Retablo de Saint Joseph encadré du 19ème siècle

Paysage peint à l'huile sur toile par Johann Dominik (J.D.) Bossi probablement en Allemagne au début du 19ème siècle. Encadré dans un nouveau cadre en bois doré. Peinture d'environ ...

Nature morte néo-réaliste à l'huile sur carton de Victor Simonin (1877-1946) peinte au début du 20e siècle. Signé par l'artiste. Victor Simonin s'est formé à l'Académie Royale des ...

Grand torse nu au fusain, signé par l'artiste K.K. Jones. Les œuvres d'art sont encadrées et recouvertes d'un passe-partout professionnel. 23 x 17 à vue Peut être récupéré gratuite...

Ensemble de six livres reliés en cuir de langue française, estampillés et gaufrés à la feuille d'or. Intitulé Oeuvres de Crebillion par Sterne, imprimé à Paris en 1802 et 1818.

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

Icône russe traditionnelle en peinture à la détrempe sur bois, représentant saint Georges à Lydda, terrassant un dragon qui, dit-on, surgissait chaque jour d'un lac pour voler et man...

Cette magnifique œuvre d'art est originaire de France. Le tableau représente un homme et une femme échangeant des fleurs. Vers les années 1830.