Theo Wujcik

Billy Bengston (Portrait de l'artiste pop)

1970

Theo Wujcik (1936-2014) : Peter Max, 1970. Eau-forte en noir sur papier vélin. Non signée. 3.5 x 4.25 in. (feuille), 10 x 9 in. (cadre). Cadre en laiton soudé sur mesure avec coins...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent état. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig...

Robert Bliss (1925-1981). L'homme en pensée, 1964. Graphite sur toile, 11.5 x 46 pouces. Signé et daté en bas à gauche. Le morceau droit du cadre de base en bois est manquant et po...

Mollie Erkenbrack. New Men XXXIX, 2014 Huile sur panneau de lin, 5 x 7 pouces. Signée avec le monogramme de l'artiste, en bas à droite.

Peter Lupkin utilise son style de peinture expressif pour donner vie à cet autoportrait à petite échelle. Avec des poches de couleur et de texture sur l'ensemble du visage, le sujet ...

Polymère synthétique sur papier. Ce travail est unique. L'œuvre est accompagnée d'un certificat de provenance. Estampillé au verso par la succession de l'artiste et la Fondation Andy...

Heidi McFall (Américaine, 20e siècle) "Tony #1" portrait original au pastel, vers 2000 Magnifique portrait au pastel réalisé par l'artiste du Texas et de l'Idaho, Heidi McFall. Int...

Présentation d'un rare dessin à l'encre de Chine de l'artiste américain Ron Blumberg. "Henry" a été créé à New York ; un dessin original à la plume et à l'encre, signé, titré, ver...