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Costume militaire de Jordan Orsini, noble romain à cheval, publié en 1845

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Military Costume of Jordan Orsini, Roman Nobleman on Horseback This striking 19th-century hand-colored print, marked as Plate No. 58, presents Jordan Orsini, a member of one of Rome's most powerful noble families, portrayed in late 15th-century ceremonial military dress, mounted on a stately white horse. The figure is illustrated in full armor, adorned with rich detailing and a red cap, in a highly stylized riding posture, exuding both authority and refined elegance. The costume was reconstructed from a nearly forgotten funerary monument located in a remote church in Monte-Rotondo, in the Sabine hills. According to the accompanying historical notes, Jordan Orsini's depiction here offers valuable insight into the military attire still in use toward the end of the 15th century. The Orsini family, whose origins date back to ancient Roman nobility, were known for producing notable statesmen, cardinals, and military commanders. Jordan, likely a descendent of this illustrious lineage, is commemorated for restoring Monte-Rotondo and is believed to be the ancestor of a line renowned for its distinguished military leaders. The plate notes that this style of armor shares strong similarities with that of Antoine Rido (referenced in plate No. 22), especially in its ornate cuirass and distinct lance support. This fashion of military dress appears to have been widespread, as evidenced by a similar bas-relief of Annibale Bentivoglio on horseback in Bologna’s Saint-Jacques-Majeur church, depicted in almost identical armor. Bentivoglio died in 1488, while Jordan Orsini is recorded to have died in 1484 in Florence, returning from a mission commissioned by Pope Sixtus IV. He was only 38 years old at the time of his death. This costume print stands out for its historical richness, drawing connections between art, genealogy, and the ceremonial visual language of nobility in Renaissance Italy. Collectors of historical costume, equestrian portraiture, and Italian Renaissance heritage will appreciate its detailed composition and rarity. The coloring of this costume plate is notably enriched with gilded detailing, which adds a layer of opulence and historical authenticity to the figure of Jordan Orsini. Gold is used here not merely as a decorative accent but as a symbolic indicator of status, authority, and ceremonial importance. In this print, the gold highlights appear on several key elements: Horse tack and harness: The bridle, reins, and saddle are adorned with gold-colored embellishments, suggesting a richly appointed ceremonial mount—typical of high-ranking military nobles. Orsini’s armor: Gold is used to outline sections of the armor, particularly at the joints, edges, and along the decorative motifs. The epaulettes, belt, and the ornamental elements of the cuirass are enriched with golden tones, reinforcing the nobility of the character. Boot spurs and stirrups: The golden spurs stand out as symbols of military prestige and knighthood. Fringe and trim: Additional gold accents on the costume’s trim and sword handle suggest refinement and bespoke craftsmanship. This application of gold—not actual gold leaf, but finely hand-applied pigment—was a common technique in 19th-century hand-colored engravings to simulate the richness of ceremonial attire. It serves both an aesthetic and interpretative function: visually elevating the subject while informing the viewer of his noble rank and elite social role. The use of gold in such prints often mirrors how these costumes would have appeared in real life, especially in pageants, public ceremonies, or equestrian portraits carved in relief or painted on frescoes. From a collector's standpoint, the preservation of these golden highlights is important. In this particular print, they appear to be well-preserved and tastefully applied, enhancing the image without overwhelming the more subdued tones of the armor and background. Their subtle sheen would become even more pronounced when professionally framed under soft lighting. This golden embellishment makes the print particularly appealing for display, as it bridges the gap between historical illustration and decorative art. Condition summary: The print is in very good condition with minimal age toning. The hand-coloring remains vivid. Minor foxing in the margins but the central image is unaffected. The impression is crisp and clear and highlighthed with gold. Framing suggestion: To highlight the vibrant uniform and historical value, this print would be best displayed in a gold or deep mahogany frame with a neutral off-white or cream mat. For best results, use UV-protective glass to preserve the delicate colors and fine linework.

Dimensions:

Hauteur : 30,3 cm (11,93 po)Largeur : 22,3 cm (8,78 po)Profondeur : 0,2 mm (0,01 po)

Matériaux et techniques:

Papier,Gravé

Lieu d'origine:

France

Période:

Milieu du XIXe siècle

Date de fabrication:

1845

État:

The print is in very good condition with minimal age toning. The hand-coloring remains vivid. Minor foxing in the margins but the central image is unaffected. The impression is crisp and clear and highlighthed with gold.

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Papier

Impression ancienne d'un noble et d'une noble chinoise par Honegger, 1845

235 $US Prix de vente

695 $US / ensemble

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Catégorie

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Matériaux

Airwood, Papier

Série de six estampes italiennes représentant des costumes romains pittoresques par Pinelli 1831

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Catégorie

20ième siècle, Anglais, Victorien, Estampes

Matériaux

Verre, Papier

Impressions anglaises d'un cours de licence encadrées de chasse de renard sur dos de cheval, lot de 2

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