacrifica a menudo en nombre de la producción en serie. El enfoque Franceschinis del torneado de madera está impulsad...Leer más

Vendedor de 1stDibs desde 2019
Piezas destacadas
2.º década del siglo XXI, Italiano, Moderno orgánico, Jarrones
Madera, Roble
2.º década del siglo XXI, Italiano, Artes y manualidades, Jarrones
Nogal
2.º década del siglo XXI, Italiano, Artes y manualidades, Jarrones
Ciprés
Más información sobre Atelier Lorenzo Franceschinis

Making is a constructive, fulfilling human need that encourages us to think and turn an idea into something that is more than a concrete object. It teaches us to value creativity and beauty beyond numbers and borders. It creates bridges within and between communities.

What inspires my work is life in its simplest and most archaic form. During college I specialised in marine biology, the ocean is where life originated over 3 billions years ago, radial symmetry still dominates our environment, from the microscopical level to the architecture of our modern societies. Possibly it is because our origin is bound to these simple shapes that we inherently find them attractive

The lathe is my tool of choice and wood the material. Muscular memory and a trained eye my designing tools. Technology has been instrumental for both my philosophical and technical development, it has brought unprecedented access to information and sharing of knowledge world wide, allowing forgotten trades to rise again through the hands of a new generation of craftsmen by choice, rather than by necessity.

I opt for recycling, the wood is salvaged from fallen trees, opening new challenges to experiment with about any species that I can find, each one displaying features that shine above all the others.

I don’t like to impose myself, I’m not working on a plain blank, any excess of mine stretches the distance between me and the medium, I rather look for a dialog with its uniqueness. It’s a process in constant evolution, reading trees is like browsing through the secrets of time. It’s the curiosity to know more about it and myself that drives me further




