Peintures du New Hampshire

Peinture encadrée en verre inversé provenant de l'île de Madura, au large de la côte nord-est de Java. La peinture représente un paysage marin mythique avec un éventail de couleurs v...

Magnifique peinture à l'huile naïve d'une jeune fille. Fabuleuses couleurs sourdes. L'austérité de l'image va de pair avec la simplicité du cadre en chêne blanchi. J'ai choisi de n...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

Grande peinture murale hindoue sur tissu de soie. Dimensions : 44,5 x 76 x 1,5 cm : 44,5 x 76 x 1,5. Encadré dans un cadre en bois doré.

Intéressante peinture d'art populaire du 19e siècle représentant une jeune fille tenant une bible. Huile sur toile avec un paysage arboré et un ciel bleu. Dans un cadre en bois doré ...

Captivant et intrigant panneau d'art populaire sud-américain du début du XXe siècle, trouvé dans le Mississippi, représentant un personnage avec ce qui semble être un couvre-chef tri...

Americana Folk Outsider Art, huile sur toile de l'artiste afro-américain John Jones, circa 1990-début 2000, USA. La peinture signée représente un homme montrant le derrière de sa tan...

Superbe petite aquarelle de folkhart américain représentant un jeune homme. Assis, le bras sur le dossier de ce qui semble être une chaise en érable tigré de l'époque. Dans le coin i...

L'outsider fantaisiste, Folk Art peinture à l'huile par William R. Straly, excellente utilisation de la couleur. Texture et espace.

Milieu du 20e siècle Peinture balinaise sur tissu de soie, Encadrée. Vintage grand tableau d'art balinais, de Ubud, Bali acrylique sur soie. De...

Portrait à l'huile sur toile d'une femme distinguée, milieu du XIXe siècle, portant une robe de soie, une suite de bijoux en or comprenant des boucles d'oreilles, un long collier et ...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...