Martica Miguens

Peinture minimaliste d'une artiste américaine new-yorkaise bleue, noire, rouge profond, 1974

1974

Une acrylique originale sur toile de lin de l'artiste américaine Martica Miguens. La succession de l'artiste a été récemment exhumée et acquise par la galerie Benjaman. Miguens était relativement inconnu de son vivant, mais a exposé à New York dans les années 1970. Elle était une amie et une contemporaine des célèbres artistes Robert Ryman...

Une acrylique originale sur toile de lin de l'artiste américaine Martica Miguens. La succession de l'artiste a été récemment exhumée et acquise par la galerie Benjaman. Miguens était relativement inconnu de son vivant, mais a exposé à New York dans les années 1970. Elle était une amie et une contemporaine des célèbres artistes Robert Ryman...

Une acrylique originale sur toile de l'artiste conceptuel contemporain américain Julian Montague, issue de la série Semi-Fictions de l'artiste. L'ensemble des œuvres incluses dans S...

Jolie peinture abstraite du milieu du siècle de Gabrielle Roos. Huile sur toile. Signé au verso.

"Rail fendu" Acrylique sur toile de lin sur panneau. 12 x 9" 2018 Sara Walton orchestre une symphonie de couleurs qui transcende la simple esthétique visuelle, plongeant dans le d...

"Shaped Canvas" est une peinture à l'huile abstraite créée par Peg Fritsch. Fritsch a modelé la toile elle-même avec une abstraction de formes géométriques. Le coin inférieur droit e...

Untitled 1 (2001) (Abstract Painting) Adhesive tape, acrylic, lacquer, cardboard, on MDF. Non encadré. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed on acrylic painted and lacquered cardboard on MDF. The construction of this work creates a set of layers behind each other. The work appears as an entity and respects the qualities of each material. It is a "constructed-constructive" painting. Daniel Göttin is a Swiss artist whose work is divided between site-specific work and coloured or painted objects for walls. He lives and works in Basel. Göttin has organized more than 60 solo exhibitions and projects since 1990 at museums, institutions, galleries, public and private collections as well as non-profits, throughout Europe, Japan, Australia, Mexico and the United States. Together with his partner Gerda Maise he started the philanthropic artspace Hebel_121 in Basel in 1998, offering foreign artists a platform for installative exhibitions. Hebel_121 is showing continuously. Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. The concept for an installation work depends on the site and its conditions. For his objects and paintings, he uses similar material. His interest and concept are to examine the subjective nature of perception, and playfully responds to the characteristics of an architectural site or...

Untitled 1 (2001) (Abstract Painting) Adhesive tape, acrylic, lacquer, cardboard, on MDF. Non encadré. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed on acrylic painted and lacquered cardboard on MDF. The construction of this work creates a set of layers behind each other. The work appears as an entity and respects the qualities of each material. It is a "constructed-constructive" painting. Daniel Göttin is a Swiss artist whose work is divided between site-specific work and coloured or painted objects for walls. He lives and works in Basel. Göttin has organized more than 60 solo exhibitions and projects since 1990 at museums, institutions, galleries, public and private collections as well as non-profits, throughout Europe, Japan, Australia, Mexico and the United States. Together with his partner Gerda Maise he started the philanthropic artspace Hebel_121 in Basel in 1998, offering foreign artists a platform for installative exhibitions. Hebel_121 is showing continuously. Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. The concept for an installation work depends on the site and its conditions. For his objects and paintings, he uses similar material. His interest and concept are to examine the subjective nature of perception, and playfully responds to the characteristics of an architectural site or...