Articoli simili a 17th Century Diana and Actaeon Hernest Daret Mythological Oil on Canvas Green
Vuoi altre immagini o video?
Richiedi altre immagini o video al venditore
1 di 10
Hernest Daret17th Century Diana and Actaeon Hernest Daret Mythological Oil on Canvas Green
4800 €IVA inclusa
Spedizione
Recupero del preventivo…La promessa 1stDibs:
Garanzia di autenticità,
Garanzia di rimborso,
Annullamento entro 24 ore
Informazioni sull’articolo
Painting oil on canvas measuring 80 x 62 cm without frame and 105 x 82 cm with a contemporary frame by the painter Ernest daret, depicting the myth of Diana and Actaeon.
According to the myth, during a hunting trip, Actaeon provoked Diana's wrath when he caught her bathing with her companions in the shade of the Gargafia forest. The summer heat induced her to put on her clothes and cool off, interrupting the hunt. The goddess, to prevent the hunter from speaking about what he had seen, transformed the young man into a stag by spraying water on his face. Actaeon only realised his transformation when he ran to a spring, where he could see himself reflected in the water. Meanwhile the hunter was joined by his 50 dogs, enraged by Artemis, who, not recognising him, mauled their old master. The dogs, once they had devoured Actaeon, set out in search of their master throughout the forest, filling it with painful wails.
Later they came to the cave of Chiron, who gave them an image of their master to ease their pain.
If we had to choose a work that illustrates with illuminating clarity the contamination between schools of painting and strongly characterised referential platforms, the painting under examination would stand as a true exemplum.
characterised,
Indeed, the visual impact directs the critical investigation towards the Flemish background of Jan Brueghel the Elder (Brussels, 1586-Antwerp, 1625) and his school.
Depending on the geographical spheres of the respective schools, the fortunate subject matter is moulded by the artists' sensibility, which in turn is conditioned by the cultural background of reference, which in the aforementioned Brueghel favours the minute investigation of reality, taking its cue from classical narrative to offer the viewer an “encyclopaedic” survey of plants and animals. This determines a compositional cut that strongly emphasises the foreground, populated by a dense array of characters including here both Diana and Actaeon
This last work bears witness to the undoubted penetration of Nordic culture in northern Italy, which already in the Baroque era boasted an extraordinary assimilation.
The compositional assonances with the painting under study are undoubtedly stringent - to reiterate what has just been said -, although the latter clearly differs from the former on a stylistic and formal level, the author of our painting transfers the same theme onto the canvas through a loose and immediate language, obliterating the accurate handwriting and the lenticular attention to detail in favour of the atmosphere and the strength of colour.
Ingredients, the latter, that are also basic to the Venetian pictorial recipe.
Never before has there been such a courageous and fascinating contamination between two schools of painting - also representing two distinct visions of the world and of art - by a master who grew up in Flanders and emigrated to the territories of the Serenissima, as was the case with Emest Daret, better known as Monsù Emesto (Brussels 1670 - Venice post 1725).
Known for his landscapes with popular scenes, in this case he proves to be a very stimulating personality and much more complex than the pictorial evidence has so far handed down to us. One of his guiding characteristics, unfailing in all his works, is a broad perspective rich in nature in the background with a rich foreground of characters, as we note in the construction of this work.
Moreover, the lively and captivating ductus expresses in the textural brushstrokes the spirit of the ‘pioneers’, i.e. the first generation of Flemish landscape and Vedutists who came to Venice, who would lay the foundations for giving a new identity to the ‘foreign genres’, ushering in the ‘magnificent fates’ of the Golden Century.
The paintings and works of art published here are my exclusive property and therefore are always available to be viewed, by appointment, in my exhibition sites located in Sanremo and Brescia.
This item , like all our objects, is sold accompanied by a photographic certificate FIMA of authenticity and lawful origin; this document identifies the object by adding more value to the article.
We take care and personally organize the packaging and shipping of our items with insurance all over the world..
Mr. Riccardo Moneghini
Art Historian
- Creatore:Hernest Daret (1670 - 1725)
- Dimensioni:Altezza: 80 cm (31,5 in)Larghezza: 62 cm (24,41 in)
- Più edizioni e dimensioni:105 x 82 con cornice Prezzo: 4800 €
- Tecnica:
- Movimento e stile:
- Periodo:
- Condizioni:
- Località della galleria:Sanremo, IT
- Numero di riferimento:1stDibs: LU1510215521062
Informazioni sul venditore
5,0
Venditore professionale selezionato
Ogni venditore supera rigorosi standard di autenticità e affidabilità
Fondazione nel 2013
Venditore 1stDibs dal 2021
6 vendite su 1stDibs
- SpedizioneRecupero del preventivo…Spedizione da: Sanremo, Italia
- Politica di reso
Alcune parti di questa pagina sono state tradotte automaticamente. 1stDibs non può garantire che le traduzioni siano corrette. L’inglese è la lingua predefinita del sito.
Garanzia di autenticità
Nell’improbabile caso in cui si verifichi un problema con l’autenticità di un articolo, contattaci entro un anno per ottenere un rimborso completo. DettagliGaranzia di rimborso
Se il tuo articolo non corrisponde alla descrizione, è danneggiato durante il trasporto o non arriva, contattaci entro 7 giorni per un rimborso completo. DettagliAnnullamento entro 24 ore
Hai un periodo di tolleranza di 24 ore per annullare il tuo acquisto, senza necessità di fornire spiegazioni.Venditori professionali selezionati
I nostri venditori di livello internazionale devono aderire a rigorosi standard di servizio e qualità, garantendo l’integrità delle inserzioni.Garanzia miglior prezzo
Se scopri che un venditore ha pubblicato altrove lo stesso articolo a un prezzo più basso, applicheremo lo stesso prezzo.Consegna globale affidabile
La nostra rete di vettori leader del settore offre opzioni di spedizione specializzate in tutto il mondo, inclusa la consegna personalizzata.Altro da questo venditore
Mostra tuttoXIX Century Maurizio Scarpari Gran Prix Racing Cars Oil on Canvas
Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...
Categoria
1990s, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
XIX Century Maurizio Scarpari Gran Prix Racing Cars Oil on Canvas
Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...
Categoria
1990s, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
XIX Century Maurizio Scarpari Gran Prix Racing Cars Oil on Canvas
Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...
Categoria
1990s, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
XX Century F1 Grand Prix Maurizio Scarpari Racing Cars Oil on Canvas White
Painting, oil on canvas, measuring 55 x 65 cm without frame and 64 x 82 cm with frame, depicting two racing Ferraris, during a grand prix, by the painter Maurizio Scarpari, as can be...
Categoria
1990s, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
17th Century Myth of Diana and Ataeon Francesco Solimena Oil on Canvas Blu Red
Di Francesco Solimena
Painting oil on canvas depicting the myth of Diana and Actaeon measuring 110 x 130 without frame and 120 x 140 with frame by the painter Francesco Solimena.
According to the myth, during a hunting trip, Actaeon provoked Diana's wrath when he caught her bathing with her companions in the shade of the Gargafia forest. The summer heat induced her to put on her clothes and cool off, interrupting the hunt. The goddess, to prevent the hunter from speaking about what he had seen, transformed the young man into a stag by spraying water on his face. Anteone si rese conto della sua trasformazione solo quando corse verso una sorgente, dove poté vedere se stesso riflesso nell'acqua. Nel frattempo il cacciatore fu raggiunto dai suoi 50 cani, inferociti da Artemis, che, non riconoscendolo, sbranarono il loro vecchio padrone. The dogs, once they had devoured Actaeon, set out in search of their master throughout the forest, filling it with painful wails. Later they came to the cave of Chiron, who gave them an image of their master to ease their pain.
Francesco Solimena, also known as L'Abate Ciccio, was a famous Italian painter of the late Baroque current. He was influenced in his conception of art by Luca Giordano for his creative and very scenic painting and Mattia Preti...
Categoria
Late 17th Century, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
17th Century Allegory of Charity Carlo Cignani Madonna and Child Oil on Canvas
Di Carlo Cignani
Painting, oil on canvas, with dimensions of 105 x 120 cm without frame and 125 x 140 with a beautiful carved frame depicting the 'allegory of charity and love with a woman with three...
Categoria
1690s, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
5625 € Prezzo promozionale
25% in meno
Ti potrebbe interessare anche
BATTAGLIA FANTASTICA FRA INSETTI E NANI
Straordinario esempio della produzione grottesca e fantastica di Alessandro Bernardino Deho, questo dipinto illustra una scena immaginifica in cui insetti antropomorfi e nani si affr...
Categoria
Late 17th Century, Scuola italiana, Dipinti figurativi
Materiali
Tela, Oil
Donne in giardino
Di Arthur Trevor Haddon
Firmato in basso a destra.
Arthur Trevor Haddon (1864-1941) era un maestro nel catturare momenti sereni e pittoreschi e la sua rappresentazione di una giovane donna che si occupa di...
Categoria
Inizio XX secolo, Scuola italiana, Dipinti figurativi
Materiali
Tela, Olio
Due ritratti di bambini di scuola italiana, 1800 ca.
Coppia di ritratti senza titolo, fine XIX secolo circa
Olio su tela
20 x 16 pollici.
Incorniciato: 22 x 19 1/4 x 1 poll.
Un dipinto siglato in basso a destra
Entrambi iscritti al ver...
Categoria
Fine XIX secolo, Scuola italiana, Dipinti figurativi
Materiali
Tela, Olio
MARCHÉ AUX PUCES - Elio Ferrara - Quadro figurativo italiano olio su tela
Di Elio Ferrara
Paris Marche' aux Puces - Olio su tela Elio Ferrara, Italia, anni '80
Elio Ferrara è nato a Napoli nel 1945, ha frequentato l'Academy of Art e poi ha lavorato come scenografo al teat...
Categoria
Anni 1980, Scuola italiana, Dipinti figurativi
Materiali
Tela, Olio
PAESAGGIO DI CAPRICCI - Scuola romana - Pittura italiana olio su tela
Di Vittorio Landi
Paesaggio - Vittorio Landi Italia 2014 - Olio su tela cm. 80 x 80.
In questo meraviglioso olio su tela il pittore si ispira ai Capricci architettonici, un genere pittorico del XVI...
Categoria
Inizio anni 2000, Scuola italiana, Dipinti (paesaggio)
Materiali
Tela, Olio
BATTAGLIA DI CAVALLERIA - Scuola napoletana - Figurativo italiano Olio su tela a vernice tonda
Di Salvatore Alfano
Battaglia di terra - Salvatore Alfano Italia 2006 - Olio su tela cm.40x40
Il Maestro Salvatore Alfano si è ispirato ai capolavori del grande Maestro napoletano Salvator Rosa, autore...
Categoria
Inizio anni 2000, Scuola italiana, Dipinti figurativi
Materiali
Tela, Olio
